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      1. Albums
      2. j.s. bach: cantatas bwv 56, bwv 4 & bwv 82 - johann sebastian bach

      J.S. Bach: Cantatas BWV 56, BWV 4 & BWV 82

      Johann Sebastian BachJohann Sebastian Bach
      • 1990
      • 18 tracks
      • 1 uur, 8 min
      • classical
      J.S. Bach: Cantatas BWV 56, BWV 4 & BWV 82 - Johann Sebastian Bach
      J.S. Bach: Cantatas BWV 56, BWV 4 & BWV 82 - Johann Sebastian Bach

      Album Details

      Immerse yourself in the timeless genius of Johann Sebastian Bach with this exquisite collection of cantatas, recorded in 1990 by Archiv Produktion. This album features three of Bach's most profound and moving works: Cantata BWV 56 "Ich will den Kreuzstab gerne tragen," Cantata BWV 4 "Christ lag in Todesbanden," and Cantata BWV 82 "Ich habe genug."

      Cantata BWV 56, composed for the 19th Sunday after Trinity, is a deeply reflective piece that explores themes of faith and perseverance. The cantata is divided into five movements, each offering a unique blend of vocal and instrumental passages that showcase Bach's mastery of composition.

      Cantata BWV 4, a Easter cantata, is a powerful and dramatic work that tells the story of Christ's resurrection. The cantata is structured around the hymn "Christ lag in Todesbanden," with each movement expanding on the themes and imagery of the hymn. The work features a variety of vocal and instrumental textures, from the triumphant opening chorus to the intimate duet of the fifth movement.

      Cantata BWV 82, is a deeply personal and introspective work that reflects on the themes of contentment and acceptance. The cantata is structured around the hymn "Ich habe genug," with each movement exploring the themes and imagery of the hymn. The work features a variety of vocal and instrumental textures, from the reflective opening aria to the triumphant closing chorus.

      This album is a testament to Bach's enduring legacy and his ability to create music that is both deeply moving and technically brilliant. The performances by The Cantata Singers and The Jacques Orchestra, conducted by Reginald Jacques, are nothing short of exceptional, capturing the full range of emotion and complexity in Bach's music. Whether you are a seasoned classical music enthusiast or a newcomer to the world of Bach, this album is sure to leave a lasting impression.

      1 januari 1990© 1990 Deutsche Grammophon GmbH, BerlinThis Compilation ℗ 1990 Deutsche Grammophon GmbH, Berlin

      Tracks

      1. Ich will den Kreuzstab gerne tragen, Cantata BWV 56: I. "Ich will den Kreuzstab gerne tragen"Johann Sebastian Bach, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
        8:42
      2. Ich will den Kreuzstab gerne tragen, Cantata BWV 56: II. "Mein Wandel auf der Welt"Johann Sebastian Bach, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
        2:12
      3. Ich will den Kreuzstab gerne tragen, Cantata BWV 56: III. "Endlich, endlich wird mein Joch"Johann Sebastian Bach, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
        6:42
      4. Ich will den Kreuzstab gerne tragen, Cantata BWV 56: IV. "Ich stehe fertig und bereit"Johann Sebastian Bach, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
        2:00
      5. Ich will den Kreuzstab gerne tragen, Cantata BWV 56: No. 5 "Komm, o Tod, du Schlafes Bruder"Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        2:11
      6. Christ lag in Todesbanden, BWV 4: I. SinfoniaJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter
        1:45
      7. Christ lag in Todesbanden, BWV 4: II. Verse 1, Chorus. Christ lag in TodesbandenJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        4:23
      8. Christ lag in Todesbanden, BWV 4: III. Verse 2, Duet. Denn Tod niemand zwingen kunnt (Soprano, Alto)Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        3:59
      9. Christ lag in Todesbanden, BWV 4: IV. Verse 3, Aria. Jesus Christus, Gottes SohnJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        1:57
      10. Christ lag in Todesbanden, BWV 4: V. Verse 4, Chorus. Es war ein wunderlicher KriegJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        2:14
      11. Christ lag in Todesbanden, BWV 4: VI. Verse 5, Aria. Hier ist das rechte OsterlammJohann Sebastian Bach, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
        4:35
      12. Christ lag in Todesbanden, BWV 4: VII. Verse 6, Duet. So feiern wir das hohe FestJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        2:02
      13. Christ lag in Todesbanden, BWV 4: VIII. Verse 7, Chorale. Wir essen und wir leben wohlJohann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor
        1:15
      14. Ich habe genug, Cantata BWV 82: I. "Ich habe genug, ich habe den Heiland"Johann Sebastian Bach, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
        8:17
      15. Ich habe genug, Cantata BWV 82: II. "Ich habe genug! Mein Trost ist nur allein"Johann Sebastian Bach, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
        1:43
      16. Ich habe genug, Cantata BWV 82: III. "Schlummert ein, ihr matten Augen"Johann Sebastian Bach, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
        9:43
      17. Ich habe genug, Cantata BWV 82: IV. "Mein Gott! wenn kömmt das schöne: Nun!"Johann Sebastian Bach, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
        1:12
      18. Ich habe genug, Cantata BWV 82: V. "Ich freue mich auf meinen Tod"Johann Sebastian Bach, Dietrich Fischer-Dieskau, Münchener Bach-Orchester, Karl Richter
        3:46
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      About Johann Sebastian Bach

      Johann Sebastian Bach, born in 1685 in Eisenach, Germany, stands as one of the most influential figures in the history of Western music. A prolific composer and virtuoso performer on multiple instruments, Bach's genius spans a vast array of genres and forms. His compositions, ranging from the intricate Brandenburg Concertos to the profound St. Matthew Passion, showcase his unparalleled mastery of harmony, counterpoint, and emotional depth. Bach's keyboard works, such as the Goldberg Variations and The Well-Tempered Clavier, are staples of the classical repertoire, while his organ pieces like the Toccata and Fugue in D minor continue to inspire awe. Bach's legacy, revitalized during the 19th-century Bach Revival, endures as a testament to his enduring brilliance and innovation. His music, respected for its technical brilliance, intellectual rigor, and artistic beauty, continues to captivate audiences and musicians alike.

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      Johann Sebastian Bach

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