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      1. Albums
      2. kálmán: das veilchen von montmartre - emmerich kálmán

      Kálmán: Das Veilchen von Montmartre

      Emmerich KálmánEmmerich Kálmán
      • 2014
      • 29 tracks
      • 1 uur, 36 min
      • fado
      Kálmán: Das Veilchen von Montmartre - Emmerich Kálmán
      Kálmán: Das Veilchen von Montmartre - Emmerich Kálmán

      Album Details

      Experience the enchanting world of Emmerich Kálmán's operetta masterpiece, "Das Veilchen von Montmartre," brought to life in this captivating 2014 recording. This three-act operetta, originally composed by the renowned Hungarian maestro, is a delightful journey through the vibrant streets of Montmartre, filled with romance, humor, and unforgettable melodies. The album, released under The Art of Singing label, spans a generous 1 hour and 36 minutes, offering a comprehensive exploration of Kálmán's musical genius.

      The operetta, with a libretto penned by Julius, is a charming tale set in the bohemian heart of Paris. It features a rich tapestry of characters, each brought to life through Kálmán's signature wit and musical prowess. The album is a treasure trove of beautiful arias, duets, and ensemble pieces, showcasing the composer's ability to blend humor, romance, and drama into a single, cohesive narrative.

      Highlights include the lively ensemble numbers "Warum sollen wir nicht fröhlich sein" and "Kopf hoch, Mädel, der Frühling ist da," as well as the poignant solo "Du kleiner, zarter, duft'ger Veilchenstrauss." The album also features the iconic "Kaiserin Josephine," performed by the Munich Radio Orchestra under the baton of Werner Schmidt-Boelcke, adding a touch of grandeur to the operetta's bohemian charm.

      This recording is a testament to Kálmán's enduring legacy, offering both seasoned operetta enthusiasts and newcomers to the genre a chance to immerse themselves in the composer's unique musical world. With its engaging storytelling and memorable tunes, "Das Veilchen von Montmartre" is a timeless classic that continues to captivate audiences more than a century after its premiere.

      September 29, 2014The Art Of SingingThe Art Of Singing

      Tracks

      1. Das Veilchen von Montmartre, Act I: Introduktion - Dialog 1 (Florimond, Ninon)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Willy Hofmann, Brigitte Mira
        3:32
      2. Das Veilchen von Montmartre, Act I: "Kinder, das war doch ein feiner Spass" - "Warum sollen wir nicht fröhlich sein (Raoul, Henri, Florimond)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Richard Holm, Klaus Havenstein, Willy Hofmann
        1:38
      3. Das Veilchen von Montmartre, Act I: Du kleiner, zarter, duft'ger Veilchenstrauss" - "Ich sing mein Lied im Regen und Schnee" (Violetta)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Erika Köth
        1:51
      4. Das Veilchen von Montmartre, Act I: Dialog 2 (Florimond, Ninon)Emmerich Kálmán, Willy Hofmann, Brigitte Mira
        4:14
      5. Das Veilchen von Montmartre, Act I: "Wir kleine Grisettchen, wir sind einmal so" (Florimond, Ninon)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Willy Hofmann, Brigitte Mira
        1:45
      6. Das Veilchen von Montmartre, Act I: Dialog 3 (Raoul)Emmerich Kálmán, Richard Holm
        0:53
      7. Das Veilchen von Montmartre, Act I: "Schöne Ninette, ich will das Leben dir versüssen" - "Dich ruft Paris mit tausend Stimmen" (Raoul)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Richard Holm
        3:34
      8. Das Veilchen von Montmartre, Act I: Dialog 4 (Violetta, Raoul)Emmerich Kálmán, Erika Köth, Richard Holm
        5:28
      9. Das Veilchen von Montmartre, Act I: "Im stillen verborgenen Gässchen" - "Ich bin auch nicht mehr als das Veilchen" (Violetta, Raoul)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Erika Köth, Richard Holm
        3:38
      10. Das Veilchen von Montmartre, Act I: Dialog 5 (Henri, Raoul, Florimond, Violetta, Parigi)Emmerich Kálmán, Klaus Havenstein, Richard Holm, Willy Hofmann, Erika Köth, Hans Hermann Schaufuss
        0:34
      11. Das Veilchen von Montmartre, Act I: Künstlerchor. "Gottseidank wieder blank" - "Warum sollen wir nicht fröhlich sein" - Finale. "Du guter Mond schaust zu" (Chor, Henri, Raoul, Florimond, Violetta, Parigi)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Bavarian Radio Chorus, Klaus Havenstein, Richard Holm, Willy Hofmann, Erika Köth, Hans Hermann Schaufuss
        10:44
      12. Das Veilchen von Montmartre, Act II: Dialog 6 (Ninon)Emmerich Kálmán, Brigitte Mira
        3:21
      13. Das Veilchen von Montmartre, Act II: "O meine Herr'n, wie dank ich ihnen" - "Ich bin Ninon" (Ninon, Chor)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Brigitte Mira, Bavarian Radio Chorus
        1:50
      14. Das Veilchen von Montmartre, Act II: Dialog 7 (Ninon, Raoul)Emmerich Kálmán, Brigitte Mira, Richard Holm
        1:34
      15. Das Veilchen von Montmartre, Act II: "Ich schenk mein Herz dem Liebsten meiner Wahl" (Ninon, Raoul)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Brigitte Mira, Richard Holm
        0:31
      16. Das Veilchen von Montmartre, Act II: Dialog 8 (Raoul)Emmerich Kálmán, Richard Holm
        0:58
      17. Das Veilchen von Montmartre, Act II: "Was weiss ein nie geküsster Rosenmund" (Raoul)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Richard Holm
        3:15
      18. Das Veilchen von Montmartre, Act II: Dialog 9 (Raoul, Florimond, Henri, Violetta)Emmerich Kálmán, Richard Holm, Willy Hofmann, Klaus Havenstein, Erika Köth
        1:57
      19. Das Veilchen von Montmartre, Act II: "Kopf hoch, Mädel, der Frühling ist da" (Raoul, Florimond, Henri, Violetta)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Richard Holm, Willy Hofmann, Klaus Havenstein, Erika Köth
        4:01
      20. Das Veilchen von Montmartre, Act II: Dialog 10 (Ninon, Raoul, Violetta)Emmerich Kálmán, Brigitte Mira, Richard Holm, Erika Köth
        5:00
      21. Das Veilchen von Montmartre, Act II: "Ich bin nun da und wir sind ganz allein" - "Frag nicht nach der Treue, wenn die Liebe lacht" (Ninon, Raoul, Violetta)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Brigitte Mira, Richard Holm, Erika Köth
        4:13
      22. Das Veilchen von Montmartre, Act II: Dialog 11 (Violetta, Florimond)Emmerich Kálmán, Erika Köth, Willy Hofmann
        3:14
      23. Das Veilchen von Montmartre, Act II: "Schon am 1. März beginnt die Frühlingszeit" - "Ein Kuss im Frühling" (Violetta, Florimond)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Erika Köth, Willy Hofmann
        3:09
      24. Das Veilchen von Montmartre, Act II: Dialog 12 (Raoul, Florimond, Henri, Violetta, Ninon, Leblanc)Emmerich Kálmán, Richard Holm, Willy Hofmann, Klaus Havenstein, Erika Köth, Brigitte Mira, Jochen Hauer
        0:23
      25. Das Veilchen von Montmartre, Act II: Finale. "Warum sollen wir nicht fröhlich sein" (Chor, Raoul, Florimond, Henri, Violetta, Ninon, Leblanc)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Bavarian Radio Chorus, Richard Holm, Willy Hofmann, Klaus Havenstein, Erika Köth, Brigitte Mira, Jochen Hauer
        7:45
      26. Das Veilchen von Montmartre, Act III: Dialog 13 (Frascati, Ninon)Emmerich Kálmán, Kurt Großkurth, Brigitte Mira
        1:47
      27. Das Veilchen von Montmartre, Act III: "Kaiserin Josephine war angetraut" - "Kokettier' nicht, Josephin" (Frascati, Ninon)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Kurt Großkurth, Brigitte Mira
        1:34
      28. Das Veilchen von Montmartre, Act III: Dialog 14 (Raoul)Emmerich Kálmán, Richard Holm
        12:35
      29. Das Veilchen von Montmartre, Act III: "Das Veilchen von Montmartre" (Raoul, Chor)Emmerich Kálmán, Munich Radio Orchestra, Werner Schmidt-Boelcke, Richard Holm, Bavarian Radio Chorus
        0:55
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      About Emmerich Kálmán

      Emmerich Kálmán, born in the picturesque town of Siófok, Hungary, was a masterful composer who left an indelible mark on the world of operetta. His music, a delightful blend of Hungarian folk melodies and the elegant Viennese style of his predecessors like Johann Strauss II and Franz Lehár, captivated audiences throughout the 20th century. Kálmán's most celebrated works, such as 'Die Csárdásfürstin' and 'Gräfin Mariza', are testament to his ability to infuse his compositions with a unique charm and vivacity. His later pieces also reflect the influence of American jazz, showcasing his versatility and adaptability. Despite the challenges posed by the political upheavals of his time, including the Anschluss, Kálmán's spirit remained undeterred. He continued to create and inspire, leaving behind a rich musical legacy that continues to enchant listeners today.

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