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      1. Albums
      2. helmut lachenmann: schwankungen am rand - helmut lachenmann

      Helmut Lachenmann: Schwankungen am Rand

      Helmut LachenmannHelmut Lachenmann
      • 2002
      • 3 tracks
      • 1 uur, 12 min
      • avant-garde
      Helmut Lachenmann: Schwankungen am Rand - Helmut Lachenmann
      Helmut Lachenmann: Schwankungen am Rand - Helmut Lachenmann

      Album Details

      Helmut Lachenmann's "Schwankungen am Rand" is a captivating exploration of avant-garde classical music, released on ECM New Series in 2002. This album, featuring three distinct works composed between 1974 and 1992, showcases Lachenmann's unique approach to sound and composition. The opening track, "Schwankungen am Rand (1974/75)," is a sprawling, 27-minute piece that challenges conventional notions of harmony and melody, recorded with the Ensemble Modern Orchestra under the direction of Péter Eötvös. The album also includes "Mouvement (-vor der Erstarrung) (1983/84)," a work that delves into the textures and timbres of the orchestra, and "...zwei Gefühle...," a shorter piece that contrasts with the longer works. The final track, "Musik mit Leonardo (1992)," adds a layer of historical intrigue, incorporating elements inspired by Leonardo da Vinci. Recorded in November 1998 at the Alte Oper in Frankfurt, this album offers a deep dive into Lachenmann's innovative and thought-provoking musical language, spanning a total duration of 1 hour and 12 minutes.

      June 24, 2002© 2002 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin℗ 2002 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

      Tracks

      1. Schwankungen am Rand (1974/75)Helmut Lachenmann, Peter Eötvös, Ensemble Modern
        27:23
      2. Mouvement (-vor der Erstarrung) (1983/84)Helmut Lachenmann, Peter Eötvös, Ensemble Modern
        22:45
      3. "...zwei Gefühle...", Musik mit Leonardo (1992)Helmut Lachenmann, Peter Eötvös, Ensemble Modern
        22:23
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      About Helmut Lachenmann

      Helmut Friedrich Lachenmann, born in 1935, is a pioneering German composer renowned for his contributions to contemporary classical music. His unique style, often associated with "instrumental musique concrète," pushes the boundaries of traditional composition by exploring the sounds and textures of instruments in unconventional ways. Lachenmann's works, such as "temA" and "Movement (- before paralysis)," challenge listeners to engage with music beyond conventional melodies and harmonies. His innovative approach extends to pieces like "Güero," where the piano is not played in the usual manner but rather by caressing and tapping its surface. Lachenmann's compositions, including "Notturno" and "Allegro sostenuto," are celebrated for their depth and complexity, making him a seminal figure in the avant-garde genre. His educational background includes studies in composition and music theory with Johann Nepomuk David, and piano with Jürgen Uhde, further enriching his artistic repertoire.

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      Helmut Lachenmann

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