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      1. Albums
      2. handel in hamburg, 1703-1707: suites from the early operas - george frideric handel

      Handel in Hamburg, 1703-1707: Suites from the Early Operas

      George Frideric HandelGeorge Frideric Handel
      • 1998
      • 37 tracks
      • 1 uur, 3 min
      • classical
      Handel in Hamburg, 1703-1707: Suites from the Early Operas - George Frideric Handel
      Handel in Hamburg, 1703-1707: Suites from the Early Operas - George Frideric Handel

      Album Details

      Immerse yourself in the early genius of George Frideric Handel with "Handel in Hamburg, 1703-1707: Suites from the Early Operas." This captivating album, released in 1998, offers a rare glimpse into the formative years of one of classical music's most revered composers. Recorded by The Parley of Instruments under the direction of Peter Holman, this collection spans a little over an hour and features 37 tracks that showcase Handel's mastery of opera and orchestral suites.

      The album is a journey through Handel's innovative compositions from his time in Hamburg, including suites from his early operas "Almira," "Florindo," "Daphne," and "Rodrigo." Each piece is meticulously performed, highlighting the composer's unique style and his contributions to the Baroque period. From the lively overtures to the graceful dances like the sarabande and menuet, every track is a testament to Handel's musical brilliance.

      The suite from "Almira" alone offers a rich tapestry of movements, from the regal "Overture" to the lively "Rigaudon" and the elegant "Sarabande." The "Oboe Concerto No. 3 in G Minor" showcases Handel's skill in writing for solo instruments, with its dynamic range and expressive melodies. The album also includes a suite from "Rodrigo," featuring a diverse array of movements that demonstrate Handel's versatility and creativity.

      This album is not just a collection of Handel's early works; it is a historical document that provides insight into the development of his musical language. The performances by The Parley of Instruments are both authentic and engaging, bringing Handel's compositions to life with clarity and passion. Whether you are a seasoned classical music enthusiast or a newcomer to Handel's works, this album offers a rich and rewarding listening experience.

      October 1, 1998© 1998 Hyperion Records Limited℗ 1998 Hyperion Records Limited

      Tracks

      1. Almira, HWV 1, Suite (Ed. Holman): I. OvertureGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        3:58
      2. Almira, HWV 1, Suite (Ed. Holman): II. CouranteGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        1:16
      3. Almira, HWV 1, Suite (Ed. Holman): III. BourréeGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        0:35
      4. Almira, HWV 1, Suite (Ed. Holman): IV. MenuetGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        0:43
      5. Almira, HWV 1, Suite (Ed. Holman): V. RigaudonGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        0:56
      6. Almira, HWV 1, Suite (Ed. Holman): VI. RondeauGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        1:18
      7. Almira, HWV 1, Suite (Ed. Holman): VII. SarabandeGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        2:13
      8. Almira, HWV 1, Suite (Ed. Holman): VIII. GigueGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        0:59
      9. Almira, HWV 1, Suite (Ed. Holman): IX. ChaconneGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        1:32
      10. Suite in G Minor, HWV 453: I. OuvertureGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        2:27
      11. Suite in G Minor, HWV 453: II. EntréeGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        1:43
      12. Suite in G Minor, HWV 453: III. Menuet 1 – Menuet 2 – Menuet 1George Frideric Handel, The Parley of Instruments, Peter Holman
        2:47
      13. Suite in G Minor, HWV 453: IV. ChaconneGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        2:28
      14. Oboe Concerto No. 3 in G Minor, HWV 287: I. GraveGeorge Frideric Handel, Frank de Bruine, The Parley of Instruments, Peter Holman
        2:33
      15. Oboe Concerto No. 3 in G Minor, HWV 287: II. AllegroGeorge Frideric Handel, Frank de Bruine, The Parley of Instruments, Peter Holman
        1:43
      16. Oboe Concerto No. 3 in G Minor, HWV 287: III. Sarabande. LargoGeorge Frideric Handel, Frank de Bruine, The Parley of Instruments, Peter Holman
        1:49
      17. Oboe Concerto No. 3 in G Minor, HWV 287: IV. AllegroGeorge Frideric Handel, Frank de Bruine, The Parley of Instruments, Peter Holman
        1:54
      18. Suite from Florindo, HWV 336 and Daphne, HWV 352-4: I. OuvertureGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        3:33
      19. Suite from Florindo, HWV 336 and Daphne, HWV 352-4: II. SarabandeGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        1:58
      20. Suite from Florindo, HWV 336 and Daphne, HWV 352-4: III. GavotteGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        0:40
      21. Suite from Florindo, HWV 336 and Daphne, HWV 352-4: IV. MenuetGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        1:19
      22. Suite from Florindo, HWV 336 and Daphne, HWV 352-4: V. AllemandeGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        0:42
      23. Suite from Florindo, HWV 336 and Daphne, HWV 352-4: VI. Bourrée – AllemandeGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        1:09
      24. Suite from Florindo, HWV 336 and Daphne, HWV 352-4: VII. MenuetGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        1:24
      25. Suite from Florindo, HWV 336 and Daphne, HWV 352-4: VIII. AllemandeGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        1:03
      26. Suite from Florindo, HWV 336 and Daphne, HWV 352-4: IX. CoroGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        1:17
      27. Suite from Florindo, HWV 336 and Daphne, HWV 352-4: X. AllemandeGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        0:53
      28. Suite from Florindo, HWV 336 and Daphne, HWV 352-4: XI. Rigaudon – AllemandeGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        1:57
      29. Rodrigo, HWV 5: Overture: a. OuvertureGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        3:36
      30. Rodrigo, HWV 5: Overture: b. GigueGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        0:57
      31. Rodrigo, HWV 5: Overture: c. SarabandeGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        2:06
      32. Rodrigo, HWV 5: Overture: d. MatelotGeorge Frideric Handel, The Parley of Instruments, Peter Holman
        1:17
      33. Rodrigo, HWV 5: Overture: e. MenuetGeorge Frideric Handel, Peter Holman, The Parley of Instruments
        1:15
      34. Rodrigo, HWV 5: Overture: f. BourréeGeorge Frideric Handel, Peter Holman, The Parley of Instruments
        1:06
      35. Rodrigo, HWV 5: Overture: g. [Air]George Frideric Handel, Peter Holman, The Parley of Instruments
        1:03
      36. Rodrigo, HWV 5: Overture: h. MenuetGeorge Frideric Handel, Peter Holman, The Parley of Instruments
        1:08
      37. Rodrigo, HWV 5: Overture: i. PassacailleGeorge Frideric Handel, Peter Holman, The Parley of Instruments
        3:59
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      About George Frideric Handel

      George Frideric Handel, born in 1685 in Halle, Germany, is one of the most celebrated composers of the Baroque era, renowned for his enduring influence on classical music. His prolific career spanned various genres, including operas, oratorios, anthems, and concerti grossi. Handel's compositions, such as the iconic 'Water Music' and 'Music for the Royal Fireworks', continue to captivate audiences today. After settling in London in 1712, he became a prominent figure in British musical life, leaving an indelible mark on the country's cultural landscape. Handel's works are celebrated for their grandeur and emotional depth, making him a cornerstone of the Baroque period and a symbol of European musical heritage. His final resting place is in the south transept of Westminster Abbey, a testament to his enduring legacy.

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