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      1. Albums
      2. j.s. bach: cantatas vol. 13 - johann sebastian bach

      J.S. Bach: Cantatas Vol. 13

      Johann Sebastian BachJohann Sebastian Bach
      • 2007
      • 59 tracks
      • 2 uur, 35 min
      • classical
      J.S. Bach: Cantatas Vol. 13 - Johann Sebastian Bach
      J.S. Bach: Cantatas Vol. 13 - Johann Sebastian Bach

      Album Details

      Immerse yourself in the profound and intricate compositions of Johann Sebastian Bach with the release of "J.S. Bach: Cantatas Vol. 13." This album, released on March 7, 2007, under the Challenge Classics label, is a masterful collection of Bach's cantatas, showcasing his unparalleled genius in the classical genre. Spanning a generous duration of 2 hours and 35 minutes, this volume offers a deep dive into the sacred and secular works that have cemented Bach's legacy as a titan of classical music.

      The album features a rich tapestry of vocal and instrumental performances, including choruses, arias, recitatives, and chorales from some of Bach's most celebrated cantatas. Each track is a testament to Bach's ability to blend profound theological themes with musical brilliance. Notable pieces include the opening cantata "Wie schön leuchtet der Morgenstern" BWV 1, the stirring "Nun komm, der Heiden Heiland" BWV 62, and the reflective "Herr Christ, der einge Gottessohn" BWV 96. The album also includes the poignant "Aus Tiefer Not schrei ich zu dir" BWV 38 and the uplifting "Ich freue mich in dir" BWV 133, demonstrating Bach's versatility and depth.

      This collection is not just an album but a journey through the musical and spiritual landscape of the Baroque era. Bach's cantatas, with their intricate counterpoint, rich harmonies, and expressive melodies, offer a timeless exploration of faith, hope, and human experience. Whether you are a seasoned classical enthusiast or a newcomer to Bach's works, "J.S. Bach: Cantatas Vol. 13" promises an enriching and enlightening listening experience.

      March 7, 2007(C) 2007 Challenge Classics

      Tracks

      1. "Wie schön leuchtet der Morgenstern" BWV 1Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        8:00
      2. "Wie schön leuchtet der Morgenstern" BWV 1Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:02
      3. "Wie schön leuchtet der Morgenstern" BWV 1Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:06
      4. "Wie schön leuchtet der Morgenstern" BWV 1Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:55
      5. "Wie schön leuchtet der Morgenstern" BWV 1Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        6:44
      6. "Wie schön leuchtet der Morgenstern" BWV 1Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:19
      7. "Nun komm, der Heiden Heiland" BWV 62: Chorus: "Nun komm, der Heiden Heiland"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:39
      8. "Nun komm, der Heiden Heiland" BWV 62: Aria (Tenor): "Bewundert, o Menschen, dies große Geheimnis"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        7:25
      9. "Nun komm, der Heiden Heiland" BWV 62: Recitative (Bass): "So geht aus Gottes Herrlichkeit und Thron"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:42
      10. "Nun komm, der Heiden Heiland" BWV 62: Aria (Bass): "Streite, siege, starker Held!"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:58
      11. "Nun komm, der Heiden Heiland" BWV 62: Recitative (Soprano): "Wir ehren diese Herrlichkeit"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:48
      12. "Nun komm, der Heiden Heiland" BWV 62: Chorale: "Lob sei Gott, dem Vater, ton"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:37
      13. "Herr Christ, der einge Gottessohn" BWV 96: Chorus: "Herr Christ, der einge Gottessohn"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:53
      14. "Herr Christ, der einge Gottessohn" BWV 96: Recitative (Alto): "O Wunderkraft der Liebe"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:15
      15. "Herr Christ, der einge Gottessohn" BWV 96: Aria (Tenor): "Ach, ziehe die Seele mit Seilen der Liebe"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        6:30
      16. "Herr Christ, der einge Gottessohn" BWV 96: Recitative (Soprano): "Ach, führe mich, o Gott, zum rechten Wege"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:46
      17. "Herr Christ, der einge Gottessohn" BWV 96: Aria (Bass): "Bald zur Rechten, bald zur Linken"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        2:29
      18. "Herr Christ, der einge Gottessohn" BWV 96: Chorale: "Ertöt uns durch dein Güte"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:53
      19. Appendix BWV 62: Nun komm, der Heiden Heiland: Aria (Bass): "Streite, siege, starker Held!"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        5:04
      20. "Aus Tiefer Not schrei ich zu dir" BWV 38: Chorus: "Aus tiefer Not schrei ich zu dir"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        3:37
      21. "Aus Tiefer Not schrei ich zu dir" BWV 38: Recitative (Alto): "In Jesu Gnade wird allein"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:50
      22. "Aus Tiefer Not schrei ich zu dir" BWV 38: Aria (Tenor): "Ich höre mitten in den Leiden"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        7:20
      23. "Aus Tiefer Not schrei ich zu dir" BWV 38: Recitative (Soprano): "Ach! Daß mein Glaube noch so schwach"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:23
      24. "Aus Tiefer Not schrei ich zu dir" BWV 38: Aria (Tezetto S, A, B): "Wenn meine Trübsal als mit Ketten"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:05
      25. "Aus Tiefer Not schrei ich zu dir" BWV 38: Chorale: "Ob bei uns ist der Sünden viel"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:20
      26. "Wer nur den lieben Gott läßt walten" BWV 93Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        5:14
      27. "Wer nur den lieben Gott läßt walten" BWV 93Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:49
      28. "Wer nur den lieben Gott läßt walten" BWV 93Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        3:47
      29. "Wer nur den lieben Gott läßt walten" BWV 93Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        3:24
      30. "Wer nur den lieben Gott läßt walten" BWV 93Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        2:25
      31. "Wer nur den lieben Gott läßt walten" BWV 93Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        2:26
      32. "Wer nur den lieben Gott läßt walten" BWV 93Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:01
      33. "Allein zu dir, Herr Jesu Christ" BWV 33: Chorus: "Allein zu dir, Herr Jesu Christ"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:15
      34. "Allein zu dir, Herr Jesu Christ" BWV 33: Recitative (Bass): "Mein Gott und Richter"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:05
      35. "Allein zu dir, Herr Jesu Christ" BWV 33: Aria (Alto): "Wie furchtsam wankten meine Schritte"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        9:37
      36. "Allein zu dir, Herr Jesu Christ" BWV 33: Recitative (Tenor): "Mein Gott, verwirf mich nicht"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:08
      37. "Allein zu dir, Herr Jesu Christ" BWV 33: Aria (Duetto T, B): "Gott, der du die Liebe heißt"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        3:36
      38. "Allein zu dir, Herr Jesu Christ" BWV 33: Chorale: "Ehr sei Gott in dem höchsten Thron"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:18
      39. "Ich freue mich in dir" BWV 133: Chorus: "Ich freue mich in dir"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        3:50
      40. "Ich freue mich in dir" BWV 133: Aria (Alto): "Getrost! Es faßt ein heilger Leib"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:06
      41. "Ich freue mich in dir" BWV 133: Recitative (Tenor): "Ein Adam mag sich voller Schrecken"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:56
      42. "Ich freue mich in dir" BWV 133: Aria (Soprano): "Wie lieblich klingt es in den Ohren"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        7:27
      43. "Ich freue mich in dir" BWV 133: Recitative (Bass): "Wohlan! Des todes Furcht and Schmerz"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:58
      44. "Ich freue mich in dir" BWV 133: Chorale: "Wohlan, so will ich mich"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:59
      45. "Das neugeborne Kindelein" BWV 122: Choral: "Das neugeborne Kindelein"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        3:18
      46. "Das neugeborne Kindelein" BWV 122: Aria (Bass): "O Menschen, die ihr täglich sündigt"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:52
      47. "Das neugeborne Kindelein" BWV 122: Recitative (Soprano): "Die Engel, welche sich zuvor"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:20
      48. "Das neugeborne Kindelein" BWV 122: Aria (Terzetto S, A, T): "Ist Gott versöhnt und unser Freund"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        2:16
      49. "Das neugeborne Kindelein" BWV 122: Recitative (Bass): "Dies ist ein Tag"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:14
      50. "Das neugeborne Kindelein" BWV 122: Chorale: "Es bringt das rechte Jubeljahr"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:30
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      About Johann Sebastian Bach

      Johann Sebastian Bach, born in 1685 in Eisenach, Germany, stands as one of the most influential figures in the history of Western music. A prolific composer and virtuoso performer on multiple instruments, Bach's genius spans a vast array of genres and forms. His compositions, ranging from the intricate Brandenburg Concertos to the profound St. Matthew Passion, showcase his unparalleled mastery of harmony, counterpoint, and emotional depth. Bach's keyboard works, such as the Goldberg Variations and The Well-Tempered Clavier, are staples of the classical repertoire, while his organ pieces like the Toccata and Fugue in D minor continue to inspire awe. Bach's legacy, revitalized during the 19th-century Bach Revival, endures as a testament to his enduring brilliance and innovation. His music, respected for its technical brilliance, intellectual rigor, and artistic beauty, continues to captivate audiences and musicians alike.

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