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      1. Albums
      2. horst lohse: letzte dinge – hieronymus bosch triptychon - horst lohse

      Horst Lohse: Letzte Dinge – Hieronymus Bosch Triptychon

      Horst LohseHorst Lohse
      • 2017
      • 12 tracks
      • 1 uur, 1 min
      Horst Lohse: Letzte Dinge – Hieronymus Bosch Triptychon - Horst Lohse
      Horst Lohse: Letzte Dinge – Hieronymus Bosch Triptychon - Horst Lohse

      Album Details

      Horst Lohse's "Letzte Dinge – Hieronymus Bosch Triptychon" is a captivating musical journey released in 2017 under the NEOS Music label. This album is a unique blend of orchestral and choral compositions, inspired by the intricate and enigmatic art of Hieronymus Bosch. With a duration of just over an hour, the album is divided into two main sections: "Die 7 Todsünden" (The Seven Deadly Sins) and "Die 4 letzten Dinge" (The Four Last Things), each exploring profound themes through music.

      The first section delves into the seven deadly sins, with each track representing a different sin: Ira (Wrath), Superba (Pride), Luxuria (Lust), Acedia (Sloth), Gula (Gluttony), Avaritia (Greed), and Invidia (Envy). The second section explores the four last things: Mors (Death), Ludicium (Judgment), Infernum (Hell), and Paradisus (Paradise). The album concludes with the intriguing piece "Cave cave Dominus videt" (Beware, beware, the Lord sees).

      Performed by the Bamberger Symphoniker and conducted by Robert Hunger-Bühler, with Christoph Maria Moosmann on vocals, this album is a testament to Horst Lohse's compositional prowess. The collaboration with other talented musicians and the rich orchestration makes this album a standout piece in Lohse's discography. Whether you're a fan of classical music or simply looking to explore something new, "Letzte Dinge – Hieronymus Bosch Triptychon" offers a compelling and thought-provoking listening experience.

      3 februari 20172016 NEOS Music2016 NEOS Music

      Tracks

      1. Die 7 Todsünden: No. 1, IraHorst Lohse, Christoph Maria Moosmann
        1:31
      2. Die 7 Todsünden: No. 2, SuperbaHorst Lohse, Christoph Maria Moosmann
        2:00
      3. Die 7 Todsünden: No. 3, LuxuriaHorst Lohse, Christoph Maria Moosmann
        2:01
      4. Die 7 Todsünden: No. 4, AcediaHorst Lohse, Christoph Maria Moosmann
        1:30
      5. Die 7 Todsünden: No. 5, GulaHorst Lohse, Christoph Maria Moosmann
        2:04
      6. Die 7 Todsünden: No. 6, AvaritiaHorst Lohse, Christoph Maria Moosmann
        2:11
      7. Die 7 Todsünden: No. 7, InvidiaHorst Lohse, Christoph Maria Moosmann
        2:08
      8. Die 4 letzten Dinge: No. 1, MorsHorst Lohse, Christoph Maria Moosmann, Bamberg Symphony, Aldo Brizzi
        5:17
      9. Die 4 letzten Dinge: No. 2, LudiciumHorst Lohse, Christoph Maria Moosmann, Bamberg Symphony, Aldo Brizzi
        6:13
      10. Die 4 letzten Dinge: No. 3, InfernumHorst Lohse, Christoph Maria Moosmann, Bamberg Symphony, Aldo Brizzi
        9:36
      11. Die 4 letzten Dinge: No. 4, ParadisusHorst Lohse, Christoph Maria Moosmann, Bamberg Symphony, Aldo Brizzi
        9:07
      12. Cave cave Dominus videtHorst Lohse, Robert Hunger-Bühler, Christoph Maria Moosmann
        17:17
      PLAY ON SPOTIFY

      About Horst Lohse

      Horst Lohse, born on March 16, 1943, in Kulmbach, Germany, is a renowned composer and music educator whose work spans a wide range of classical styles, including chamber music, concertos, keyboard pieces, and vocal music. With a career that began after his education at the Pädagogischen Hochschule Bayreuth, Lohse has made significant contributions to the world of contemporary classical music.

      His 2017 album "Letzte Dinge – Hieronymus Bosch Triptychon," performed by the Bamberg Symphony Orchestra, is a testament to his intricate and evocative compositions, blending historical inspiration with modern musical techniques. This album, along with other works like "Mythen In Musik," showcases Lohse's ability to create deeply engaging and thought-provoking pieces that resonate with audiences. Beyond his compositions, Lohse's educational background underscores his commitment to nurturing the next generation of musicians, making him a multifaceted figure in the classical music scene.

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      Horst Lohse

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