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      1. Albums
      2. heinichen: lamentationes / passionsmusik - johann david heinichen

      Heinichen: Lamentationes / Passionsmusik

      Johann David HeinichenJohann David Heinichen
      • 1995
      • 22 tracks
      • 2 uur, 8 min
      Heinichen: Lamentationes / Passionsmusik - Johann David Heinichen
      Heinichen: Lamentationes / Passionsmusik - Johann David Heinichen

      Album Details

      Immerse yourself in the profound and sacred compositions of Johann David Heinichen with the album "Heinichen: Lamentationes / Passionsmusik." Released on January 1, 1995, under the Archiv Produktion label, this collection showcases Heinichen's mastery of Baroque music, blending intricate vocal and instrumental arrangements that resonate with historical depth and emotional intensity.

      The album features a diverse array of works, including the moving "Lamentationes Jeremiae prophetae," a series of three lamentations that draw from the biblical Book of Lamentations. These pieces are performed with exquisite precision by the Musica Antiqua Köln, conducted by Reinhard Goebel, alongside notable vocalists such as Axel Köhler, Jörg Dürmüller, and others. The ensemble's performance brings to life Heinichen's intricate compositions, highlighting the rich textures and expressive depth of his music.

      In addition to the lamentations, the album includes a variety of sacred works such as "Beatus vir," "Alma mater redemptoris," and "Nisi Dominus," each showcasing Heinichen's ability to convey spiritual themes through music. The "Oratorio tedesco al sepolcro santo" is another standout, featuring a series of arias, recitatives, and choruses that tell a compelling narrative.

      The album also includes the serene "Pastorale per la Notte di Natale," a pastoral piece that offers a contrast to the more somber works. This piece, along with others, demonstrates Heinichen's versatility and his ability to evoke a range of emotions through his compositions.

      With a total duration of 2 hours and 8 minutes, this album is a comprehensive exploration of Heinichen's sacred music, offering a rich and immersive listening experience. Whether you are a fan of Baroque music or simply appreciate the beauty of classical compositions, this album is sure to captivate and inspire.

      1 januari 1995© 1996 Deutsche Grammophon GmbH, Berlin℗ 1995 Deutsche Grammophon GmbH, Berlin

      Tracks

      1. Lamentationes Jeremiae prophetae, S. 71-73: Lamentatio I: Incipit lamentatio Jeremiae, S. 71Johann David Heinichen, Jörg Dürmüller, Musica Antiqua Köln, Reinhard Goebel
        12:58
      2. Lamentationes Jeremiae prophetae, S. 71-73: Lamentatio II: Vau. Et egressus est, S. 72Johann David Heinichen, Raimund Nolte, Musica Antiqua Köln, Reinhard Goebel
        10:40
      3. Lamentationes Jeremiae prophetae, S. 71-73: Lamentatio III: Jod. Manum suam misit hostis, S. 73Johann David Heinichen, Axel Köhler, Musica Antiqua Köln, Reinhard Goebel
        11:06
      4. Beatus vir in F Major, S. 26Johann David Heinichen, Jörg Dürmüller, Scot Weir, Musica Antiqua Köln, Reinhard Goebel
        4:14
      5. Alma mater redemptoris in F Major, S. 22Johann David Heinichen, Axel Köhler, Musica Antiqua Köln, Reinhard Goebel
        8:16
      6. Nisi Dominus in C Minor, S. 99Johann David Heinichen, Jörg Dürmüller, Musica Antiqua Köln, Reinhard Goebel
        5:04
      7. De profundis, S. 35Johann David Heinichen, Raimund Nolte, Musica Antiqua Köln, Reinhard Goebel
        6:53
      8. Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": I. Aria. Nicht das Band, das dich bestricketJohann David Heinichen, Axel Köhler, Musica Antiqua Köln, Reinhard Goebel
        9:53
      9. Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": II. Recit. So schleppt man dich zum Richthaus fortJohann David Heinichen, Axel Köhler, Musica Antiqua Köln, Reinhard Goebel
        0:48
      10. Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": III. Chorus. Kommt, schauet Petrus' Tränen anJohann David Heinichen, Mechthild Georg, Axel Köhler, Jörg Dürmüller, Musica Antiqua Köln, Reinhard Goebel
        3:32
      11. Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": IV. Recit. Ruchbarer Geist, verräterischer SinnJohann David Heinichen, Raimund Nolte, Musica Antiqua Köln, Reinhard Goebel
        2:09
      12. Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": V. Aria. Ach mein Mund, ach meine ZungeJohann David Heinichen, Raimund Nolte, Musica Antiqua Köln, Reinhard Goebel
        3:04
      13. Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": VI. Recit. Was nützt mir's nun, daß ich so rein an FüßenJohann David Heinichen, Raimund Nolte, Musica Antiqua Köln, Reinhard Goebel
        2:04
      14. Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": VII. Aria. Mein Herze, quille BlutJohann David Heinichen, Raimund Nolte, Musica Antiqua Köln, Reinhard Goebel
        3:20
      15. Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": VIII. Recit. O weh! Die ganze Schar schnaubt voller GrimmJohann David Heinichen, Mechthild Georg, Musica Antiqua Köln, Reinhard Goebel
        1:16
      16. Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": IX. Aria. Die Sporne, die meinen Erlöser durchstechenJohann David Heinichen, Mechthild Georg, Musica Antiqua Köln, Reinhard Goebel
        5:16
      17. Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": X. Recit. Jetzt lösen sie dich aufJohann David Heinichen, Mechthild Georg, Jörg Dürmüller, Musica Antiqua Köln, Reinhard Goebel
        4:32
      18. Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": XI. Aria. Der Abgrund muß erzitternJohann David Heinichen, Jörg Dürmüller, Musica Antiqua Köln, Reinhard Goebel
        3:59
      19. Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": XII. Recit. So leidet selbst die Unschuld so viel QualenJohann David Heinichen, Mechthild Georg, Axel Köhler, Musica Antiqua Köln, Reinhard Goebel
        4:13
      20. Oratorio todesco al sepolcro santo, S. 20 "Nicht das Band": XIII. Chorus. Ich wünsche mir, Jesu, dir einzig zum RuhmeJohann David Heinichen, Mechthild Georg, Axel Köhler, Jörg Dürmüller, Musica Antiqua Köln, Reinhard Goebel
        4:56
      21. Warum toben die Heiden, S. 39Johann David Heinichen, Raimund Nolte, Musica Antiqua Köln, Reinhard Goebel
        14:21
      22. Pastorale per la Notte di Natale, S. 242Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel, Christian Rieger
        6:20
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      About Johann David Heinichen

      Johann David Heinichen (1683-1729) was a prolific German Baroque composer and music theorist, renowned for his significant contributions to the musical landscape of his time. Born in the small community of Krössuln, near Weissenfels, Heinichen's musical prowess was evident from a young age, with reports suggesting he composed and conducted sacred music before reaching his teens. His journey took him to St. Thomas' School in Leipzig, where he initially served as an assistant to the cantor at the Thomaskirche.

      Heinichen's career flourished as he brought the rich musical heritage of Venice to the court of the Elector of Dresden, earning him respect and admiration both as a theorist and a composer. His compositions, which include operas and sacred works, reflect his deep understanding of Baroque aesthetics and his innovative approach to music theory. Despite his untimely death at the age of 46, Heinichen's legacy endures through his influential works and the enduring impact he had on the musical world of his era.

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