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      1. Albums
      2. hanns eisler: vocal music - hanns eisler

      Hanns Eisler: Vocal Music

      Hanns EislerHanns Eisler
      • 1998
      • 45 tracks
      • 1 uur, 15 min
      Hanns Eisler: Vocal Music - Hanns Eisler
      Hanns Eisler: Vocal Music - Hanns Eisler

      Album Details

      Immerse yourself in the profound and politically charged world of Hanns Eisler, a German-Austrian composer of remarkable originality and brilliance. This album, "Hanns Eisler: Vocal Music," released in 1998 by Berlin Classics, is a testament to Eisler's enduring legacy, marking the centenary of his birth. Spanning a duration of 1 hour and 15 minutes, the album is a comprehensive collection of Eisler's vocal works, showcasing his unique ability to blend classical vocal traditions with the socio-political themes that defined his era.

      Eisler, best known for composing the national anthem of East Germany, was a composer who fearlessly tackled the issues of his time. This album features a diverse range of his compositions, from the poignant and introspective "2 Sonette, Op. 54" to the powerful and evocative "Die Zuchthaus-Kantate, Op. 63." Each piece is a masterclass in vocal expression, highlighting Eisler's ability to convey deep emotional and political messages through his music.

      The album includes collaborations with renowned performers such as Irmgard Arnold, Georg Lauber, and Gerald Schleicher, who bring Eisler's compositions to life with their exceptional talent. The tracks span a variety of genres within classical vocal music, both secular and sacred, offering a rich and varied listening experience.

      Whether you are a seasoned fan of classical music or a newcomer to the works of Hanns Eisler, this album is a compelling exploration of a composer who left an indelible mark on the musical landscape. Dive into the world of Eisler and discover the timeless relevance of his music.

      1 januari 19982009 Copyright Control1998 "edel" Records GmbH

      Tracks

      1. 2 Lieder: No. 1. Bitte an den HundHanns Eisler, Irmgard Arnold, Volker Rohde
        0:37
      2. 2 Lieder: No. 2. RondellHanns Eisler, Irmgard Arnold, Volker Rohde
        0:57
      3. 6 Lieder, Op. 2: No. 2. An den TodHanns Eisler, Irmgard Arnold, Andre Asriel
        0:47
      4. 6 Lieder, Op. 2: No. 3. Das AlterHanns Eisler, Irmgard Arnold, Andre Asriel
        0:36
      5. Zeitungsausschnitte, Op. 11: No. 1. MariechenHanns Eisler, Irmgard Arnold, Andre Asriel
        1:17
      6. Zeitungsausschnitte, Op. 11: No. 3. Heiratsannonce (Liebeslied eines Kleinburgermadchens)Hanns Eisler, Irmgard Arnold, Andre Asriel
        1:02
      7. Zeitungsausschnitte, Op. 11: No. 4. Kriegslied eines KindesHanns Eisler, Irmgard Arnold, Andre Asriel
        1:43
      8. Die Massnahme, Op. 20 (arr. for soprano and piano): Die Massnahme, Op. 20 (arr. for soprano and piano)Hanns Eisler, Irmgard Arnold, Andre Asriel
        2:12
      9. 14 Songs, Op. 45: No. 9. Lied von der belebenden Wirkung des GeldesHanns Eisler, Irmgard Arnold, Andre Asriel
        4:10
      10. 14 Songs, Op. 45: No. 11. Die Ballade vom WasserradHanns Eisler, Irmgard Arnold, Andre Asriel
        3:10
      11. Mutter Beimlein: Mutter BeimleinHanns Eisler, Irmgard Arnold, Andre Asriel
        0:41
      12. 3 Weissrot-Kantate, Op. 59: No. 1. Bei Betrachtung eines kirchlichen GemaldesHanns Eisler, Irmgard Arnold, Andre Asriel
        2:18
      13. 3 Weissrot-Kantate, Op. 59: No. 2. Die wahre Geschichte von San BerardoHanns Eisler, Irmgard Arnold, Andre Asriel
        2:21
      14. 3 Weissrot-Kantate, Op. 59: No. 3. Abschliessende BemerkungHanns Eisler, Irmgard Arnold, Andre Asriel
        1:09
      15. Kammerkantate No. 7, "Die den Mund auf hatten": No. 1. Die den Mund aufhattenHanns Eisler, Irmgard Arnold, Hartmut Friedrich, Gerald Schleicher, Peter Seydel, Ewald Koch
        0:55
      16. Kammerkantate No. 7, "Die den Mund auf hatten": No. 2. Ihre Faulnis ist so grossHanns Eisler, Irmgard Arnold, Hartmut Friedrich, Gerald Schleicher, Peter Seydel, Ewald Koch
        0:36
      17. Kammerkantate No. 7, "Die den Mund auf hatten": No. 3. Sie glauben an ihnHanns Eisler, Irmgard Arnold, Hartmut Friedrich, Gerald Schleicher, Peter Seydel, Ewald Koch
        1:20
      18. Die Zuchthaus-Kantate, Op. 63: No. 1. Angelo Landon wude mit einundzwanzig JahrenHanns Eisler, Irmgard Arnold, Andre Asriel
        0:54
      19. Die Zuchthaus-Kantate, Op. 63: No. 2. Lange Zeit horte man auf den MeetingsHanns Eisler, Irmgard Arnold, Andre Asriel
        1:16
      20. Die Zuchthaus-Kantate, Op. 63: No. 3. Georgia Prison SongHanns Eisler, Irmgard Arnold, Andre Asriel
        1:51
      21. 2 Sonette , Op. 54: No. 1. Der Gott und die BajadereHanns Eisler, Irmgard Arnold, Gerald Schleicher, Georg Lauber
        2:14
      22. 2 Sonette , Op. 54: No. 2. Die BurgschaftHanns Eisler, Irmgard Arnold, Gerald Schleicher, Georg Lauber
        2:42
      23. Die Hollywood-Elegien: No. 6. Du kleiner Kasten, den ich fluchtend trugHanns Eisler, Irmgard Arnold
        0:52
      24. Die Hollywood-Elegien: No. 7. Heute, Ostersonntag fruhHanns Eisler, Irmgard Arnold
        1:20
      25. Die Hollywood-Elegien: No. 8. An der weissgetunchten WandHanns Eisler, Irmgard Arnold, Kurt Scharmacher, Andre Asriel
        1:58
      26. Die Hollywood-Elegien: No. 1. Unter den grunen PfefferbaumenHanns Eisler, Irmgard Arnold
        0:50
      27. Die Hollywood-Elegien: No. 2. Die Stadt ist nach den Engeln genanntHanns Eisler, Irmgard Arnold
        1:27
      28. Die Hollywood-Elegien: No. 3. Jeden Morgen, mein Brot zu verdienenHanns Eisler, Irmgard Arnold
        0:53
      29. Die Hollywood-Elegien: No. 4. Diese Stadt hat mich belehrtHanns Eisler, Irmgard Arnold
        1:04
      30. Die Hollywood-Elegien: No. 5. In den Hugeln wird Gold gefundenHanns Eisler, Irmgard Arnold
        0:39
      31. 5 Anakreon-Fragmente: 5 Anakreon-Fragmente: No. 5. In der FruheHanns Eisler, Irmgard Arnold, Kurt Scharmacher, Andre Asriel
        2:06
      32. 6 Holderlin-Fragmente: No. 2. AndenkenHanns Eisler, Irmgard Arnold
        1:34
      33. 6 Holderlin-Fragmente: No. 5. An eine StadtHanns Eisler, Irmgard Arnold
        3:15
      34. Vom Sprengen des Gartens: Vom Sprengen des GartensHanns Eisler, Irmgard Arnold
        1:01
      35. Die Gesichte der Simone Machard: No. 2. Der zweite TraumHanns Eisler, Irmgard Arnold
        3:47
      36. Die Gesichte der Simone Machard: No. 4. Lied der Simone und MarschHanns Eisler, Irmgard Arnold
        1:51
      37. Anmut sparet nicht noch Muhe: Anmut sparet nicht noch MuheHanns Eisler, Irmgard Arnold, Andre Asriel
        1:40
      38. Weiner Lied: Weiner LiedHanns Eisler, Irmgard Arnold, Andre Asriel
        1:27
      39. Neue Lieder: No. 1. Im BlumengartenHanns Eisler, Irmgard Arnold, Andre Asriel
        1:30
      40. Neue Lieder: No. 2. L'automne prussienne (Die Buckow-Kantate)Hanns Eisler, Irmgard Arnold, Andre Asriel
        1:24
      41. Neue Lieder: No. 3. Die haltbare GraugansHanns Eisler, Irmgard Arnold, Andre Asriel
        1:09
      42. Die haltbare Graugans: Die haltbare GraugansHanns Eisler, Irmgard Arnold
        1:13
      43. 14 Songs, Op. 45: No. 9. Lied von der belebenden Wirkung des GeldesHanns Eisler, Irmgard Arnold
        4:12
      44. 14 Songs, Op. 45: No. 11. Die Ballade vom WasserradHanns Eisler, Irmgard Arnold
        3:08
      45. Anmut sparet nicht noch Muhe: Anmut sparet nicht noch MuheHanns Eisler, Irmgard Arnold
        1:37
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      About Hanns Eisler

      Hanns Eisler, born in Leipzig in 1898, was a prolific German-Austrian composer whose life and work spanned continents and ideologies. Known for his unwavering commitment to his Communist beliefs, Eisler's music reflects his political convictions and his deep artistic collaboration with playwright Bertolt Brecht. His most enduring legacy is the national anthem of East Germany, a powerful testament to his ability to capture the spirit of a nation. Eisler's musical journey began under the tutelage of Arnold Schoenberg, from whom he absorbed the principles of serialism. His compositions range from expressionist works that blend humor with angst to more structured pieces that pay homage to traditional forms. Beyond his political anthems and film scores, Eisler's catalog includes a variety of chamber and vocal works, showcasing his versatility and depth as a composer. His influence endures, with the Hochschule fรผr Musik Hanns Eisler Berlin named in his honor, celebrating his enduring impact on music education and the broader musical landscape.

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