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      1. Albums
      2. hasse: cantatas and chamber music - johann adolf hasse

      Hasse: Cantatas and Chamber Music

      Johann Adolf HasseJohann Adolf Hasse
      • 2000
      • 20 tracks
      • 1 uur, 10 min
      • requiem
      Hasse: Cantatas and Chamber Music - Johann Adolf Hasse
      Hasse: Cantatas and Chamber Music - Johann Adolf Hasse

      Album Details

      Immerse yourself in the rich baroque soundscape of Johann Adolf Hasse's "Hasse: Cantatas and Chamber Music." Released on March 1, 2000, this album is a testament to Hasse's mastery of the cantata and chamber music genres, offering a profound and moving experience. The album spans a generous 70 minutes, featuring a diverse collection of works that showcase Hasse's exceptional compositional skills and emotional depth.

      The album opens with the poignant "Ah, troppo è ver!" cantata, a piece that beautifully combines the expressive power of the alto voice with the intricate interplay of violins, viola, and basso continuo. The cantata's recitatives and arias weave a tapestry of human emotion, from despair to hope, and are followed by the elegant and refined "Sonata for 2 Violins and B.C. in G Major, Op. 3,4." This sonata is a delightful exploration of baroque forms, showcasing Hasse's ability to create intricate and engaging musical dialogues.

      The album continues with the tender and heartfelt "Bella, mi parto, a Dio" cantata, which further highlights Hasse's gift for conveying deep emotional resonance through music. The album also features a charming "Sonata in C Major" and a lively "Concerto for Mandolin, 2 Violins and B.C. in G Major," demonstrating Hasse's versatility and innovative spirit.

      The final cantata, "Se il cantor trace, oh Dio," brings the album to a close with a powerful and introspective exploration of the human condition. Throughout the album, Hasse's compositions are brought to life by the exquisite performances of the musicians, creating a captivating and unforgettable listening experience. "Hasse: Cantatas and Chamber Music" is a must-listen for anyone interested in the rich and diverse world of baroque music.

      March 1, 20002000 Musikproduktion Dabringhaus und Grimm2000 Musikproduktion Dabringhaus und Grimm

      Tracks

      1. Ah, troppo è ver! Cantata for Altus, 2 Violins, Viola and B.C.: I. Recitativo "Ah, troppo è ver!"Johann Adolf Hasse, Kai Wessel, Musica Alta Ripa
        1:10
      2. Ah, troppo è ver! Cantata for Altus, 2 Violins, Viola and B.C.: II. Aria "Sol che un'istante io miri"Johann Adolf Hasse, Kai Wessel, Musica Alta Ripa
        8:43
      3. Ah, troppo è ver! Cantata for Altus, 2 Violins, Viola and B.C.: III. Recitativo "Nel sol, quando la miro"Johann Adolf Hasse, Kai Wessel, Musica Alta Ripa
        3:05
      4. Ah, troppo è ver! Cantata for Altus, 2 Violins, Viola and B.C.: IV. Aria "Bella fiamma del mio core"Johann Adolf Hasse, Kai Wessel, Musica Alta Ripa
        5:30
      5. Sonata for 2 Violins and B.C. in G Major, Op. 3,4: I. Allegro moderatoJohann Adolf Hasse, Musica Alta Ripa
        2:50
      6. Sonata for 2 Violins and B.C. in G Major, Op. 3,4: II. AdagioJohann Adolf Hasse, Musica Alta Ripa
        2:27
      7. Sonata for 2 Violins and B.C. in G Major, Op. 3,4: III. AllegroJohann Adolf Hasse, Musica Alta Ripa
        1:39
      8. Bella, mi parto, a Dio, Cantata for Altus and B.C.: I. Recitativo "Bella, mi parto, a Dio"Johann Adolf Hasse, Kai Wessel, Musica Alta Ripa
        1:46
      9. Bella, mi parto, a Dio, Cantata for Altus and B.C.: II. Aria "Nel pensar ch'io sarò privo"Johann Adolf Hasse, Kai Wessel, Musica Alta Ripa
        6:27
      10. Bella, mi parto, a Dio, Cantata for Altus and B.C.: III. Recitativo "Ma di cara beltà"Johann Adolf Hasse, Kai Wessel, Musica Alta Ripa
        1:16
      11. Bella, mi parto, a Dio, Cantata for Altus and B.C.: IV. Aria "S'hai pietà del mio timore"Johann Adolf Hasse, Kai Wessel, Musica Alta Ripa
        3:46
      12. Sonata in C Major: I. (Moderato)Johann Adolf Hasse, Musica Alta Ripa
        5:08
      13. Sonata in C Major: II. Allegro assaiJohann Adolf Hasse, Musica Alta Ripa
        2:47
      14. Concerto for Mandolin, 2 Violins and B.C. in G Major: I. AllegroJohann Adolf Hasse, Musica Alta Ripa
        2:23
      15. Concerto for Mandolin, 2 Violins and B.C. in G Major: II. LargoJohann Adolf Hasse, Musica Alta Ripa
        2:17
      16. Concerto for Mandolin, 2 Violins and B.C. in G Major: III. AllegroJohann Adolf Hasse, Musica Alta Ripa
        1:42
      17. Se il cantor trace, oh Dio, Cantata for Altus, 2 Violins and B.C.: I. Recitativo "Se il cantor trace, oh Dio"Johann Adolf Hasse, Kai Wessel, Musica Alta Ripa
        1:37
      18. Se il cantor trace, oh Dio, Cantata for Altus, 2 Violins and B.C.: II. Aria "Si che sei ben fortunato"Johann Adolf Hasse, Kai Wessel, Musica Alta Ripa
        8:44
      19. Se il cantor trace, oh Dio, Cantata for Altus, 2 Violins and B.C.: III. Recitativo "Deh, rammentati"Johann Adolf Hasse, Kai Wessel, Musica Alta Ripa
        1:20
      20. Se il cantor trace, oh Dio, Cantata for Altus, 2 Violins and B.C.: IV. Aria "Se sapessi con la morte"Johann Adolf Hasse, Kai Wessel, Musica Alta Ripa
        5:43
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      About Johann Adolf Hasse

      Johann Adolf Hasse, born in 1699 in Bergedorf, near Hamburg, was a towering figure in the world of 18th-century music, renowned for his operatic compositions that captivated audiences across Europe. A prolific composer, singer, and music teacher, Hasse's operatic works were immensely popular, and he was a key figure in the development of opera seria. His collaboration with the celebrated librettist Pietro Metastasio further enriched his operatic repertoire, making him a pivotal figure in the musical landscape of his time. Hasse's career spanned various European courts and theaters, including prestigious venues in Dresden, Venice, and Naples. Beyond his operatic achievements, Hasse also composed a significant amount of sacred music, showcasing his versatility and depth as a composer. His legacy endures, celebrated for his contributions to the late Baroque and early Classical periods.

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      Johann Adolf Hasse

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