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      1. Albums
      2. koechlin: vocal works with orchestra - charles koechlin

      Koechlin: Vocal Works With Orchestra

      Charles KoechlinCharles Koechlin
      • 2007
      • 16 tracks
      • 1 uur, 54 min
      • chamber music
      Koechlin: Vocal Works With Orchestra - Charles Koechlin
      Koechlin: Vocal Works With Orchestra - Charles Koechlin

      Album Details

      Immerse yourself in the enchanting world of Charles Koechlin's "Koechlin: Vocal Works With Orchestra," a captivating collection of vocal and orchestral pieces that showcase the composer's unique musical language and profound emotional depth. Released in 2007 by SWRmusic, this album is a testament to Koechlin's mastery of chamber music, featuring a diverse range of compositions that span various moods and themes.

      The album opens with the ethereal "4 Poemes d'Edmond Haraucourt, Op. 7," a set of songs that evoke the dreamy, poetic imagery of Haraucourt's verses. The soprano Juliane Banse delivers a mesmerizing performance, her voice weaving through the intricate orchestral textures with grace and precision. The album also includes the hauntingly beautiful "Chanson de Mélisande," a work that showcases Koechlin's ability to create a sense of longing and melancholy through his music.

      One of the highlights of the album is the "2 Poemes Symphoniques, Op. 43: II. Vers la Plage lointaine," a symphonic poem that transports the listener to a distant, sun-drenched shore. The orchestration is rich and vivid, with each instrument contributing to the overall atmosphere of the piece. The album also features several other standout tracks, including the evocative "Poemes d'automne, Op. 13" and the dramatic "Chant funebre a la memoire des jeunes femmes defuntes, Op. 37."

      Throughout the album, Koechlin's music is characterized by its intricate harmonies, rich orchestration, and deep emotional resonance. The performances by Juliane Banse and the Stuttgart Radio Symphony Orchestra, conducted by Heinz Holliger, are nothing short of exceptional, bringing Koechlin's music to life with passion and precision. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, "Koechlin: Vocal Works With Orchestra" is sure to captivate and inspire.

      1 januari 2007(C) 2007 SWRmusic(P) 2007 SWRmusic

      Tracks

      1. 4 Poemes d'Edmond Haraucourt, Op. 7: I. Clair de luneCharles Koechlin, Juliane Banse, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        5:34
      2. 4 Poemes d'Edmond Haraucourt, Op. 7: II. Pleine EauCharles Koechlin, Juliane Banse, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        4:49
      3. 4 Poemes d'Edmond Haraucourt, Op. 7: III. Dame du cielCharles Koechlin, Juliane Banse, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        5:07
      4. 4 Poemes d'Edmond Haraucourt, Op. 7: IV. Aux Temps de FeesCharles Koechlin, Juliane Banse, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        3:45
      5. 2 Poemes Symphoniques, Op. 43: II. Vers la Plage lointaineCharles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        7:14
      6. Poemes d'automne, Op. 13: I. Declin d'amourCharles Koechlin, Juliane Banse, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        5:46
      7. Poemes d'automne, Op. 13: II. Les reves mortsCharles Koechlin, Juliane Banse, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        8:15
      8. 2 Poemes d'Andre Chenier, Op. 23: I. La jeune TarentineCharles Koechlin, Juliane Banse, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        8:56
      9. Chanson de Melisande (arr. C. Koechlin for voice and orchestra) [Orch. By C. Koechlin]Gabriel Fauré, Juliane Banse, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        3:40
      10. 3 Melodies, Op. 17: II. La Priere du mortCharles Koechlin, Juliane Banse, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        6:03
      11. 3 Melodies, Op. 17: III. EpiphanieCharles Koechlin, Juliane Banse, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        7:48
      12. Etudes antiques, Op. 46: II. Soir au bord du lacCharles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        2:32
      13. Etudes antiques, Op. 46: III. Le Cortege d'AmphitriteCharles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        3:43
      14. Etudes antiques, Op. 46: IV. Epitaphe d'une jeune femmeCharles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        4:21
      15. 6 Melodies, Op. 31: I. Le Sommeil de CanopeCharles Koechlin, Juliane Banse, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        14:46
      16. Chant funebre a la memoire des jeunes femmes defuntes, Op. 37Charles Koechlin, Juliane Banse, SWR Vokalensemble Stuttgart, Stuttgart Radio Symphony Orchestra, Heinz Holliger
        21:38
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      About Charles Koechlin

      Charles Koechlin was a French composer, teacher, and musicologist who navigated the musical currents of the late 19th and mid-20th centuries with a deeply personal and independent style. Born in Paris in 1867, Koechlin's eclectic compositions blend Romanticism, Impressionism, and Orientalism, reflecting his diverse influences and passions. A pupil of Gabriel Fauré, Koechlin's music is known for its complexity and innovation, often featuring bitonality and near-atonality. His works span a wide range of genres, including symphonies, operas, songs, and chamber music. Among his notable compositions are "Les Heures persanes," a set of piano pieces inspired by Pierre Loti's novel "Vers Ispahan," and "The Seven Stars Symphony," a seven-movement symphony dedicated to popular film stars of the 1930s. Koechlin's extensive body of work, though not widely published during his lifetime, has left a lasting impact on French music. His influence extended beyond his compositions to his teaching, as he mentored many younger composers, including members of the influential group "Les Six." Koechlin's passion for music was matched by his enthusiasm for various other interests, from medieval music and the works of Rudyard Kipling to film stars and outdoor pursuits. His legacy endures as a pioneer of polytonality and a master orchestrator, celebrated for his unique voice in the world of classical music.

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