Sharon Isbin's "Latin Romances for Guitar" is a captivating journey through the rich tapestry of Latin American classical music. Released in 1990 under Warner Classics, this album showcases Isbin's virtuosity and deep connection with the guitar, offering a diverse collection of pieces that span from lively dances to profound, introspective compositions.
The album begins with the energetic "Zapateado" by Sainz de la Maza, setting a dynamic tone that contrasts beautifully with the subsequent pieces. Rodrigo's "Invocación y danza" is a highlight, showcasing Isbin's ability to convey both the mystical and the rhythmic elements of the composition. Barrios Mangoré's "La catedral" is presented in two movements, "Andante religioso" and "Allegro solemne," demonstrating Isbin's mastery of both the delicate and the grand.
Jobim's "Road to the Sun" adds a touch of Brazilian charm, while Tárrega's "Capricho árabe" highlights Isbin's technical prowess. Brouwer's "El Decamerón negro" is a standout suite, with each movement—"La arpa del guerrero," "La huída de los amantes por el valle de los ecos," and "Balada de la doncella enamorada"—offering a unique narrative and emotional depth. Villa-Lobos's contributions, "Floresta do Amazonas" and "12 Estudos," showcase Isbin's ability to navigate complex compositions with ease.
Albéniz's "Mallorca" and "Asturias" round out the album, providing a sense of closure with their evocative melodies and rhythmic intricacies. Throughout the album, Isbin's playing is impeccable, her interpretation nuanced and full of character. "Latin Romances for Guitar" is a testament to Sharon Isbin's artistry and her ability to bring the essence of Latin American classical music to life.
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