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      1. Albums
      2. janáček: the cunning little vixen - leoš janáček

      Janáček: The Cunning Little Vixen

      Leoš JanáčekLeoš Janáček
      • 2003
      • 47 tracks
      • 1 uur, 36 min
      • chamber music
      Janáček: The Cunning Little Vixen - Leoš Janáček
      Janáček: The Cunning Little Vixen - Leoš Janáček

      Album Details

      Immerse yourself in the enchanting world of Leoš Janáček's "The Cunning Little Vixen," a captivating chamber music album released on September 1, 2003, under the Chandos label. This delightful composition is a vivid portrayal of the life cycle of a vixen, filled with humor, charm, and profound wisdom.

      Janáček's masterpiece is divided into three acts, each offering a unique blend of characters and narratives. The first act introduces us to the cunning little vixen, Sharp-Ears, and her adventures, including her capture and subsequent life at the Forester's farmyard. The second act delves into her political escapades and eventual courtship and marriage with the Fox, Goldenstripe. The final act brings the story to a poignant conclusion, exploring themes of life, death, and renewal.

      With a runtime of 1 hour and 36 minutes, this album is a journey through the seasons and the cycles of life, beautifully captured through Janáček's distinctive musical language. The chamber music arrangement adds an intimate and engaging dimension to the storytelling, making it a compelling listen for both seasoned classical music enthusiasts and newcomers alike.

      September 1, 20032003 Chandos Records2003 Chandos Records

      Tracks

      1. The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: PreludeLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden
        3:15
      2. The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Going to be a storm soon (Forester)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Thomas Allen
        1:32
      3. The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Come on, old lady, and let's get the show started (Cricket, CatepillarLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Stephen Wallde, Shelley Nash, Robert Tear, Piers Lawrence
        1:50
      4. The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Mummy! Mummy! What is that? (Vixen Cub, Forester)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Thomas Allen, Rebecca Bainbridge
        1:40
      5. The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: PantomimeLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden
        3:23
      6. The Cunning Little Vixen, Act I. Sharp-Ears at the Forester's lakeside farmyard: InterludeLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden
        1:59
      7. The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Look at how big she's grown! (Forester, Forester's Wife, Vixen, Dog)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Thomas Allen, Gillian Knight, Lillian Watson, Karen Shelby
        1:24
      8. The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: I'm just the same too (Vixen)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Lillian Watson
        1:10
      9. The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Look what we've got down 'ere (Pepik, Frantik, Vixen, Forester's Wife,Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Lillian Watson, Thomas Allen, Gillian Knight, Fiona Dobie, Anna Lorimer
        1:01
      10. The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Interlude (beginning) "Ou, ou!" (Vixen)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Lillian Watson
        2:13
      11. The Cunning Little Vixen, Act I. How Sharp-Ears was Caught: Interlude (conclusion)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden
        2:12
      12. The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: You should take a lesson from me! (Dog, Rooster, Hens, Chief Hen)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Karen Shelby, Mary King, Glenys Groves, Royal Opera House Chorus
        0:58
      13. The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Sisters! Comrades! (Vixen, Hens, Rooster)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Lillian Watson, Mary King, Royal Opera House Chorus
        2:09
      14. The Cunning Little Vixen, Act I. Sharp-Ears as a Politician: Come on then, don't be frightened (Chief Hen, Forester's Wife, Vixen,Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Lillian Watson, Thomas Allen, Gillian Knight, Glenys Groves
        1:55
      15. The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: PreludeLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden
        0:58
      16. The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Ah! - Who's that out there screaming? (Vixen, Badger, Forest CreLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Lillian Watson, Gwynne Howell, Royal Opera House Chorus
        1:52
      17. The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: InterludeLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden
        1:19
      18. The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: In my view parish things have got to be better! (Priest, ForesteLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Gwynne Howell, Thomas Allen
        0:43
      19. The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Once long since, long ago (Forester, Schoolmaster, Priest, PásekLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Thomas Allen, Robert Tear, Gwynne Howell, John Dobson
        3:13
      20. The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Home now? (Forester, Pásek)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Thomas Allen, John Dobson
        1:23
      21. The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home : Interlude IILeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden
        1:00
      22. The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Something is wrong with my equilibrium (Schoolmaster)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Robert Tear
        1:49
      23. The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Staccato! Flageoletti! (Schoolmaster)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Robert Tear
        1:26
      24. The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: So remember to be a good man! (Priest)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Gwynne Howell
        2:08
      25. The Cunning Little Vixen, Act II. Sharp-Ears expropriates a home: Memnestho aner agathos einai (Priest, Forester, Schoolmaster)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Gwynne Howell, Thomas Allen, Robert Tear
        1:11
      26. The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: InterludeLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden
        1:06
      27. The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: O my God! He's so handsome! (Vixen, Fox)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Lillian Watson, Diana Montague
        1:38
      28. The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: One dark night (Vixen)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Lillian Watson
        3:15
      29. The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Fox Goldenstripe (Fox, Vixen)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Diana Montague, Lillian Watson
        1:18
      30. The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Can it be that I am lovely? (Vixen, Fox)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Lillian Watson, Diana Montague
        3:57
      31. The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: Let me go! I am afraid of you! (Vixen, FLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Lillian Watson, Diana Montague
        3:54
      32. The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: If you had only seen what I saw just nowLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Lillian Watson, Diana Montague, Gillian Knight, Mary King
        0:53
      33. The Cunning Little Vixen, Act II. Sharp-Ears's Courtship; Sharp-Ears's Love and Marriage: That's how it is! (Fox, Vixen, WoodpeckeLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Diana Montague, Lillian Watson, Pat Purcell, Royal Opera House Chorus
        2:32
      34. The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: PreludeLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden
        2:03
      35. The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: In the month of May (Harašta)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Nicholas Folwell
        1:39
      36. The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Hey there, Harašta, how's it going? (Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Thomas Allen, Nicholas Folwell
        3:50
      37. The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Little foxes running fast (Fox Cubs,Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Lillian Watson, Diana Montague, Chorus of Royal Opera
        1:52
      38. The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: How many children do we have? (Fox, VLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Lillian Watson, Diana Montague, Nicholas Folwell
        2:59
      39. The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Put it down fast! Harašta, Harašta! (Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Nicholas Folwell, Lillian Watson
        3:44
      40. The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: InterludeLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden
        2:29
      41. The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Where is old man Pásek? (Forester, InLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Thomas Allen, Elizabeth Bainbridge, Robert Tear
        2:18
      42. The Cunning Little Vixen, Act III. Sharp-Ears outwits Harašta from Lisen; Sharp-Ears' death: Well I'm damned! (Forester, InnkeeperLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Thomas Allen, Elizabeth Bainbridge, Robert Tear
        4:08
      43. The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: InterludeLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden
        1:04
      44. The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Spring is here at last (Forester)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Thomas Allen
        3:01
      45. The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: When evening arrives, I welcome the rLeoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Thomas Allen
        2:44
      46. The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Hey! But I can't see the Vixen there!Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Thomas Allen
        0:55
      47. The Cunning Little Vixen, Act III. The young Sharp-Ears is the spitting image of her mother: Tha-that wasn't me (Frog)Leoš Janáček, Sir Simon Rattle, Orchestra Of The Royal Opera House, Covent Garden, Piers Lawrence
        1:20
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      About Leoš Janáček

      Leoš Janáček, a towering figure in Czech music, was a composer, music theorist, folklorist, and teacher whose original and modern musical style was deeply inspired by Moravian and other Slavic folk traditions. Born in 1854 in Hukvaldy, Moravia, Janáček's journey took him through the prestigious conservatories of Prague, Leipzig, and Vienna, where he honed his craft and developed his unique voice. Throughout his career, he served as a choirboy in Brno and founded a college of organists, further cementing his influence on the musical landscape.

      Janáček's compositions, including his renowned operas "Jenůfa," "Káťa Kabanová," and the powerful "Glagolitic Mass," are celebrated for their distinctive melodies and progressive style. His work is a testament to his deep connection with his cultural heritage and his innovative approach to music. Despite facing challenges early in his career, Janáček's later years were marked by significant recognition and acclaim, making him one of the most important exponents of musical nationalism in the 20th century. His legacy continues to inspire musicians and enthusiasts alike, showcasing his enduring impact on both Czech and global culture.

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