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      1. Albums
      2. janáček: výlety páne brouckovy - leoš janáček

      Janáček: Výlety páne Brouckovy

      Leoš JanáčekLeoš Janáček
      • 2016
      • 9 tracks
      • 1 uur, 56 min
      • chamber music
      Janáček: Výlety páne Brouckovy - Leoš Janáček
      Janáček: Výlety páne Brouckovy - Leoš Janáček

      Album Details

      Immerse yourself in the captivating world of Leoš Janáček's 'Janáček: Výlety páne Brouckovy', a mesmerising chamber music masterpiece. Released on 1 July 2016 by the esteemed Orfeo label, this album is a testament to Janáček's innovative and expressive compositional style.

      With a duration of 1 hour and 56 minutes, this operatic journey is sung in German and features a diverse range of characters, each bringing their own unique voice to the narrative. From the comedic interactions between Fanny, Mazal, and Malinka to the otherworldly encounters with Lunamali and Broucek, every moment is a testament to Janáček's mastery of storytelling through music.

      Through the two acts, Janáček weaves a complex and engaging tale, with each track showcasing his ability to craft memorable melodies and harmonies. The orchestra and chorus come together in perfect harmony, transporting listeners to a world of wonder and discovery.

      Leoš Janáček's 'Janáček: Výlety páne Brouckovy' is a must-listen for fans of chamber music and opera, offering a unique and enchanting experience that will leave a lasting impression. With its rich textures and evocative soundscapes, this album is a true masterpiece of modern classical music, and a fitting tribute to Janáček's innovative spirit.

      July 1, 20162016 Orfeo2016 Orfeo

      Tracks

      1. Výlety páne Brouckovy, JW I/7 (Sung in German), Act I: Act I: Verlassen Sie sich darauf, lieber Herr Mazal (Fanny, Mazal, Malinka, Sakristan, Broucek, Piccolo, Chorus)Leoš Janáček, Lorenz Fehenberger, Fritz Wunderlich, Kurt Böhme, Wilma Lipp, Kieth Engen, Antonia Fahberg, Lilian Benningsen, Paul Kuen, Karl Ostertag, Bavarian State Opera Chorus, Bavarian State Orchestra, Joseph Keilberth
        21:21
      2. Výlety páne Brouckovy, JW I/7 (Sung in German), Act I: Act I: Schau! Schau! Welch monstroses Gebilde ist denn das? (Mazalun, Broucek, Lukristan, Lunamali)Leoš Janáček, Lorenz Fehenberger, Fritz Wunderlich, Kurt Böhme, Wilma Lipp, Kieth Engen, Antonia Fahberg, Lilian Benningsen, Paul Kuen, Karl Ostertag, Bavarian State Opera Chorus, Bavarian State Orchestra, Joseph Keilberth
        16:26
      3. Výlety páne Brouckovy, JW I/7 (Sung in German), Act I: Act I: Ein Besucher kam auf den Mond von einem anderen Planeten (Wurflun, Lunamali, Broucek, Mazalun, Verkehrsminister, Ernahrungsminister, Kultusminister, Chorus)Leoš Janáček, Lorenz Fehenberger, Fritz Wunderlich, Kurt Böhme, Wilma Lipp, Kieth Engen, Antonia Fahberg, Lilian Benningsen, Paul Kuen, Karl Ostertag, Bavarian State Opera Chorus, Bavarian State Orchestra, Joseph Keilberth
        22:03
      4. Výlety páne Brouckovy, JW I/7 (Sung in German), Act I: Act I: Wenn das gute Bier nicht war, war das Leben viel zu schwer (Trambahnkonduteur, Wurfl, Mazal, Malinka)Leoš Janáček, Lorenz Fehenberger, Fritz Wunderlich, Kurt Böhme, Wilma Lipp, Kieth Engen, Antonia Fahberg, Lilian Benningsen, Paul Kuen, Karl Ostertag, Bavarian State Opera Chorus, Bavarian State Orchestra, Joseph Keilberth
        6:06
      5. Výlety páne Brouckovy, JW I/7 (Sung in German), Act II: Act II: Windig ist das hier am Barrandow! (Fanny, Wurfl, Broucek, Piccolo, Prasident, Chorus)Leoš Janáček, Lorenz Fehenberger, Fritz Wunderlich, Kurt Böhme, Wilma Lipp, Kieth Engen, Antonia Fahberg, Lilian Benningsen, Paul Kuen, Karl Ostertag, Bavarian State Opera Chorus, Bavarian State Orchestra, Joseph Keilberth
        8:37
      6. Výlety páne Brouckovy, JW I/7 (Sung in German), Act II: Act II: Sehr weit schein ich mit dem Schinakl nicht gekommen zu sein! (Broucek, Kostka, Glockner, Chorus)Leoš Janáček, Lorenz Fehenberger, Fritz Wunderlich, Kurt Böhme, Wilma Lipp, Kieth Engen, Antonia Fahberg, Lilian Benningsen, Paul Kuen, Karl Ostertag, Bavarian State Opera Chorus, Bavarian State Orchestra, Joseph Keilberth
        9:46
      7. Výlety páne Brouckovy, JW I/7 (Sung in German), Act II: Act II: Wenn ich nich hier sasse und nicht all das sahe, wurd ich sagen … (Broucek, Glockner, Frantischka, Amalka, Kostka, Miroslav, Vacek, Scholar, Chorus)Leoš Janáček, Lorenz Fehenberger, Fritz Wunderlich, Kurt Böhme, Wilma Lipp, Kieth Engen, Antonia Fahberg, Lilian Benningsen, Paul Kuen, Karl Ostertag, Bavarian State Opera Chorus, Bavarian State Orchestra, Joseph Keilberth
        15:07
      8. Výlety páne Brouckovy, JW I/7 (Sung in German), Act II: Act II: Da kommen sie! Da kommen sie! Die Sieger! (Mazal, Kostka, Miroslav, Broucek, Glockner, Amalka, Vacek, Frantischka, Chorus)Leoš Janáček, Lorenz Fehenberger, Fritz Wunderlich, Kurt Böhme, Wilma Lipp, Kieth Engen, Antonia Fahberg, Lilian Benningsen, Paul Kuen, Karl Ostertag, Bavarian State Opera Chorus, Bavarian State Orchestra, Joseph Keilberth
        11:33
      9. Výlety páne Brouckovy, JW I/7 (Sung in German), Act II: Act II: Au! Au! Au! (Broucek, Wurfl)Leoš Janáček, Lorenz Fehenberger, Fritz Wunderlich, Kurt Böhme, Wilma Lipp, Kieth Engen, Antonia Fahberg, Lilian Benningsen, Paul Kuen, Karl Ostertag, Bavarian State Opera Chorus, Bavarian State Orchestra, Joseph Keilberth
        5:07
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      About Leoš Janáček

      Leoš Janáček, a towering figure in Czech music, was a composer, music theorist, folklorist, and teacher whose original and modern musical style was deeply inspired by Moravian and other Slavic folk traditions. Born in 1854 in Hukvaldy, Moravia, Janáček's journey took him through the prestigious conservatories of Prague, Leipzig, and Vienna, where he honed his craft and developed his unique voice. Throughout his career, he served as a choirboy in Brno and founded a college of organists, further cementing his influence on the musical landscape.

      Janáček's compositions, including his renowned operas "Jenůfa," "Káťa Kabanová," and the powerful "Glagolitic Mass," are celebrated for their distinctive melodies and progressive style. His work is a testament to his deep connection with his cultural heritage and his innovative approach to music. Despite facing challenges early in his career, Janáček's later years were marked by significant recognition and acclaim, making him one of the most important exponents of musical nationalism in the 20th century. His legacy continues to inspire musicians and enthusiasts alike, showcasing his enduring impact on both Czech and global culture.

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      Leoš Janáček

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