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      1. Albums
      2. j.s. bach: die kunst der fuge, bwv 1080 - johann sebastian bach

      J.S. Bach: Die Kunst der Fuge, BWV 1080

      Johann Sebastian BachJohann Sebastian Bach
      • 2004
      • 20 tracks
      • 1 uur, 38 min
      • classical
      J.S. Bach: Die Kunst der Fuge, BWV 1080 - Johann Sebastian Bach
      J.S. Bach: Die Kunst der Fuge, BWV 1080 - Johann Sebastian Bach

      Album Details

      Immerse yourself in the intricate and profound world of Johann Sebastian Bach with his masterpiece, "Die Kunst der Fuge, BWV 1080." This monumental work, transcribed by R. Vuataz, is a testament to Bach's unparalleled genius in the realm of contrapuntal music. Released on January 1, 2004, under the Archipel label, this album offers a comprehensive exploration of Bach's final and most complex fugal compositions.

      Spanning a duration of 1 hour and 38 minutes, the album is a journey through 14 contrapuncti and 4 canons, each showcasing Bach's mastery of polyphonic texture and harmonic innovation. From the straightforward elegance of "Contrapunctus I" to the intricate "Contrapunctus XIV 'Fuga à 3 soggetti'," this collection is a feast for the ears and a challenge for the mind. The inclusion of inverted and augmented versions of certain contrapuncti adds layers of complexity and depth, making this album a rewarding experience for both casual listeners and seasoned classical enthusiasts.

      Performed with precision and sensitivity, this recording captures the essence of Bach's musical language, offering a glimpse into the composer's creative process and his enduring influence on the classical piano repertoire. Whether you're a longtime admirer of Bach's work or a newcomer to his music, "Die Kunst der Fuge, BWV 1080" is an essential addition to your collection, offering a timeless exploration of one of the most significant works in the history of classical music.

      1 januari 2004(C) 2004 Archipel(P) 2004 Archipel

      Tracks

      1. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus IJohann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        4:24
      2. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus IIJohann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        3:18
      3. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus IIIJohann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        4:34
      4. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus IVJohann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        8:14
      5. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus VJohann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        2:38
      6. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus VI à 4 in stylo franceseJohann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        3:16
      7. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus VII à 4 per augmentationem et diminutionemJohann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        4:30
      8. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus VIII à 3Johann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        9:13
      9. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus IX à 4 alla duodecimaJohann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        2:37
      10. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus X à 4 alla decimaJohann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        4:44
      11. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus XI à 4Johann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        8:33
      12. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Canon alla ottavaJohann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        2:48
      13. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Canon alla decima in contrapunto alla terzaJohann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        4:22
      14. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Canon alla duodecima in contrapunto alla quintaJohann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        2:32
      15. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Canon per augmentationem in contrario motuJohann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        3:57
      16. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus XIII à 3Johann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        4:03
      17. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus inversus XIII à 3Johann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        4:04
      18. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus XII à 4Johann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        4:26
      19. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus inversus XII à 4Johann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        4:26
      20. Die Kunst der Fuge, BWV 1080 (Transcr. R. Vuataz): Contrapunctus XIV "Fuga à 3 soggetti"Johann Sebastian Bach, Beromünster radio orchestra, Hermann Scherchen
        11:50
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      About Johann Sebastian Bach

      Johann Sebastian Bach, born in 1685 in Eisenach, Germany, stands as one of the most influential figures in the history of Western music. A prolific composer and virtuoso performer on multiple instruments, Bach's genius spans a vast array of genres and forms. His compositions, ranging from the intricate Brandenburg Concertos to the profound St. Matthew Passion, showcase his unparalleled mastery of harmony, counterpoint, and emotional depth. Bach's keyboard works, such as the Goldberg Variations and The Well-Tempered Clavier, are staples of the classical repertoire, while his organ pieces like the Toccata and Fugue in D minor continue to inspire awe. Bach's legacy, revitalized during the 19th-century Bach Revival, endures as a testament to his enduring brilliance and innovation. His music, respected for its technical brilliance, intellectual rigor, and artistic beauty, continues to captivate audiences and musicians alike.

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      Johann Sebastian Bach

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