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      1. Albums
      2. history records - classical edition 109 - great voices - hermann prey & fritz wunderlich - hermann prey

      History Records - Classical Edition 109 - Great Voices - Hermann Prey & Fritz Wunderlich

      Hermann PreyHermann Prey
      • 2012
      • 20 tracks
      • 1 uur, 30 min
      • opera
      History Records - Classical Edition 109 - Great Voices - Hermann Prey & Fritz Wunderlich - Hermann Prey
      History Records - Classical Edition 109 - Great Voices - Hermann Prey & Fritz Wunderlich - Hermann Prey

      Album Details

      Immerse yourself in the timeless artistry of Hermann Prey and Fritz Wunderlich with "History Records - Classical Edition 109 - Great Voices." This exquisite collection, released in 2012 by History-Records, showcases the unparalleled vocal prowess of these two legendary opera singers. Spanning a diverse range of operas, this album is a testament to the enduring power of classical music.

      Hermann Prey, renowned for his rich baritone, and Fritz Wunderlich, celebrated for his lyrical tenor, bring to life a curated selection of arias that highlight their exceptional talents. From the playful charm of "Der Vogelfänger bin ich ja" from "Die Zauberflöte" to the poignant beauty of "Ombra mai fu" from "Xerxes," each track is a masterclass in vocal performance.

      Recorded between 1960 and 1962, these performances capture the essence of a golden era in opera. The album features iconic works by composers such as Mozart, Verdi, and Wagner, among others. With a total runtime of 1 hour and 30 minutes, this collection offers a comprehensive journey through the operatic repertoire, showcasing the versatility and depth of both artists.

      Whether you are a seasoned opera enthusiast or a newcomer to the genre, this album is a treasure trove of musical brilliance. The meticulous remastering by History-Records ensures that the audio quality is pristine, allowing you to fully appreciate the nuances of Prey and Wunderlich's performances. Dive into the world of classical opera and experience the magic of these great voices.

      1 januari 2012History-RecordsHistory-Records

      Tracks

      1. Die Zauberflöte, Act I, Scene 2: "Der Vogelfänger bin ich ja" (Papageno) - 1961Wolfgang Amadeus Mozart, Berlin Symphonic Orchestra, Horst Stein, Hermann Prey
        2:31
      2. Don Giovanni, Act II, Scene 10: "Folget der Heissgeliebten" (Don Ottavio) - 1961Wolfgang Amadeus Mozart, Berlin Symphonic Orchestra, Horst Stein, Fritz Wunderlich
        4:14
      3. Der Wildschütz, Act III, Scene 1: "Wie freundlich strahlt die helle Morgensonne" (Graf von Eberbach) - 1961Albert Lortzing, Berlin Symphonic Orchestra, Horst Stein, Hermann Prey
        4:51
      4. L'Elisir d'Amore, Act I, Scene 1: "Welche Huld und welche Reize" (Nemorino) - 1962Gaetano Donizetti, Orchestra of the Bavarian State Opera, Hans Müller-Kray, Fritz Wunderlich
        2:27
      5. Das Nachtlager von Granada, Act I, Scene 4: "Ein Schütz bin ich" (Jäger) - 1961Conradin Kreutzer, Berlin Symphonic Orchestra, Horst Stein, Hermann Prey
        3:50
      6. Der Barbier von Bagdad, Act I, Scene 2: "So leb' ich noch - Vor deinem Fenster die Blumen" (Nurredin) - 1962Peter Cornelius, Orchestra of the Bavarian State Opera, Hans Müller-Kray, Fritz Wunderlich
        6:40
      7. Die tote Stadt, Act II, Scene 3: "Mein Sehnen, mein Wähnen, es träumt sich zurück" (Fritz, der Pierrot) - 1961Erich Wolfgang Korngold, Berlin Symphonic Orchestra, Horst Stein, Hermann Prey
        4:00
      8. Die verkaufte Braut, Act II, Scene 5: "Armer Narr, Du glaubtest mich zu fangen" (Hans) - 1962Bedřich Smetana, Bamberg Symphony, Rudolf Kempe, Fritz Wunderlich
        3:20
      9. Tannhäuser, Act II, Scene 4: "Blick' ich umher in diesem edlen Kreise" (Wolfram) - 1961Richard Wagner, Berlin Symphonic Orchestra, Horst Stein, Hermann Prey
        4:53
      10. La Traviata, Act II, Scene 1: "Ach ihres Auges Zauberblick" (Alfred) - 1960Giuseppe Verdi, Berlin Symphonic Orchestra, Berislav Klobucar, Fritz Wunderlich
        3:48
      11. Hans Heiling, Act I, Scene 3: "An jenem Tag" (Hans Heiling) - 1961Heinrich Marschner, Berlin Symphonic Orchestra, Horst Stein, Hermann Prey
        5:25
      12. L'Elisir d'Amore, Act II, Scene 10: "Wohl drang aus ihrem Herzen" (Nemorino) - 1962Gaetano Donizetti, Orchestra of the Bavarian State Opera, Hans Müller-Kray, Fritz Wunderlich
        4:16
      13. Zar und Zimmermann, Act I, Scene 4: "Verraten! Von euch verraten - Die Macht des Zepters" (Zar Peter I.) - 1961Albert Lortzing, Berlin Symphonic Orchestra, Horst Stein, Hermann Prey
        6:23
      14. La Dame Blanche, Act II, Scene 6: "Komm, o holde Dame" (Georg) - 1962François-Adrien Boieldieu, Orchestra of the Bavarian State Opera, Hans Müller-Kray, Fritz Wunderlich
        5:37
      15. Königskinder, Act III: "Verdorben! Gestorben!" (Spielmann) - 1961Engelbert Humperdinck, Berlin Symphonic Orchestra, Berlin Mozart Choir, Horst Stein, Erich Steffen, Hermann Prey
        7:06
      16. Manon, Act II: "Ich schloss die Augen" (Des Grieux) - 1962Jules Massenet, Orchestra of the Bavarian State Opera, Hans Müller-Kray, Fritz Wunderlich
        2:44
      17. Der Trompeter von Säckingen, Act II, Scene 8: "Behüt dich Gott, es wär' zu schön gewesen" (Werner Kirchdorfer) - 1961Victor Nessler, Berlin Symphonic Orchestra, Horst Stein, Hermann Prey
        4:08
      18. Xerxes, Act I, Scene 1: "Ombra mai fu" (Xerxes) - 1962George Frideric Handel, Orchestra of the Bavarian State Opera, Hans Müller-Kray, Fritz Wunderlich
        2:58
      19. Tannhäuser, Act III, Scene 2: "O du, mein holder Abendstern" (Wolfram) - 1961Richard Wagner, Berlin Symphonic Orchestra, Horst Stein, Hermann Prey
        4:43
      20. Der Evangelimann, Act II, Scene 3: "Selig sind, die Verfolgung leiden" (Mathias/Evangelimann) - 1962Wilhelm Kienzl, Orchestra of the Bavarian State Opera, Children Singing Circle St. Wolfgang Munich, Hans Müller-Kray, Fritz Wunderlich
        6:21
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      About Hermann Prey

      Hermann Prey, the renowned German lyric baritone, captivated audiences with his versatility across the Lied, operatic, and concert stages. Born in Berlin in 1929, Prey's early life was marked by the tumultuous era of the Third Reich, narrowly escaping conscription as World War II ended. His American debut in 1952 with the Philadelphia Orchestra and Eugene Ormandy launched his international career, culminating in a memorable recital debut at New York's Carnegie Hall in 1956.

      Prey's repertoire was vast and impressive, with a particular affinity for the works of Schubert, including his iconic song cycles "Die schöne Müllerin" and "Die Winterreise," as well as the collection "Schwanengesang." His interpretations of Robert Schumann, Richard Strauss, and Gustav Mahler were equally celebrated. Beyond Lieder, Prey was a frequent soloist in Bach's Passions and Brahms' "A German Requiem," showcasing his deep musicality and emotional range. His discography, featuring works from Beethoven to Strauss, stands as a testament to his enduring legacy in the world of classical music. Prey passed away in 1998, leaving behind a rich musical heritage that continues to inspire.

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