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      1. Albums
      2. kienzl: string quartets nos. 1-3 - wilhelm kienzl

      Kienzl: String Quartets Nos. 1-3

      Wilhelm KienzlWilhelm Kienzl
      • 2003
      • 12 tracks
      • 1 uur, 17 min
      Kienzl: String Quartets Nos. 1-3 - Wilhelm Kienzl
      Kienzl: String Quartets Nos. 1-3 - Wilhelm Kienzl

      Album Details

      Dive into the rich world of chamber music with Wilhelm Kienzl's "String Quartets Nos. 1-3," a captivating collection released in 2003. This album, brought to life by the Thomas Christian Ensemble, offers a comprehensive journey through Kienzl's string quartet compositions, showcasing his mastery of the form and his unique voice in the classical repertoire.

      The album features three complete string quartets, each offering a distinct character and musical depth. The String Quartet No. 1 in B Minor, Op. 22, opens with a dramatic Largo, followed by a graceful Tempo di minuetto, a poignant Adagio, and a lively Allegro energico e molto vivace. The String Quartet No. 2 in C Minor, Op. 99, begins with a haunting Adagio that transitions into an Allegro energico ma non troppo, followed by a serene Adagio, a playful Scherzo, and a spirited Moderato - Allegro comodo e leggiero. The String Quartet in E Major, Op. 113, concludes the album with an Allegro non fuoco, a contemplative Andante, a whimsical Scherzo, and a vibrant Vivacissimo.

      With a total duration of approximately 1 hour and 17 minutes, this album provides a substantial and rewarding listening experience. The performances by the Thomas Christian Ensemble are noted for their precision and expressive depth, bringing out the nuances of Kienzl's compositions. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album offers a compelling introduction to the works of Wilhelm Kienzl, one of the most underrated composers of the late Romantic era.

      April 10, 20032003 CPO2003 CPO

      Tracks

      1. String Quartet No. 1 in B Minor, Op. 22: I. Largo - Allegro moderatoWilhelm Kienzl, Thomas Christian Ensemble
        8:43
      2. String Quartet No. 1 in B Minor, Op. 22: II. Tempo di minuettoWilhelm Kienzl, Thomas Christian Ensemble
        4:30
      3. String Quartet No. 1 in B Minor, Op. 22: III. Adagio ma non troppoWilhelm Kienzl, Thomas Christian Ensemble
        7:59
      4. String Quartet No. 1 in B Minor, Op. 22: IV. Allegro energico e molto vivaceWilhelm Kienzl, Thomas Christian Ensemble
        4:41
      5. String Quartet No. 2 in C Minor, Op. 99: I. Adagio - Allegro energico ma non troppoWilhelm Kienzl, Thomas Christian Ensemble
        10:15
      6. String Quartet No. 2 in C Minor, Op. 99: II. AdagioWilhelm Kienzl, Thomas Christian Ensemble
        6:19
      7. String Quartet No. 2 in C Minor, Op. 99: III. ScherzoWilhelm Kienzl, Thomas Christian Ensemble
        6:41
      8. String Quartet No. 2 in C Minor, Op. 99: IV. Moderato - Allegro comodo e leggieroWilhelm Kienzl, Thomas Christian Ensemble
        7:31
      9. String Quartet in E Major, Op. 113: I. Allegro non fuocoWilhelm Kienzl, Thomas Christian Ensemble
        4:04
      10. String Quartet in E Major, Op. 113: II. AndanteWilhelm Kienzl, Thomas Christian Ensemble
        6:55
      11. String Quartet in E Major, Op. 113: III. ScherzoWilhelm Kienzl, Thomas Christian Ensemble
        6:16
      12. String Quartet in E Major, Op. 113: IV. VivacissimoWilhelm Kienzl, Thomas Christian Ensemble
        3:41
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      About Wilhelm Kienzl

      Wilhelm Kienzl, born in Waizenkirchen, Upper Austria, was a prominent Austrian composer whose life spanned from 1857 to 1941. Kienzl's musical journey took him through prestigious institutions in Graz, Prague, Leipzig, and Vienna, where he even had the opportunity to study briefly with the legendary Franz Liszt in Weimar. His most renowned work is the opera "Der Evangelimann," which premiered in Berlin in 1895 and quickly gained popularity, becoming one of his most performed pieces. Kienzl's compositions span a variety of genres, including operas, melodramas, and orchestral works, each reflecting his unique musical vision. Despite his significant contributions to music, Kienzl's legacy is also marked by his controversial support for the Nazi regime, which included public praise for Adolf Hitler before Austria's Anschluss in 1938. Today, Kienzl's music continues to be appreciated by enthusiasts, offering a glimpse into the rich tapestry of late 19th and early 20th-century Austrian music.

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      Wilhelm Kienzl