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      1. Albums
      2. haydn: the creation . missa in tempore belli - joseph haydn

      Haydn: The Creation . Missa in tempore belli

      Joseph HaydnJoseph Haydn
      • 2006
      • 48 tracks
      • 2 uur, 34 min
      • chamber music
      Haydn: The Creation . Missa in tempore belli - Joseph Haydn
      Haydn: The Creation . Missa in tempore belli - Joseph Haydn

      Album Details

      Dive into the masterful compositions of Joseph Haydn with this exquisite collection, "Haydn: The Creation . Missa in tempore belli." This album is a testament to Haydn's genius, featuring two of his most celebrated works: "The Creation" and the "Paukenmesse" (Mass No. 10 in C major, Hob. XXII:9). Recorded in 2006 and released under the Warner Classics label, this album spans a generous 2 hours and 34 minutes, offering a rich and immersive experience for classical music enthusiasts.

      "The Creation," a monumental oratorio, is a vivid musical depiction of the biblical account of the world's creation. Haydn's orchestration is both dramatic and delicate, capturing the grandeur and intricacy of the narrative. The work is divided into three parts, each bringing to life the divine acts of creation through a blend of recitatives, arias, and choral pieces. The album features a stellar lineup of vocalists and musicians, each bringing their unique talents to Haydn's score.

      Complementing "The Creation" is the "Paukenmesse," a mass composed during a time of war. Despite its tumultuous backdrop, the work is a beacon of hope and resilience, showcasing Haydn's ability to create profound and uplifting music even in the face of adversity. The mass is known for its striking use of timpani, which adds a sense of urgency and drama to the composition.

      This album is a must-listen for anyone who appreciates the depth and beauty of classical music. Haydn's compositions are brought to life with clarity and precision, making this a standout addition to any music collection. Whether you're a seasoned Haydn fan or new to his work, this album offers a captivating journey through some of the most inspiring pieces in the classical repertoire.

      November 6, 2006© EMI Records Ltd, 2006℗ This compilation 2006 by EMI Records Ltd

      Tracks

      1. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1a, The Representation of ChaosJoseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        5:53
      2. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 1b, Recitatives and Chorus. "In the Beginning" (Raphael, Chorus, Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        2:49
      3. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 2, Air and Chorus. "Now Vanish Before the Holy Beams" (Uriel, Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        3:44
      4. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 3, Recitative. "And God Made the Firmament" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        2:02
      5. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 4, Solo with Chorus. "The Marv'llous Work Behold Amazed" (Gabriel, Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        2:14
      6. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 5, Recitative. "And God Said, Let the Waters" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        0:57
      7. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 6, Air. "Rolling in Foaming Billows" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        4:06
      8. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 7, Recitative. "And God Said, Let the Earth" (Gabriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        0:34
      9. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 8, Air. "With Verdure Clad" (Gabriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        5:36
      10. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 9, Recitative. "And the Heavenly Host" (Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        0:12
      11. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 10, Chorus. "Awake the Harp" (Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        2:20
      12. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 11, Recitative. "And God Said, Let There Be Lights" (Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        0:40
      13. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 12, Recitative. "In Splendour Bright" (Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        2:26
      14. Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 13, Trio and Chorus. "The Heavens Are Telling" (Chorus, Gabriel, Uriel, Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        4:51
      15. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 14, Recitative. "And God Said, Let the Waters" (Gabriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        0:29
      16. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 15, Air. "On Mighty Pens Uplifted" (Gabriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        7:33
      17. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 16, Recitative. "And God Created Great Whales" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        2:07
      18. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 17, Recitative. "And the Angels" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        0:25
      19. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 18, Trio. "Most Beautiful Appear" (Gabriel, Uriel, Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        4:16
      20. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 19, Trio and Chorus. "The Lord Is Great" (Gabriel, Uriel, Raphael, Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        2:26
      21. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 20, Recitative. "And God Said, Let the Earth" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        0:32
      22. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 21, Recitative. "Straight opening her fertile womb" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        3:22
      23. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 22, Air. "Now Heaven in Fullest Glory Shone" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        3:52
      24. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 23, Recitative. "And God Created Man" (Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        0:38
      25. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 24, Air. "In Native Worth" (Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        3:54
      26. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 25, Recitative. "And God Saw Everything" (Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        0:25
      27. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 26, Chorus. "Achieved Is the Glorious Work" (Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        1:32
      28. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 27, Trio. "On Thee Each Living Soul Awaits" (Gabriel, Uriel, Raphael)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        3:40
      29. Haydn: The Creation, Hob. XXI:2, Pt. 2: No. 28, Chorus. "Achieved Is the Glorious Work" (Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        3:07
      30. Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 29, Recitative. "In Rosy Mantle Appears" (Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        3:53
      31. Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 30, Duet with Chorus. "By Thee With Bliss" (Eve, Adam, Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        10:55
      32. Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 31, Recitative. "Our Duty we Have Now Performed" (Adam, Eve)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        2:29
      33. Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 32, Duet. "Graceful Consort" (Adam, Eve)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        8:20
      34. Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 33, Recitative. "O Happy Pair!" (Uriel)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        0:29
      35. Haydn: The Creation, Hob. XXI:2, Pt. 3: No. 34, Chorus with Soli. "Sing the Lord" (Chorus)Joseph Haydn, Heather Harper, Robert Tear, John Shirley-Quirk, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, James Lancelot, Sir David Willcocks
        3:50
      36. Haydn: Insanae et vanae curae, Hob XX:1/13c (After Il ritorno di Tobia, Hob. Ia:2)Joseph Haydn, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, Sir David Willcocks
        6:58
      37. Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": KyrieJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
        4:45
      38. Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": GloriaJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
        2:56
      39. Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": Qui tollisJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
        5:27
      40. Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": QuoniamJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
        2:31
      41. Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": CredoJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
        1:16
      42. Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": Credo. Et incarnatusJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
        4:43
      43. Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": Credo. Et resurrexitJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
        2:12
      44. Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": Credo. Et vitamJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
        2:41
      45. Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": SanctusJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
        2:45
      46. Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": BenedictusJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
        5:35
      47. Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": Agnus DeiJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
        2:22
      48. Haydn: Mass in C Major, Hob. XXII:9 "Paukenmesse": Dona nobisJoseph Haydn, Heather Harper, Pamela Bowden, Alexander Young, John Shirley-Quirk, Choir of King's College, Cambridge, English Chamber Orchestra, Emanuel Hurwitz, Andrew Davis, James Blades, Sir David Willcocks
        3:12
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      About Joseph Haydn

      Franz Joseph Haydn, a titan of the Classical period, stands as one of the most influential composers in Western music history. Born in Rohrau, Austria, in 1732, Haydn's prolific output and innovative spirit earned him the titles "Father of the Symphony" and "Father of the String Quartet." His genius lies in his ability to synthesize emerging musical styles, creating a balanced fusion of intellect and emotion that resonates with audiences to this day. Haydn's contributions to chamber music, particularly the string quartet and piano trio, have left an indelible mark on the genre. His optimistic outlook and Enlightenment ideals are woven into his compositions, making each piece a journey through the human experience. From his early works to his late masterpieces, Haydn's music continues to inspire and captivate, solidifying his status as one of the greatest masters of classical music.

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