iAy,Ay,Ay!... バリオス作品集2

Dive into the enchanting world of classical guitar with Agustín Barrios Mangoré's "iAy,Ay,Ay!... バリオス作品集2," a captivating collection of traditional Latin American pieces that showcase the artist's virtuosity and deep cultural roots. Released in 2000, this album spans a rich tapestry of styles, from the passionate tangos and lively dance tunes of Argentina and Uruguay to the serene, evocative melodies of Paraguay and Chile. Barrios Mangoré's masterful playing brings each piece to life, offering a genuine and authentic experience of the region's diverse musical heritage.

The album features 21 tracks, each a testament to Barrios Mangoré's skill and the beauty of the music he interprets. From the lively "ペピータ" and "アイレ・デ・サンバ" to the delicate "糸紡ぎ娘の歌" and "子守歌," the album is a journey through the vibrant sounds of Latin America. The inclusion of both well-known and lesser-heard pieces ensures that there is something new and exciting for both longtime fans and newcomers to Barrios Mangoré's work.

With a duration of over an hour, this album is perfect for those who appreciate the intricacies of classical guitar and the rich cultural tapestry of Latin American music. Whether you're a seasoned fan of Agustín Barrios Mangoré or discovering his work for the first time, "iAy,Ay,Ay!... バリオス作品集2" is a treasure trove of musical delights that will leave you enchanted and eager to explore more of his repertoire.

Agustín Barrios Mangoré, born Agustín Pío Barrios, was a Paraguayan virtuoso classical guitarist and composer, celebrated as one of the greatest performers and most prolific composers for the guitar. Born in 1885 in San Juan Bautista de las Misiones, Paraguay, Barrios' musical journey began at a young age, and by 18, he was already touring and recording, a pioneer in making recordings as early as 1910. His extensive repertoire includes over 300 compositions, showcasing his folk, imitative, and religious styles, with iconic pieces like "La Catedral" and "Una Limosna por el Amor de Dios."

Barrios' performances throughout Latin America and Europe in the 1930s solidified his reputation as a guitar virtuoso. He created the alter ego Chief Nitsuga Mangoré, a nod to his indigenous heritage, and his stunning virtuosity and musicality captivated audiences. Despite his prominence during his time, Barrios' compositions and recordings remained largely unknown internationally for decades after his death in 1944. It was not until the 1970s that his work gained wider recognition, thanks to advocates like John Williams and Laurindo Almeida, who helped bring Barrios' genius to a global audience. His legacy continues to inspire guitarists and music enthusiasts worldwide, with his compositions remaining a staple in the classical guitar repertoire.

iAy,Ay,Ay!... バリオス作品集2

Album Details

Tracks

About Agustín Barrios Mangoré

Best vinyl LP prices!