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      1. Albums
      2. j.s. bach: cantatas vol. 11 - johann sebastian bach

      J.S. Bach: Cantatas Vol. 11

      Johann Sebastian BachJohann Sebastian Bach
      • 2007
      • 60 tracks
      • 2 uur, 48 min
      • classical
      J.S. Bach: Cantatas Vol. 11 - Johann Sebastian Bach
      J.S. Bach: Cantatas Vol. 11 - Johann Sebastian Bach

      Album Details

      Immerse yourself in the profound and intricate compositions of Johann Sebastian Bach with the release of "J.S. Bach: Cantatas Vol. 11." This captivating collection, released on February 27, 2007, under the Challenge Classics label, showcases the mastery of one of history's most revered classical composers. Spanning a generous duration of 2 hours and 48 minutes, this album is a testament to Bach's unparalleled ability to blend spiritual depth with musical brilliance.

      The album features a selection of Bach's cantatas, each a masterpiece in its own right. From the stirring chorus of "Herr Jesu Christ, wahr' Mensch und Gott" BWV 127 to the reflective aria of "Die Seele ruht in Jesu Händen," every track is a journey through the complexities of human emotion and divine devotion. The diverse vocal and instrumental arrangements highlight Bach's genius for weaving together different voices and instruments to create a harmonious whole.

      Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album offers a rich and rewarding listening experience. The meticulous attention to detail in each cantata, from the recitatives to the chorales, provides a deep and satisfying exploration of Bach's musical and spiritual vision. "J.S. Bach: Cantatas Vol. 11" is not just an album; it is a celebration of one of the greatest composers in history, offering a timeless collection of works that continue to inspire and uplift.

      27 februari 2007(C) 2007 Challenge Classics

      Tracks

      1. "Herr Jesu Christ, wahr' Mensch und Gott" BWV 127: Chorus: "Herr Jesu Christ, wahr' Mensch und Gott"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        5:44
      2. "Herr Jesu Christ, wahr' Mensch und Gott" BWV 127: Recitative (Tenor): "Wenn alles sich zur letzten Zeit entsetzet"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:13
      3. "Herr Jesu Christ, wahr' Mensch und Gott" BWV 127: Aria (Soprano): "Die Seele ruht in Jesu Händen"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        8:22
      4. "Herr Jesu Christ, wahr' Mensch und Gott" BWV 127: Recitative and Aria (Bass): "Wenn einstens die Posaunen schallen"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        3:41
      5. "Herr Jesu Christ, wahr' Mensch und Gott" BWV 127: Chorale: "Ach Herr, vergib all unsre Schuld"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:59
      6. "Wo soll ich fliehen hin" BWV 5: Chorus: "Wo soll ich fliehen hin"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:40
      7. "Wo soll ich fliehen hin" BWV 5: Recitative (Bass): "Der Sünden Wust hat mich nicht nur befleckt"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:01
      8. "Wo soll ich fliehen hin" BWV 5: Aria (Tenor): "Ergieße dich reichlich"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:57
      9. "Wo soll ich fliehen hin" BWV 5: Recitative with Chorale (Alto): "Mein treuer Heiland tröstet mich"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:22
      10. "Wo soll ich fliehen hin" BWV 5: Aria (Bass): "Verstumme, Höllenheer"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        6:16
      11. "Wo soll ich fliehen hin" BWV 5: Recitative (Soprano): "Ich bin ja nur das kleinste Teil der Welt"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:46
      12. "Wo soll ich fliehen hin" BWV 5: Choral: "Führ auch mein Herz und Sinn"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:57
      13. "Was frag ich nach der Welt" BWV 94: Chorus: "Was frag ich nach der Welt"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        2:24
      14. "Was frag ich nach der Welt" BWV 94: Aria (Bass): "Die Welt ist wie ein Rauch und Schatten"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        2:11
      15. "Was frag ich nach der Welt" BWV 94: Chorale and Recitative (Tenor): "Die Welt sucht Ehr und Ruhm"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        3:20
      16. "Was frag ich nach der Welt" BWV 94: Aria (Alto): "Betörte Welt, betörte Welt!"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        5:11
      17. "Was frag ich nach der Welt" BWV 94: Chorale and Recitative (Bass): "Die Welt bekümmert sich"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        2:31
      18. "Was frag ich nach der Welt" BWV 94: Aria (Tenor): "Die Welt kann ihre Lust und Freud"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:17
      19. "Was frag ich nach der Welt" BWV 94: Aria (Soprano): "Es halt es mit der blinden Welt"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        3:17
      20. "Was frag ich nach der Welt" BWV 94: Chorale: "Was frag ich nach der Welt!"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:45
      21. "Jesu, nun sei gepreiset" BWV 41: Chorus: "Jesu, nun sei gepreiset"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        7:46
      22. "Jesu, nun sei gepreiset" BWV 41: Aria (Soprano): "Laß uns, o höchster Gott"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        5:27
      23. "Jesu, nun sei gepreiset" BWV 41: Recitative (Alto): "Ach! deine Hand, dein Segen muß allein"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:03
      24. "Jesu, nun sei gepreiset" BWV 41: Aria (Tenor): "Woferne du den edlen Frieden"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        8:17
      25. "Jesu, nun sei gepreiset" BWV 41: Recitative (Bass): "Doch weil der Feind bei Tag und Nacht"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:52
      26. "Jesu, nun sei gepreiset" BWV 41: Chorale: "Dein ist allein die Ehre"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:50
      27. "Christ unser Herr zum Jordan kam" BWV 7: Chorus: "Christ unser Herr zum Jordan kam"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        6:17
      28. "Christ unser Herr zum Jordan kam" BWV 7: Aria (Bass): "Merkt und hört, ihr Menschenkinder"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:36
      29. "Christ unser Herr zum Jordan kam" BWV 7: Recitative (Tenor): "Dies hat Gott klar"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:11
      30. "Christ unser Herr zum Jordan kam" BWV 7: Aria (Tenor): "Des Vaters Stimme ließ sich hören"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        3:39
      31. "Christ unser Herr zum Jordan kam" BWV 7: Recitative (Bass): "Als Jesus dort nach seinen Leiden"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:05
      32. "Christ unser Herr zum Jordan kam" BWV 7: Aria (Alto): "Menschen, glaubt doch dieser Gnade"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        2:46
      33. "Christ unser Herr zum Jordan kam" BWV 7: Chorale: "Das Aug allein das Wasser sieht"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:19
      34. "Wohl dem, der sich auf seinen Gott" BWV 139: Chorus: "Wohl dem, der sich auf seinen Gott"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:19
      35. "Wohl dem, der sich auf seinen Gott" BWV 139: Aria (Tenor): "Gott ist mein Freund"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        5:31
      36. "Wohl dem, der sich auf seinen Gott" BWV 139: Recitative (Alto): "Der Heiland sendet ja die Seinen"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:38
      37. "Wohl dem, der sich auf seinen Gott" BWV 139: Aria (Bass): "Das Unglück schlägt auf allen Seiten"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        5:03
      38. "Wohl dem, der sich auf seinen Gott" BWV 139: Recitative (Soprano): "Ja trag ich gleich den größten Feind in mir"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:52
      39. "Wohl dem, der sich auf seinen Gott" BWV 139: Chorale: "Dahero Trotz der Höllen Heer!"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:47
      40. "Mache dich, mein Geist, bereit" BWV 115: Chorus: "Mache dich, mein Geist, bereit"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:01
      41. "Mache dich, mein Geist, bereit" BWV 115: Aria (Alto): "Ach, schläfrige Seele, wie?"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        8:36
      42. "Mache dich, mein Geist, bereit" BWV 115: Recitative (Bass): "Gott, so für deine Seele wacht"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        1:11
      43. "Mache dich, mein Geist, bereit" BWV 115: Aria (Soprano): "Bete aber auch dabei"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        6:52
      44. "Mache dich, mein Geist, bereit" BWV 115: Recitative (Tenor): "Er sehnet sich nach unserm Schreien"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:47
      45. "Mache dich, mein Geist, bereit" BWV 115: Chorale: "Drum so laßt uns immerdar"Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        0:54
      46. "Herr Jesu Christ, du höchstes Gut" BWV 113Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:11
      47. "Herr Jesu Christ, du höchstes Gut" BWV 113Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:05
      48. "Herr Jesu Christ, du höchstes Gut" BWV 113Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        3:00
      49. "Herr Jesu Christ, du höchstes Gut" BWV 113Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        2:11
      50. "Herr Jesu Christ, du höchstes Gut" BWV 113Johann Sebastian Bach, Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman
        4:23
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      About Johann Sebastian Bach

      Johann Sebastian Bach, born in 1685 in Eisenach, Germany, stands as one of the most influential figures in the history of Western music. A prolific composer and virtuoso performer on multiple instruments, Bach's genius spans a vast array of genres and forms. His compositions, ranging from the intricate Brandenburg Concertos to the profound St. Matthew Passion, showcase his unparalleled mastery of harmony, counterpoint, and emotional depth. Bach's keyboard works, such as the Goldberg Variations and The Well-Tempered Clavier, are staples of the classical repertoire, while his organ pieces like the Toccata and Fugue in D minor continue to inspire awe. Bach's legacy, revitalized during the 19th-century Bach Revival, endures as a testament to his enduring brilliance and innovation. His music, respected for its technical brilliance, intellectual rigor, and artistic beauty, continues to captivate audiences and musicians alike.

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