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      1. Albums
      2. isang yun und das cello - isang yun

      Isang Yun und das Cello

      Isang YunIsang Yun
      • 2019
      • 24 tracks
      • 1 uur, 53 min
      Isang Yun und das Cello - Isang Yun
      Isang Yun und das Cello - Isang Yun

      Album Details

      Immerse yourself in the captivating world of Isang Yun's "Isang Yun und das Cello," a remarkable collection of solo and chamber works that showcase the profound depth and versatility of the cello. Released on January 1, 2019, under Cybele Records, this album spans a duration of 1 hour and 53 minutes, offering a rich tapestry of compositions that reflect Yun's unique artistic vision and mastery of form.

      The album opens with "Nore für Violoncello und Klavier," a piece that sets the tone for the journey ahead, followed by the introspective "Interludium A für Klavier." Yun's exploration of the cello's expressive capabilities continues with "Intermezzo für Violoncello und Akkordeon" and the intricate "Glissées für Violoncello solo," a four-movement work that highlights the instrument's dynamic range.

      "Espace I für Violoncello und Klavier" introduces a sense of spatial exploration, while "Shao Yang Yin," originally composed for cembalo and adapted for piano, adds a touch of Eastern mystique. The "Duo für Violoncello und Harfe," arranged for cello and piano, offers a delicate interplay between the two instruments, with three distinct movements that evolve in tempo and mood.

      "Sieben Etüden für Violoncello solo" presents a series of seven studies that challenge and inspire, each with its own unique character, from the playful "Burlesque" to the lyrical "Dolce." The album concludes with "Fünf Stücke für Klavier," a set of five piano pieces that encapsulate Yun's compositional style, ranging from the graceful "Adagio, grazioso" to the lively "Allegretto."

      Throughout the album, Isang Yun's compositions demonstrate a deep understanding of the cello's potential, as well as a keen sensitivity to the nuances of chamber music. "Isang Yun und das Cello" is a testament to Yun's enduring legacy as a composer and his ability to create works that resonate with both performers and audiences alike.

      1 januari 20192019 Cybele Records2019 Cybele Records

      Tracks

      1. Nore für Violoncello und Klavier (1964, rev. 1968)Isang Yun, Adele Bitter, Holger Groschopp
        8:32
      2. Interludium A für Klavier (1982)Isang Yun, Holger Groschopp
        10:17
      3. Intermezzo für Violoncello und Akkordeon (1988, Version für Violoncello und Klavier)Isang Yun, Adele Bitter, Holger Groschopp
        8:28
      4. Glissées für Violoncello solo (1970): 1. Viertel ca. 60Isang Yun, Adele Bitter
        4:29
      5. Glissées für Violoncello solo (1970): 2. Viertel ca. 60Isang Yun, Adele Bitter
        3:59
      6. Glissées für Violoncello solo (1970): 3. Viertel ca. 46Isang Yun, Adele Bitter
        2:48
      7. Glissées für Violoncello solo (1970): 4. Viertel ca. 60Isang Yun, Adele Bitter
        4:26
      8. Espace I für Violoncello und Klavier (1992)Isang Yun, Adele Bitter, Holger Groschopp
        11:39
      9. Shao Yang Yin für Cembalo (1966, Klavierfassung von Kaya Han (1996))Isang Yun, Holger Groschopp
        6:36
      10. Duo für Violoncello und Harfe (1984, arr. für Violoncello und Klavier): 1. Viertel ca. 68Isang Yun, Adele Bitter, Holger Groschopp
        5:16
      11. Duo für Violoncello und Harfe (1984, arr. für Violoncello und Klavier): 2. Viertel ca. 60Isang Yun, Adele Bitter, Holger Groschopp
        4:09
      12. Duo für Violoncello und Harfe (1984, arr. für Violoncello und Klavier): 3. Viertel ca. 46Isang Yun, Adele Bitter, Holger Groschopp
        5:01
      13. Sieben Etüden für Violoncello solo (1993): 4. BurlesqueIsang Yun, Adele Bitter
        4:02
      14. Sieben Etüden für Violoncello solo (1993): 1. LegatoIsang Yun, Adele Bitter
        5:01
      15. Sieben Etüden für Violoncello solo (1993): 2. LeggieroIsang Yun, Adele Bitter
        2:37
      16. Sieben Etüden für Violoncello solo (1993): 3. ParlandoIsang Yun, Adele Bitter
        4:29
      17. Fünf Stücke für Klavier (1958): 1. Adagio, graziosoIsang Yun, Holger Groschopp
        1:09
      18. Fünf Stücke für Klavier (1958): 2. Andantino, espressivoIsang Yun, Holger Groschopp
        1:21
      19. Fünf Stücke für Klavier (1958): 3. Allegro moderatoIsang Yun, Holger Groschopp
        0:59
      20. Fünf Stücke für Klavier (1958): 4. AllegroIsang Yun, Holger Groschopp
        1:07
      21. Fünf Stücke für Klavier (1958): 5. AllegrettoIsang Yun, Holger Groschopp
        1:26
      22. Sieben Etüden für Violoncello solo (1993): 6. TrillerIsang Yun, Adele Bitter
        4:19
      23. Sieben Etüden für Violoncello solo (1993): 7. DoppelgriffeIsang Yun, Adele Bitter
        3:22
      24. Sieben Etüden für Violoncello solo (1993): 5. DolceIsang Yun, Adele Bitter
        8:02
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      About Isang Yun

      Isang Yun, born Yun I-sang, was a pioneering composer who bridged the musical traditions of East and West with remarkable finesse. Born in Tongyong, Korea, in 1917, Yun's early life was marked by his active resistance against the Japanese occupation. His musical journey took him to Japan and Korea for his studies, but it was in West Germany that he forged his later career, becoming the first composer from Eastern Asia to establish an international presence there.

      Yun's compositions are a unique fusion of Asian philosophy, aesthetics, and musical styles with Western avant-garde techniques. His work is not just a blend but a synthesis, creating a distinct sound that is both familiar and innovative. Throughout his career, Yun was uncompromising in his artistic vision and his personal beliefs, holding fast to his dream of a united Korea. His influence extended beyond his music, encouraging contemporary music scenes in both North and South Korea.

      Yun's legacy continues to inspire, commemorated through events like the ISANGYUN Competition in his birthplace of Tongyeong. His compositions invite listeners to explore the depths of his artistic vision, making him a seminal figure in the world of contemporary classical music.

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      Isang Yun

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