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      1. Albums
      2. "impressions": french piano - erik satie

      "Impressions": French Piano

      Erik SatieErik Satie
      • 2025
      • 80 tracks
      • 1 uur, 19 min
      • classical piano
      "Impressions": French Piano - Erik Satie
      "Impressions": French Piano - Erik Satie

      Album Details

      "Impressions": French Piano by Erik Satie is a captivating journey through the world of classical piano music, set to release on October 10, 2025, under the UME - Global Clearing House label. This album is a testament to Satie's unique compositional style, blending classical elegance with whimsical charm.

      Spanning a duration of 1 hour and 19 minutes, the album features a diverse collection of Satie's works, including pieces from his renowned "Carnaval des Animaux" and "Valses nobles et sentimentales" suites. The tracklist also showcases Satie's lesser-known compositions, such as "Danses gothiques" and "Gnossiennes," offering a comprehensive exploration of his musical genius.

      Erik Satie, a pioneering figure in 20th-century music, is celebrated for his innovative approach to composition and his influence on various musical movements. "Impressions": French Piano encapsulates Satie's distinctive style, characterized by its simplicity, irony, and a touch of the absurd. The album is a delightful blend of playful melodies, intricate rhythms, and evocative harmonies, showcasing Satie's mastery of the piano.

      This album is a must-listen for classical music enthusiasts and those seeking to discover the enchanting world of Erik Satie. "Impressions": French Piano is a celebration of Satie's enduring legacy, offering a timeless collection of piano pieces that continue to captivate audiences worldwide.

      October 10, 2025© 2025 UMG Recordings, Inc.℗ 2025 UMG Recordings, Inc.

      Tracks

      1. Le Carnaval des Animaux, R. 125: IX. Le Coucou Au Fond Des BoisCamille Saint-Saëns, Lucas Jussen, Arthur Jussen, Royal Concertgebouw Orchestra
        2:50
      2. Préludes, Book 1, CD 125: VIII. La fille aux cheveux de linClaude Debussy, Alexis Weissenberg
        2:34
      3. A la manière de Borodine, M. 63/1Maurice Ravel, Jean-Yves Thibaudet
        1:21
      4. En habit de cheval: 1. ChoralErik Satie, Jean-Joël Barbier
        1:07
      5. Valses nobles et sentimentales, M. 61: III. ModéréMaurice Ravel, Angela Hewitt
        1:16
      6. Les chemins de l'amour, FP 106Francis Poulenc, Sarah Fox, Graham Johnson
        3:27
      7. 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major. Andante moderatoGabriel Fauré, Kun-Woo Paik
        2:43
      8. Valses nobles et sentimentales, M. 61: 6. Assez vif - Live au Festival de musique de Montreux-Vevey / 1988Maurice Ravel, Nikita Magaloff
        0:37
      9. Dolly, Op. 56: 1. BerceuseGabriel Fauré, Arthur Jussen, Lucas Jussen
        2:26
      10. Berceuse sur le nom de Gabriel Fauré, M. 74Maurice Ravel, Cédric Tiberghien, Alina Ibragimova
        3:07
      11. Le carnaval des animaux, R. 125: II. Poules et CoqsCamille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm
        0:49
      12. Sonatine, M.40 - for Piano: 2. Mouvement de menuetMaurice Ravel, Lucas Jussen
        3:20
      13. Valses nobles et sentimentales, M. 61: I. Modéré, très francMaurice Ravel, Steven Osborne
        1:14
      14. Le carnaval des animaux, R. 125: IV. TortuesCamille Saint-Saëns, Camille Thomas, Alexandre Bloch
        1:49
      15. Valses nobles et sentimentales, M.61 - for Piano: 6. Assez vifMaurice Ravel, Roger Muraro
        0:38
      16. Le Carnaval des Animaux, R. 125: 5. L'EléphantCamille Saint-Saëns, Pittsburgh Symphony Orchestra, André Previn
        1:24
      17. Le carnaval des animaux, R. 125: XII. FossilesCamille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm
        1:18
      18. Valses nobles et sentimentales, M. 61: VII. Moins vifMaurice Ravel, Jean-Yves Thibaudet
        2:29
      19. Gnossiennes: No. 5Erik Satie, Reinbert de Leeuw
        3:26
      20. Le carnaval des animaux, R. 125: X. VolièresCamille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm
        1:20
      21. Menuet sur le nom de HaydnMaurice Ravel, Pierre-Laurent Aimard
        1:48
      22. Valses nobles et sentimentales, M. 61: 2. Assez lent - avec une expression intense - Live au Festival de musique de Montreux-Vevey / 1988Maurice Ravel, Nikita Magaloff
        1:58
      23. Danses gothiques: 7. Par pitié pour les ivrognes, honteux, débauchés, imparfaits, désagréables et faussaires en tous genresErik Satie, Reinbert de Leeuw
        0:52
      24. Le carnaval des animaux, R. 125: XIV. FinaleCamille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm
        1:55
      25. Le Carnaval des Animaux, R. 125: VIII. Personnages à longues oreillesCamille Saint-Saëns, Lucas Jussen, Arthur Jussen, Royal Concertgebouw Orchestra
        0:55
      26. Carnet d'esquisses et de croquis: Le Prisonnier maussadeErik Satie, Pascal Rogé
        0:37
      27. Gnossiennes: No. 4Erik Satie, Reinbert de Leeuw
        3:07
      28. Pecadilles importunes: Profiter de ce qu'il a des cors aux piedsErik Satie, Pascal Rogé
        0:30
      29. En habit de cheval: Autre choralErik Satie, Orchestre National De France, Manuel Rosenthal
        1:13
      30. Le carnaval des animaux, R. 125: VII. AquariumCamille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm
        2:10
      31. 3 Romances sans paroles, Op. 17: II. Allegro moltoGabriel Fauré, Kathryn Stott
        2:08
      32. Prélude en tapisserieErik Satie, Jean-Joël Barbier
        2:32
      33. Valses nobles et sentimentales, M. 61: IV. Assez animéMaurice Ravel, Angela Hewitt
        1:13
      34. Le Carnaval des Animaux, R. 125: I. Introduction et Marche royale du LionCamille Saint-Saëns, Lucas Jussen, Arthur Jussen, Royal Concertgebouw Orchestra
        2:11
      35. 3 Romances sans paroles, Op. 17: No. 1 in A-Flat Major. Andante, quasi allegrettoGabriel Fauré, Kun-Woo Paik
        1:54
      36. A la manière de Chabrier, M. 63/2Maurice Ravel, Jean-Yves Thibaudet
        1:25
      37. Morceau de concours, CD 117Claude Debussy, Steven Osborne
        0:50
      38. Napoli, FP 40: 1. Barcarolle. Assez animéFrancis Poulenc, Zee Zee
        1:41
      39. Berceuse Op. 16Gabriel Fauré, Mariko Senju, Satoshi Sando
        3:09
      40. Le Carnaval des Animaux, R. 125: III. Hémiones (Animaux véloces)Camille Saint-Saëns, Lucas Jussen, Arthur Jussen, Royal Concertgebouw Orchestra
        0:43
      41. Le piège de Méduse: 2. ValseErik Satie, Pascal Rogé
        0:32
      42. Vieux sequins et vieilles cuirasses: 2. Danse cuirassée (période grecque)Erik Satie, Jean-Joël Barbier
        0:49
      43. En habit de cheval: Autre choralErik Satie, Pascal Rogé, Jean-Philippe Collard
        0:32
      44. Pecadilles importunes: Profiter de ce qu'il a des cors aux piedsErik Satie, Jean-Yves Thibaudet
        0:34
      45. Douze petits chorals: Choral No. 5Erik Satie, Jean-Yves Thibaudet
        0:34
      46. L'enfance de Ko-Quo (Ed. Volta): II. Ne souffle pas dans tes oreillesErik Satie, Jean-Yves Thibaudet
        0:34
      47. Vieux sequins et vieilles cuirasses: 2. Danse cuirassée (période greque)Erik Satie, Jean-Yves Thibaudet
        1:02
      48. 5 Grimaces pour "Un songe d'une nuit d'été" (Compl. & Piano Reduction by Milhaud): No. 3, ChasseErik Satie, Jean-Yves Thibaudet
        0:35
      49. Trois Nouvelles Enfantines: 1. Le vilain petit VaurienErik Satie, Jean-Yves Thibaudet
        0:35
      50. Pièces froides: - Ed. Robert Caby (1905-1992): 2. Airs à fair fuir IIErik Satie, Jean-Yves Thibaudet
        1:04
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      About Erik Satie

      Erik Satie, born Éric Alfred Leslie Satie, was a French composer and pianist renowned for his eccentric personality and revolutionary approach to music. Born in Honfleur in 1866, Satie's unique style and unconventional lifestyle set him apart in the classical music world. His compositions, often for solo piano, are known for their simplicity and innovation, with iconic works like the "Gymnopédies" and "Gnossiennes" showcasing his distinctive voice. Satie's eccentricities extended beyond his music; he was known for his peculiar dietary habits, such as eating only white food, and his whimsical approach to life, which included writing pieces with titles like "Three Pieces in the Shape of a Pear." His unconventional lifestyle and groundbreaking compositions make Erik Satie a fascinating figure in classical music history.

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