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      1. Albums
      2. l'art français du chant, vol. 5 - régine crespin

      L'art français du chant, Vol. 5

      Régine CrespinRégine Crespin
      • 2015
      • 19 tracks
      • 1 uur, 15 min
      • opera
      L'art français du chant, Vol. 5 - Régine Crespin
      L'art français du chant, Vol. 5 - Régine Crespin

      Album Details

      Immerse yourself in the rich tapestry of French opera and classical music with Régine Crespin's captivating album, "L'art français du chant, Vol. 5." Released on November 25, 2015, this exquisite collection showcases Crespin's remarkable vocal prowess and her deep connection to the French musical heritage. Spanning a duration of 1 hour and 15 minutes, the album features 19 tracks, each a masterpiece in its own right, drawn from a variety of operas and compositions.

      Régine Crespin, a celebrated soprano known for her expressive and nuanced performances, delivers a mesmerizing rendition of arias from iconic works such as "Sapho," "La juive," "Le roi d'Ys," "Cadmus et Hermione," "Amadis," "Guercœur," "Werther," and "Thaïs." The album is a testament to her versatility and artistry, as she navigates through a diverse range of roles and emotions with grace and precision.

      Collaborating with esteemed musicians such as César Vezzani, Suzanne Juyol, and others, Crespin brings to life the intricate melodies and profound lyrics of these timeless pieces. The album is a harmonious blend of Crespin's luminous voice and the exquisite orchestrations that underscore the depth and beauty of French opera.

      "L'art français du chant, Vol. 5" is not just a collection of songs but a celebration of the French operatic tradition, highlighting the enduring legacy of composers who have shaped the genre. Whether you are a seasoned classical music enthusiast or a newcomer to the world of opera, this album offers a captivating journey through the rich and diverse landscape of French vocal artistry.

      November 25, 2015DOMForlane / DOM

      Tracks

      1. Sapho: Où suis-je?... Ô ma lyre immortelle (Sapho) - 1961 VersionCharles Gounod, Régine Crespin, Orchestre Symphonique Jésus Etcheverry, Jésus Etcheverry
        7:59
      2. La juive: Il va venir (Rachel) - 1951 VersionFromental Halévy, Régine Crespin, Orchestre Symphonique Jésus Etcheverry, Jésus Etcheverry
        5:18
      3. La juive: Rachel , quand du Seigneur (Air de Eléazar) - 1927 VersionFromental Halévy, César Vezzani, Orchestre Gustave Cloëz, Gustave Cloez
        4:14
      4. Le roi d'Ys: De tous côté... Lorsque je t'ai vu soudain! (Air de Margared) - 1947 VersionÉdouard Lalo, Suzanne Juyol, Orchestre du Théâtre National de l'Opéra de Paris, Louis Fourestier
        4:26
      5. Le roi d'Ys: Tais-toi, Margared, quel délire t'entraîne? (Rozenn) - 1933 VersionÉdouard Lalo, Germaine Corney, Orchestre Elie Cohen, Elie Cohen
        4:37
      6. Le roi d'Ys: Puisqu'on ne pas fléchir… Vainement, ma bien aimée (Récitatif et air de Mylio) - 1932 VersionÉdouard Lalo, André d´Arkor, Orchestre the Théâtre Royal de la Monnaie de Bruxelles, Maurice Bastin
        3:25
      7. Cadmus et Hermione, LWV 49: Belle Hermione (Cadmus) - 1939 VersionJean-Baptiste Lully, Charles Panzera, Madeleine Panzera
        3:10
      8. Cadmus et Hermione, LWV 49 "Air de ballet": Vous êtes le charme (Rafrina) - 1948 Version, Arr. by André CampraJean-Baptiste Lully, Gérard Souzay, Jaqueline Bonneau
        2:42
      9. Amadis, LWV 36: Bois épais (Amadis) - 1935 VersionJean-Baptiste Lully, Miguel Villabella, Orchestre Maurice Cauchie, Maurice Cauchie
        3:23
      10. Guercœur, Op. 12: Le calme rentre dans mon cœur (Guercœur) - 1933 VersionAlbéric Magnard, Arthur Endrèze, Orchestre François Rhulmann, François Rhulmann
        4:25
      11. Werther: Je ne sais si je veille ou si je rêve encore!... Ô nature pleine de grâce (Air de Werther) - 1912 VersionJules Massenet, Orchestre du Théâtre National de l'Opéra de Paris, Leon Campagnola, Elie Cohen
        3:20
      12. Werther: Reve… Extase… Bonheur! (Werther, Charlotte) - 1931 VersionJules Massenet, Georges Thill, Ninon Vallin, Orchestre Du Theatre National De L'Opera Comique, Elie Cohen
        3:47
      13. Werther: Un autre est son époux… J'aurais sur ma poitrine (Werther) - 1927 VersionJules Massenet, Fernand Ansseau, Orchestre du Théâtre National de l'Opéra de Paris, Louis Fourestier
        3:24
      14. Werther: Lorsque l'enfant revient d'un voyage (Werther) - 1964 Live VersionJules Massenet, Albert Lance, Orchestre Jésus Etcheverry, Jésus Etcheverry
        1:59
      15. Werther "Air des lettres": Werther! Werther! Ces lettres! (Charlotte) - 1931 VersionJules Massenet, Ninon Vallin, Orchestre Du Theatre National De L'Opera Comique, Elie Cohen
        6:06
      16. Werther: Je vous écris de ma petite chambre (Air de Charlotte) - 1907 VersionJules Massenet, Marie Delna, Elie Cohen, Orchestre Du Theatre National De L'Opera Comique
        3:06
      17. Werther: Toute mon âme est là! (Werther) - 1931 VersionJules Massenet, Georges Thill, Orchestre Du Theatre National De L'Opera Comique, Elie Cohen
        2:24
      18. Werther: N’achevez pas! Hélas! ce désespoir… (Charlotte, Werther) - 1926 VersionJules Massenet, Orchestre Du Theatre National De L'Opera Comique, Lucy Perelli, Elie Cohen
        2:21
      19. Thaïs: Honte! Horreur! (Athanaël) - 1961 Live VersionJules Massenet, Orchestre Jésus Etcheverry, Choeur Jésus Etcheverry, Jésus Etcheverry, Robert Massard
        5:34
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      About Régine Crespin

      Régine Crespin, born in Marseilles in 1927, was a French soprano whose illustrious career spanned nearly four decades, from 1950 to 1989. She was the first French prima donna to achieve a truly international reputation following the Second World War, captivating audiences with her powerful and nuanced performances. Crespin's repertoire was vast, encompassing roles from Italian, French, German, and Russian operas across various musical periods. She was particularly renowned for her interpretations of Wagner and Strauss heroines, earning her the nickname 'the French cannon' from British engineers for her immense vocal power. Her voice was admired for its elegance, warmth, and subtlety, making her a reigning prima donna in the opera world. Crespin's career transitioned to mezzo-soprano roles in the 1970s due to vocal changes, showcasing her adaptability and enduring artistry.

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