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      1. Albums
      2. kienzl: don quixote - wilhelm kienzl

      Kienzl: Don Quixote

      Wilhelm KienzlWilhelm Kienzl
      • 2000
      • 26 tracks
      • 3 uur, 21 min
      Kienzl: Don Quixote - Wilhelm Kienzl
      Kienzl: Don Quixote - Wilhelm Kienzl

      Album Details

      Immerse yourself in the captivating world of Wilhelm Kienzl's "Don Quixote," a three-act opera that brings to life the timeless tale of the legendary knight. Composed by the Austrian maestro Wilhelm Kienzl, this operatic masterpiece is based on the libretto penned by the composer himself, drawing inspiration from Miguel de Cervantes' iconic novel. Released in 2000 by CPO, this album spans an impressive 3 hours and 21 minutes, featuring 26 tracks that intricately weave the narrative of Don Quixote's adventures.

      Kienzl's "Don Quixote" is a testament to his originality and musical prowess, showcasing his ability to blend drama, humor, and profound emotion into a cohesive and engaging score. The opera is performed by a stellar cast, including renowned artists such as Mohr, Wagner, Henneberg, Breedt, and Hay, accompanied by the Rundfunkchor Berlin and the Rundfunk-Sinfonieorchester Berlin. Their collective talent breathes life into Kienzl's composition, making it a standout piece in the classical music repertoire.

      From the stirring introduction of Act I to the poignant finale of Act III, each scene is meticulously crafted to capture the essence of Don Quixote's journey. The opera's rich orchestration and powerful vocal performances highlight Kienzl's deep understanding of the human experience, making "Don Quixote" a compelling and unforgettable listening experience. Whether you're a seasoned opera enthusiast or a newcomer to the genre, this album offers a rich and rewarding exploration of one of literature's most enduring characters.

      1 januari 20002000 CPO2000 CPO

      Tracks

      1. Don Quixote, Op. 50, Act I Scene 1: Introduction. Elender, das sollst du büssen! (Don Quixote)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        7:00
      2. Don Quixote, Op. 50, Act I Scene 2: Wacht auf, wacht auf, mein guter Ohm (Mercedes)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        7:14
      3. Don Quixote, Op. 50, Act I Scene 3: Bei Tirante lässt sich's leben (Guests)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        13:34
      4. Don Quixote, Op. 50, Act I Scene 4: O edler Herr, nicht werd'ich mich erheben (Don Quixote)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        5:18
      5. Don Quixote, Op. 50, Act I Scene 5: Interlude. The King's VigilWilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        4:03
      6. Don Quixote, Op. 50, Act I Scene 6: Pst! Pst! (Maritornes) - Interlude. Don Quixotes traurige HeimkehrWilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        4:46
      7. Don Quixote, Op. 50, Act I Scene 7: Was habt ihr, Herr (Sancho Pansa)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        7:06
      8. Don Quixote, Op. 50, Act I Scene 8: Was steht zu Diensten Eurer Hoheit? (Tirante)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        1:46
      9. Don Quixote, Op. 50, Act I Scene 9: Fahr hin, du Schurke (Don Quixote)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        10:05
      10. Don Quixote, Op. 50, Act I Scene 10: Mit List muss es mir doch gelingen? (Carracasco)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        2:33
      11. Don Quixote, Op. 50, Act I Scene 11: Finale. Wie, du gehst? (Tirante)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        3:54
      12. Don Quixote, Op. 50, Act II Scene 1: Introduction. Nun, wie steht es, Haushofmeister (Duke)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        5:54
      13. Don Quixote, Op. 50, Act II Scene 2: Don Quixote von der Mancha (Messenger)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        4:52
      14. Don Quixote, Op. 50, Act II Scene 3: Seht hier von Tänzen die erlesne Schaar (Don Clavijo)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        14:37
      15. Don Quixote, Op. 50, Act II Scene 4: Was ist das? (Assembled)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        11:18
      16. Don Quixote, Op. 50, Act II Scene 5: Seht, den edlen Ritter fortzutragen (Duchess, Duke, Don Clavijo, Chorus)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        9:33
      17. Don Quixote, Op. 50, Act II Scene 6: Ach, ich schwör es beim Herodes (Sancho Pansa)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        6:23
      18. Don Quixote, Op. 50, Act II Scene 7: Sei gegrüsst uns, Don Quixote (Duchess, Frasquita, Rosita, Marieta, Juanita)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        8:34
      19. Don Quixote, Op. 50, Act III Scene 1: In dieser Stunde noch muss er hier vorbei (Carrasco)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        12:01
      20. Don Quixote, Op. 50, Act III Scene 2: Los, Kameraden (Men)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        3:32
      21. Don Quixote, Op. 50, Act III Scene 3: Dort in jenem öden Orte (Don Quixote)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        10:39
      22. Don Quixote, Op. 50, Act III Scene 4: Hehrste Königin der Schönheit (Sancho Pansa)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        7:53
      23. Don Quixote, Op. 50, Act III Scene 5: Amor, denke ich der Pein (Don Quixote)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        5:12
      24. Don Quixote, Op. 50, Act III Scene 6: Hocherhab'ner und berühmter (Carrasco)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        19:04
      25. Don Quixote, Op. 50, Act III Scene 7: Zu deinem Heil (Don Quixote)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        10:22
      26. Don Quixote, Op. 50, Act III Scene 8: Postlude. Ach, dass zu spät wir kommen sollten (Carrasco)Wilhelm Kienzl, Thomas Mohr, Michelle Breedt, James Wagner, Celina Lindsley, Hans Aschenbach, Thomas Hay, Matthias Henneberg, Andreas Kohn, Kirsten Blanck, Gabriele Schreckenbach, Anett Taube, Nora von Billerbeck, Tatjana Sotin, Marion Nickel, Georg Taube, Thomas Kober, Jörg Schneider, Michael Timm, Rundfunkchor Berlin, Rundfunk-Sinfonieorchester Berlin, Gustav Kuhn
        4:02
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      About Wilhelm Kienzl

      Wilhelm Kienzl, born in Waizenkirchen, Upper Austria, was a prominent Austrian composer whose life spanned from 1857 to 1941. Kienzl's musical journey took him through prestigious institutions in Graz, Prague, Leipzig, and Vienna, where he even had the opportunity to study briefly with the legendary Franz Liszt in Weimar. His most renowned work is the opera "Der Evangelimann," which premiered in Berlin in 1895 and quickly gained popularity, becoming one of his most performed pieces. Kienzl's compositions span a variety of genres, including operas, melodramas, and orchestral works, each reflecting his unique musical vision. Despite his significant contributions to music, Kienzl's legacy is also marked by his controversial support for the Nazi regime, which included public praise for Adolf Hitler before Austria's Anschluss in 1938. Today, Kienzl's music continues to be appreciated by enthusiasts, offering a glimpse into the rich tapestry of late 19th and early 20th-century Austrian music.

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      Wilhelm Kienzl

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