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      1. Albums
      2. hosokawa: renka - toshio hosokawa

      Hosokawa: Renka

      Toshio HosokawaToshio Hosokawa
      • 2010
      • 14 tracks
      • 1 uur, 2 min
      • experimental
      Hosokawa: Renka - Toshio Hosokawa
      Hosokawa: Renka - Toshio Hosokawa

      Album Details

      Toshio Hosokawa's "Hosokawa: Renka" is an experimental masterpiece that invites you to explore the intricate beauty of Japanese traditional poetry and music. Released on October 1, 2010, under the MusicScape label, this album spans a captivating 62 minutes, offering a rich tapestry of compositions that blend contemporary classical music with traditional Japanese elements.

      The album is divided into three main sections, each titled "Renka," which are settings of traditional Japanese poetry. The first section, "Renka I," features a soprano and guitar duo, creating an intimate and delicate atmosphere. The second section, "Renka II," expands the ensemble to include a chamber orchestra, adding depth and complexity to the compositions. The third section, "Renka III," brings together a soprano, violin, viola da gamba, and harp, offering a unique and enchanting soundscape.

      In addition to the Renka sections, the album also includes two Japanese folk songs, "Kuroda-bushi" and "Itsuki no Komori-uta," performed by a voice and guitar duo. These traditional pieces provide a beautiful contrast to the more experimental compositions, showcasing Hosokawa's ability to blend old and new.

      Toshio Hosokawa's "Hosokawa: Renka" is a testament to his innovative approach to composition, seamlessly weaving together traditional Japanese poetry and music with contemporary classical techniques. This album is a must-listen for anyone interested in experimental music, Japanese culture, or the intersection of tradition and innovation.

      October 1, 20102009 MusicScape Ltd.2009 MusicScape Ltd.

      Tracks

      1. Renka I for Soprano and guitar: I. Aki no Ta no...Toshio Hosokawa, Eiko Hiramatsu, Tatsuo Tabei
        4:33
      2. Renka I for Soprano and guitar: II. Kimi ga Yuku...Toshio Hosokawa, Eiko Hiramatsu, Tatsuo Tabei
        4:41
      3. Renka I for Soprano and guitar: III. Yura no To o...Toshio Hosokawa, Eiko Hiramatsu, Tatsuo Tabei
        4:44
      4. Renka II for Soprano and chamber ensemble: I. Landscape, a night sceneToshio Hosokawa, Eiko Hiramatsu, EnsembleStern, Seitaro Ishikawa
        5:11
      5. Renka II for Soprano and chamber ensemble: II. The bell of a templeToshio Hosokawa, Eiko Hiramatsu, EnsembleStern, Seitaro Ishikawa
        4:02
      6. Renka II for Soprano and chamber ensemble: III. Black hairToshio Hosokawa, Eiko Hiramatsu, EnsembleStern, Seitaro Ishikawa
        3:44
      7. Renka II for Soprano and chamber ensemble: IV. A shadow in the morningToshio Hosokawa, Eiko Hiramatsu, EnsembleStern, Seitaro Ishikawa
        3:21
      8. Renka III for Soprano, violin, viola da gamba and harp: I. PreludioToshio Hosokawa, Eiko Hiramatsu, EnsembleStern, Seitaro Ishikawa
        2:38
      9. Renka III for Soprano, violin, viola da gamba and harp: II. Dew DropsToshio Hosokawa, Eiko Hiramatsu, EnsembleStern, Seitaro Ishikawa
        3:36
      10. Renka III for Soprano, violin, viola da gamba and harp: III. FireflyToshio Hosokawa, Eiko Hiramatsu, EnsembleStern, Seitaro Ishikawa
        4:18
      11. Renka III for Soprano, violin, viola da gamba and harp: IV. IntermezzoToshio Hosokawa, Eiko Hiramatsu, EnsembleStern, Seitaro Ishikawa
        3:39
      12. Renka III for Soprano, violin, viola da gamba and harp: V. HeavenToshio Hosokawa, Eiko Hiramatsu, EnsembleStern, Seitaro Ishikawa
        3:50
      13. Two Japanese Folk Songs for voice and guitar: I. Kuroda-bushiToshio Hosokawa, Eiko Hiramatsu, Tatsuo Tabei
        8:42
      14. Two Japanese Folk Songs for voice and guitar: II. Itsuki no Komori-utaToshio Hosokawa, Eiko Hiramatsu, Tatsuo Tabei
        5:44
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      About Toshio Hosokawa

      Toshio Hosokawa, born in Hiroshima in 1955, is a pioneering figure in contemporary classical music, renowned for his unique blend of Eastern and Western musical traditions. After initial studies in Tokyo, Hosokawa ventured to Berlin in 1976 to study composition with the esteemed Isang Yun. This period marked the beginning of his distinctive style, deeply rooted in classical Japanese music and culture, yet profoundly influenced by his Western training. Hosokawa's compositions, which include operas, orchestral works, and chamber music, are celebrated for their evocative and often deeply personal narratives. His oratorio "Voiceless Voice in Hiroshima" stands as a poignant testament to his ability to convey profound emotions through music. With nearly 200 scores to his name, Hosokawa continues to be a prolific and influential voice in the world of experimental classical music, captivating audiences with his innovative and culturally rich compositions.

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      Toshio Hosokawa

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