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      1. Albums
      2. la cappella sistina - tomás luis de victoria

      La Cappella Sistina

      Tomás Luis de VictoriaTomás Luis de Victoria
      • 2011
      • 10 tracks
      • 1 uur
      • gregorian chant
      La Cappella Sistina - Tomás Luis de Victoria
      La Cappella Sistina - Tomás Luis de Victoria

      Album Details

      Immerse yourself in the sacred and hauntingly beautiful world of Tomás Luis de Victoria with this captivating album, "La Cappella Sistina." This exquisite collection of Gregorian chants and medieval compositions is a testament to the enduring power of Renaissance music. Released on April 5, 2011, under the Christophorus label, this album features a stunning array of choral works that span the Holy Week, from the Last Supper to the Resurrection.

      Victoria, often hailed as the most famous Spanish composer of the Renaissance, brings his unique polychoral style to the forefront, making this album a standout in the classical music canon. The album is structured around the Lamentations of Jeremiah, a series of poetic and musical reflections on the destruction of Jerusalem, and includes the iconic "Miserere mei Deus," a penitential psalm that showcases the depth and range of Victoria's compositional genius.

      With a duration of just over an hour, "La Cappella Sistina" is a profound exploration of faith, sorrow, and redemption. The album's ten tracks are performed with meticulous attention to detail, capturing the essence of Victoria's original intent. Whether you're a seasoned fan of Gregorian chant or a newcomer to the genre, this album offers a rich and rewarding listening experience. The intricate harmonies and profound lyrics will transport you to another time, inviting you to reflect on the timeless themes of human suffering and divine mercy.

      April 5, 20112011 Christophorus2011 Christophorus

      Tracks

      1. Officium Hebdomadae Sanctae: In Coena Domini, Lecio I: Incipit Lamentatio JeremiaeTomás Luis de Victoria, Ensemble Officium, Wilfried Rombach
        5:31
      2. Officium Hebdomadae Sanctae: In Coena Domini, Lecio II: Vau. Et Egressus estTomás Luis de Victoria, Ensemble Officium, Wilfried Rombach
        4:23
      3. Officium Hebdomadae Sanctae: In Coena Domini, Lecio III: Jod. Manum suamTomás Luis de Victoria, Ensemble Officium, Wilfried Rombach
        5:19
      4. Officium Hebdomadae Sanctae: In Passione Domini, Lecio I. Heth. Cogitavit DominusTomás Luis de Victoria, Ensemble Officium, Wilfried Rombach
        5:16
      5. Officium Hebdomadae Sanctae: In Passione Domini, Lecio II. Lamed. Matribus suisTomás Luis de Victoria, Ensemble Officium, Wilfried Rombach
        3:56
      6. Officium Hebdomadae Sanctae: In Passione Domini, Lecio III. Aleph. Ego virTomás Luis de Victoria, Ensemble Officium, Wilfried Rombach
        6:05
      7. Officium Hebdomadae Sanctae: In Sabbato Sancto, Lecio I: Heth. Misericordiae DominiTomás Luis de Victoria, Ensemble Officium, Wilfried Rombach
        6:05
      8. Officium Hebdomadae Sanctae: In Sabbato Sancto, Lecio II: Aleph. Quomodo obscuratumTomás Luis de Victoria, Ensemble Officium, Wilfried Rombach
        5:16
      9. Officium Hebdomadae Sanctae: In Sabbato Sancto, Lecio III: Incipit oratio Jeremiae ProphetaeTomás Luis de Victoria, Ensemble Officium, Wilfried Rombach
        6:14
      10. Miserere: Il salmo Miserere mei DeusGregorio Allegri, Ensemble Officium, Wilfried Rombach
        12:37
      PLAY ON SPOTIFY

      About Tomás Luis de Victoria

      Tomás Luis de Victoria, born around 1548 in Sanchidrián, Spain, is celebrated as the most renowned Spanish composer of the Renaissance era. His musical journey began as a choirboy in Ávila Cathedral, where he also honed his skills on the keyboard. Victoria's career flourished in both Spain and Italy, and he is revered for his intense and deeply emotional motets, as well as his profound compositions for the Offices of the Dead and Holy Week. Unlike many of his contemporaries, Victoria's extensive body of work is almost exclusively devoted to sacred and polyphonic vocal music, set to Latin texts. His contributions to the Roman Catholic Counter-Reformation are monumental, placing him alongside giants like Giovanni Pierluigi da Palestrina and Orlande de Lassus. Victoria's legacy endures, inspiring generations with his timeless choral masterpieces.

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      Tomás Luis de Victoria

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