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      1. Albums
      2. kuhnau: complete sacred works, vol. 4 - johann kuhnau

      Kuhnau: Complete Sacred Works, Vol. 4

      Johann KuhnauJohann Kuhnau
      • 2019
      • 25 tracks
      • 54 min
      • choral
      Kuhnau: Complete Sacred Works, Vol. 4 - Johann Kuhnau
      Kuhnau: Complete Sacred Works, Vol. 4 - Johann Kuhnau

      Album Details

      Immerse yourself in the sacred works of Johann Kuhnau with the release of "Complete Sacred Works, Vol. 4." This captivating collection, released on January 4, 2019, under the CPO label, showcases the depth and spiritual resonance of Kuhnau's choral compositions. Spanning a duration of 54 minutes, this album features a remarkable cross-section of sacred works, offering a profound exploration of Kuhnau's musical legacy.

      Performed by the esteemed Opella Musica, Camerata Lipsiensis, and conducted by Gregor Meyer, this album brings together seven of Kuhnau's most compelling cantatas. Each piece is a testament to Kuhnau's mastery of choral writing, blending intricate harmonies with deeply moving melodies. The works range from the contemplative "Ich hebe meine Augen auff" to the triumphant "Was Gott tut, das ist wohlgetan," each offering a unique perspective on faith and devotion.

      Johann Kuhnau, a prolific composer of the Baroque era, is known for his contributions to sacred music, secular vocal music, and keyboard music. Although much of his output has been lost to time, his sacred cantatas remain a vital part of the choral repertoire. This album is a testament to Kuhnau's enduring influence and the timeless beauty of his music.

      Whether you are a longtime admirer of choral music or a newcomer to the genre, "Complete Sacred Works, Vol. 4" offers an enriching and spiritually uplifting experience. Dive into the rich tapestry of Kuhnau's compositions and discover the profound emotional and spiritual depth that his music has to offer.

      4 januari 2019(C) 2018 CPO(P) 2018 CPO

      Tracks

      1. Ich hebe meine Augen auff: I. SonataJohann Kuhnau, Camerata Lipsiensis, Gregor Meyer
        1:18
      2. Ich hebe meine Augen auff: II. Ich hebe meine Augen auf zu den BergenJohann Kuhnau, David Erler, Camerata Lipsiensis, Gregor Meyer
        2:02
      3. Ich hebe meine Augen auff: III. Meine Hülfe kömmt vom HerrenJohann Kuhnau, David Erler, Camerata Lipsiensis, Gregor Meyer
        1:21
      4. Ich hebe meine Augen auff: IV. Er wird deinen Fuß nicht gleiten lassenJohann Kuhnau, David Erler, Camerata Lipsiensis, Gregor Meyer
        1:20
      5. Ich hebe meine Augen auff: V. Siehe, der Hüter IsraelJohann Kuhnau, David Erler, Camerata Lipsiensis, Gregor Meyer
        5:46
      6. Missa Brevis: I. KyrieJohann Kuhnau, Friedemann Klos, Camerata Lipsiensis, Gregor Meyer
        1:35
      7. Missa Brevis: II. GloriaJohann Kuhnau, Friedemann Klos, Camerata Lipsiensis, Gregor Meyer
        3:54
      8. Ach Gott, wie lässt du mich erstarrenJohann Kuhnau, Opella Musica, Camerata Lipsiensis, Gregor Meyer
        5:11
      9. Muss nicht der Mensch auf dieser Erden: I. Muss nicht der Mensch auf dieser ErdenJohann Kuhnau, Tobias Hunger, Camerata Lipsiensis, Gregor Meyer
        3:36
      10. Muss nicht der Mensch auf dieser Erden: II. Doch wer sich tapfer hältJohann Kuhnau, Tobias Hunger, Camerata Lipsiensis, Gregor Meyer
        1:29
      11. Muss nicht der Mensch auf dieser Erden: III. Drum so lasset uns mit HaufenJohann Kuhnau, Tobias Hunger, Camerata Lipsiensis, Gregor Meyer
        0:55
      12. Muss nicht der Mensch auf dieser Erden: IV. Ach, aber ach, wir sind ja viel zu schwachJohann Kuhnau, Tobias Hunger, Camerata Lipsiensis, Gregor Meyer
        0:50
      13. Muss nicht der Mensch auf dieser Erden: V. Du musst uns und unsern WaffenJohann Kuhnau, Tobias Hunger, Camerata Lipsiensis, Gregor Meyer
        2:06
      14. In te Domine speravi: I. Sinfonia - In te, Domine, speraviJohann Kuhnau, Isabel Schicketanz, Camerata Lipsiensis, Gregor Meyer
        1:57
      15. In te Domine speravi: II. In iustitia tua libera meJohann Kuhnau, Isabel Schicketanz, Camerata Lipsiensis, Gregor Meyer
        1:14
      16. In te Domine speravi: III. Esto mihi in Deum protectoremJohann Kuhnau, Isabel Schicketanz, Camerata Lipsiensis, Gregor Meyer
        1:22
      17. In te Domine speravi: IV. Quoniam fortitudo meaJohann Kuhnau, Isabel Schicketanz, Camerata Lipsiensis, Gregor Meyer
        1:05
      18. In te Domine speravi: V. Educes me de laqueo hocJohann Kuhnau, Isabel Schicketanz, Camerata Lipsiensis, Gregor Meyer
        2:21
      19. Gott hat uns nicht gesetzt zum ZornJohann Kuhnau, Opella Musica, Gregor Meyer
        4:31
      20. Was Gott tut, das ist wohlgetan: Versus 1, ChoraleJohann Kuhnau, Isabel Schicketanz, David Erler, Tobias Hunger, Friedemann Klos, Camerata Lipsiensis, Gregor Meyer
        3:35
      21. Was Gott tut, das ist wohlgetan: Versus 2, AndanteJohann Kuhnau, David Erler, Friedemann Klos, Camerata Lipsiensis, Gregor Meyer
        1:26
      22. Was Gott tut, das ist wohlgetan: Versus 3, Andante con motoJohann Kuhnau, Tobias Hunger, Camerata Lipsiensis, Gregor Meyer
        1:07
      23. Was Gott tut, das ist wohlgetan: Versus 4, Andante, quasi allegrettoJohann Kuhnau, Isabel Schicketanz, Camerata Lipsiensis, Gregor Meyer
        2:03
      24. Was Gott tut, das ist wohlgetan: Versus 5, AndanteJohann Kuhnau, Isabel Schicketanz, Camerata Lipsiensis, Gregor Meyer
        1:09
      25. Was Gott tut, das ist wohlgetan: Versus 6, Allegro moderatoJohann Kuhnau, Isabel Schicketanz, David Erler, Tobias Hunger, Friedemann Klos, Camerata Lipsiensis, Gregor Meyer
        1:27
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      About Johann Kuhnau

      Johann Kuhnau was a remarkable German polymath whose legacy endures primarily through his compositions, though his talents extended far beyond music. As the Thomaskantor in Leipzig for 21 years, Kuhnau wore many hats—novelist, translator, lawyer, and music theorist—all while creating a rich tapestry of choral works. Today, he is best remembered for his Biblical Sonatas, a collection of programmatic keyboard sonatas published in 1700. Each sonata vividly depicts a specific biblical story, showcasing Kuhnau's unique ability to blend narrative and music. His tenure at Leipzig was followed by the illustrious Johann Sebastian Bach, cementing his place in musical history. Despite the loss of many of his larger vocal works, Kuhnau's innovative approach to musical storytelling continues to captivate audiences and inspire musicians.

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      Johann Kuhnau

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