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      1. Albums
      2. jean martinon: complete decca recordings 1951-1960 - jean martinon

      Jean Martinon: Complete Decca Recordings 1951-1960

      Jean MartinonJean Martinon
      • 2006
      • 125 tracks
      • 4 uur, 11 min
      • classical
      Jean Martinon: Complete Decca Recordings 1951-1960 - Jean Martinon
      Jean Martinon: Complete Decca Recordings 1951-1960 - Jean Martinon

      Album Details

      Immerse yourself in the rich tapestry of classical music with Jean Martinon's "Complete Decca Recordings 1951-1960." This comprehensive collection, released by Decca Music Group Ltd. in 2006, spans a decade of Martinon's illustrious career, offering a diverse array of orchestral works that showcase his exceptional conducting prowess.

      The album is a treasure trove of classical masterpieces, featuring iconic compositions such as "Giselle" by Adolphe Adam, overtures from operettas by Jacques Offenbach, and Antonín Dvořák's enchanting "Slavonic Dances." Martinon's interpretations are noted for their precision, depth, and unique artistic vision, making this collection a testament to his enduring legacy in the world of classical music.

      With a duration of over four hours, this 9-CD box set is a must for any classical music enthusiast. It includes a wide range of works, from the dramatic and intense "Totentanz" by Franz Liszt to the lively and colorful "Namouna" suites by Gabriel Fauré. The collection also features lesser-known gems, providing a comprehensive overview of Martinon's diverse repertoire.

      Recorded between 1951 and 1960, these recordings capture the essence of a bygone era, offering a glimpse into the golden age of classical music. The sound quality, while reflective of its time, is remarkably clear and rich, allowing listeners to fully appreciate the intricacies of Martinon's conducting and the performances of the orchestras under his baton.

      Jean Martinon, a French conductor and composer, was renowned for his dynamic and expressive interpretations. His work with the Orchestre National de France and other prestigious ensembles left an indelible mark on the classical music landscape. This collection is a fitting tribute to his contributions and a celebration of his enduring influence.

      Whether you're a seasoned classical music aficionado or a newcomer to the genre, "Complete Decca Recordings 1951-1960" offers a rich and rewarding listening experience. Dive into this extensive collection and discover the timeless beauty of Jean Martinon's interpretations.

      1 januari 2006© 2006 Decca Music Group LimitedThis Compilation ℗ 2006 Decca Music Group Limited

      Tracks

      1. Giselle - Edited Büsser - Act 1: IntroductionAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        0:21
      2. Giselle - Edited Büsser - Act 1: No. 1 Les VendangeursAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        0:47
      3. Giselle - Edited Büsser - Act 1: No. 2 Entrée du PrinceAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        0:49
      4. Giselle - Edited Büsser - Act 1: No. 3 Loys seul - Entrée de GiselleAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        4:36
      5. Giselle - Edited Büsser - Act 1: No. 4 Retour des Vendangeurs - No. 4(bis) ValseAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        2:35
      6. Giselle - Edited Büsser / Act 1: No. 5 Pas de DeuxAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        1:25
      7. Giselle - Edited Büsser / Act 1: No. 5b. La ChasseAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        2:10
      8. Giselle - Edited Büsser - Act 1: No. 6 Scène d'HilarionAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        0:48
      9. Giselle - Edited Büsser - Act 1: No. 7 Marche des vigneronsAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        1:30
      10. Giselle - Edited Büsser / Act 1: No. 8 GalopAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        1:54
      11. Giselle - Edited Büsser / Act 1: No. 8(bis) FinalAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        6:40
      12. Giselle - Edited Büsser - Act 2: No. 9 Introduction (La halte des chasseurs)Adolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        2:02
      13. Giselle - Edited Büsser - Act 2: No. 10 Apparition et scène de MyrthaAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        5:31
      14. Giselle - Edited Büsser / Act 2: No. 11. Apparition de GiselleAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        0:53
      15. Giselle - Edited Büsser - Act 2: No. 12 (Allegro moderato)Adolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        0:40
      16. Giselle - Edited Büsser - Act 2: No. 13 Entreé de Loys et WilfredeAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        5:17
      17. Giselle - Edited Büsser - Act 2: No. 14 Scène des WilisAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        1:28
      18. Giselle - Edited Büsser / Act 2: No.15 Grand pas de deuxAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        5:06
      19. Giselle - Edited Büsser / Act 2: No. 16 FinalAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
        2:35
      20. Le Beau Danube: Orchestrated: Roger DesormièreJohann Strauss II, London Philharmonic Orchestra, Jean Martinon
        29:45
      21. Zampa: OvertureFerdinand Hérold, London Philharmonic Orchestra, Jean Martinon
        8:06
      22. Le Calife de Bagdad: OvertureFrançois-Adrien Boieldieu, London Philharmonic Orchestra, Jean Martinon
        7:54
      23. La Dame blanche: OvertureFrançois-Adrien Boieldieu, London Philharmonic Orchestra, Jean Martinon
        8:18
      24. Si j'étais roi: OvertureAdolphe Adam, London Philharmonic Orchestra, Jean Martinon
        7:40
      25. Overture Le mariage aux laternesJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
        4:55
      26. Overture La Belle HélèneJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
        8:21
      27. Overture Barbe-BleueJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
        3:05
      28. Overture La Grande-Duchesse de GerolsteinJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
        6:54
      29. Overture Orpheus in the UnderworldJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
        9:29
      30. 8 Slavonic Dances, Op. 46: No. 1 in C (Presto)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
        3:29
      31. 8 Slavonic Dances, Op. 46: No. 2 in E minor (Allegretto scherzando)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
        5:11
      32. 8 Slavonic Dances, Op. 46: No. 3 in A flat (Poco allegro)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
        4:23
      33. 8 Slavonic Dances, Op. 46: No. 4 in F (Tempo di minuetto)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
        6:32
      34. 8 Slavonic Dances, Op. 46: No. 5 in A (Allegro vivace)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
        2:58
      35. 8 Slavonic Dances, Op. 46: No. 6 in D (Allegretto scherzando)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
        5:35
      36. 8 Slavonic Dances, Op. 46: No. 7 in C minor (Allegro assai)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
        3:10
      37. 8 Slavonic Dances, Op. 46: No. 8 in G minor (Presto)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
        4:13
      38. 8 Slavonic Dances, Op. 72: No. 7 in C (Allegro vivace)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
        3:05
      39. Schwanda the Bagpiper: Polka and FugueJaromír Weinberger, London Philharmonic Orchestra, Jean Martinon
        8:29
      40. William Tell: Ballet musicGioachino Rossini, London Philharmonic Orchestra, Jean Martinon
        8:45
      41. Totentanz, S.126. Paraphrase on "Dies Irae"for piano and orchestraFranz Liszt, Peter Katin, London Philharmonic Orchestra, Jean Martinon
        16:48
      42. Namouna, Suite No. 1: 1. PréludeÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
        6:19
      43. Namouna, Suite No. 1: 2. SérénadeÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
        2:46
      44. Namouna, Suite No. 1: 3. Thème variéÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
        5:18
      45. Namouna, Suite No. 1: 4. Parade de foireÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
        5:30
      46. Namouna, Suite No. 1: 5. Fête foraineÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
        3:57
      47. Namouna, Suite No. 2: 1. Danse marocaineÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
        3:00
      48. Namouna, Suite No. 2: 2. MazurkaÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
        3:01
      49. Namouna, Suite No. 2: 3. La SiestaÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
        3:48
      50. Namouna, Suite No. 2: 4. Pas de cymbalesÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
        3:07
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      About Jean Martinon

      Jean Martinon, a French conductor and composer, left an indelible mark on the classical music world with his profound interpretations and distinctive compositions. Born in Lyon on January 10, 1910, Martinon's musical journey began with violin studies at the conservatories in Lyon and Paris, where he later expanded his skills in composition under Albert Roussel and Vincent d'Indy, and conducting with Charles Munch and Roger Désormière. His career took a significant turn during World War II when he was captured and spent two years as a prisoner of war, an experience that deeply influenced his later works.

      Martinon's tenure as the music director of the Chicago Symphony Orchestra from 1963 to 1968 remains a notable chapter in his career, despite the controversies that surrounded it. His leadership was marked by innovative programming and a commitment to contemporary music, including the world premiere of his own "Altitudes Symphony" to celebrate the orchestra's 75th season. His repertoire spanned from French impressionist works to German classics, showcasing his versatility and deep understanding of various musical styles.

      Beyond conducting, Martinon was a respected composer, with early works like his "Symphoniette" for piano, percussion, and strings demonstrating his unique voice. His compositions, often characterized by their clarity and strength, reflected his French heritage while also embracing influences from his German ancestry. Martinon's legacy endures through his recordings, which continue to captivate audiences and fellow musicians alike, highlighting his enduring impact on the classical music landscape.

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