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      1. Albums
      2. gluck: orfeo ed euridice, wq. 30 - christoph willibald gluck

      Gluck: Orfeo ed Euridice, Wq. 30

      Christoph Willibald GluckChristoph Willibald Gluck
      • 2015
      • 36 tracks
      • 1 uur, 25 min
      • classical
      Gluck: Orfeo ed Euridice, Wq. 30 - Christoph Willibald Gluck
      Gluck: Orfeo ed Euridice, Wq. 30 - Christoph Willibald Gluck

      Album Details

      Immerse yourself in the timeless beauty of Christoph Willibald Gluck's "Orfeo ed Euridice, Wq. 30," a masterful opera that has captivated audiences for centuries. This live recording, released on September 11, 2015, under the Archiv Produktion label, offers a captivating journey through the tragic love story of Orpheus and Eurydice. With a runtime of 1 hour and 25 minutes, this album is a testament to Gluck's genius and his enduring influence on the world of classical music.

      The opera, composed in 1762, is a prime example of Gluck's reformist approach to opera seria, emphasizing simplicity and emotional depth. The live performance brings to life the poignant narrative of Orpheus's descent into the underworld to rescue his beloved Eurydice, featuring some of Gluck's most celebrated arias and choruses. The "Dance of the Blessed Spirits," a highlight of the second act, showcases Gluck's ability to blend dance and drama seamlessly.

      This recording is a must-listen for both seasoned opera enthusiasts and those new to the genre. The live setting adds an extra layer of authenticity and energy, making it a dynamic and engaging experience. Gluck's innovative use of orchestration and his focus on storytelling through music are evident throughout, making "Orfeo ed Euridice, Wq. 30" a cornerstone of the classical opera repertoire. Whether you're a fan of Gluck's work or simply looking to explore the rich history of opera, this album is a treasure trove of musical excellence.

      September 11, 2015© 2025 Deutsche Grammophon GmbH, Berlin℗ 2015 Deutsche Grammophon GmbH, Berlin

      Tracks

      1. Orfeo ed Euridice, Wq. 30 (1762 Edition): Overtura - LiveChristoph Willibald Gluck, Insula orchestra, Laurence Equilbey
        3:09
      2. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 1, Chorus. Ah, se intorno a quest'urna funestra - LiveChristoph Willibald Gluck, Franco Fagioli, Accentus Chamber Choir, Insula orchestra, Laurence Equilbey
        3:09
      3. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 2, Recit. Basta, Basta, o compagni! - LiveChristoph Willibald Gluck, Franco Fagioli, Insula orchestra, Laurence Equilbey
        0:54
      4. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 3, Ballo (Pantomine). Larghetto - LiveChristoph Willibald Gluck, Insula orchestra, Laurence Equilbey
        1:45
      5. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 4, Chorus. Ah, se intorno a quest'urna funestra - LiveChristoph Willibald Gluck, Accentus Chamber Choir, Insula orchestra, Laurence Equilbey
        2:22
      6. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 7, Aria. Chiamo il mio ben così – No. 8, Recit. Euridice, ombra cara – No. 9, Aria. Cerco il mio ben così – No. 10, Recit. Euridice! Ah! questo nome sanno le spiaggie – No. 11, Aria. Piango il mi ben così - LiveChristoph Willibald Gluck, Franco Fagioli, Insula orchestra, Laurence Equilbey
        6:54
      7. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 12, Recit. Numi! barbari Numi - LiveChristoph Willibald Gluck, Franco Fagioli, Insula orchestra, Laurence Equilbey
        1:04
      8. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 14, Recit. T'assiste Amore! - LiveChristoph Willibald Gluck, Franco Fagioli, Emmanuelle De Negri, Insula orchestra, Laurence Equilbey
        1:47
      9. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 15, Aria. Gli sguardi trattieni - LiveChristoph Willibald Gluck, Emmanuelle De Negri, Insula orchestra, Laurence Equilbey
        2:39
      10. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act I: No. 16, Recit. Che disse! Che ascoltai! - LiveChristoph Willibald Gluck, Franco Fagioli, Insula orchestra, Laurence Equilbey
        2:14
      11. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 18, Ballo. Maestoso – No. 19, Chorus. Chi mai dell'Erebo - LiveChristoph Willibald Gluck, Accentus Chamber Choir, Insula orchestra, Laurence Equilbey
        1:42
      12. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 20, Ballo. Presto – No. 21, Chorus. Chi mai dell'Erebo - LiveChristoph Willibald Gluck, Accentus Chamber Choir, Insula orchestra, Laurence Equilbey
        1:39
      13. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 18, Ballo. Maestoso – No. 22, Solo & Chorus. Deh! placatevi con me - LiveChristoph Willibald Gluck, Franco Fagioli, Accentus Chamber Choir, Insula orchestra, Laurence Equilbey
        4:19
      14. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 23, Chorus. Misero giovine - LiveChristoph Willibald Gluck, Accentus Chamber Choir, Insula orchestra, Laurence Equilbey
        0:49
      15. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 24, Aria. Mille pene, ombre moleste - LiveChristoph Willibald Gluck, Franco Fagioli, Insula orchestra, Laurence Equilbey
        0:57
      16. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 25, Chorus. Ah, quale incognito - LiveChristoph Willibald Gluck, Accentus Chamber Choir, Insula orchestra, Laurence Equilbey
        0:36
      17. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 26, Aria. Men tiranne, ah! voi sareste - LiveChristoph Willibald Gluck, Franco Fagioli, Insula orchestra, Laurence Equilbey
        0:42
      18. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 27, Chorus. Ah, quale incognito - LiveChristoph Willibald Gluck, Accentus Chamber Choir, Insula orchestra, Laurence Equilbey
        1:08
      19. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 29, Ballo. Dance of the Blessed Spirits: a. Andante - LiveChristoph Willibald Gluck, Insula orchestra, Laurence Equilbey
        2:07
      20. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 33, Arioso. Che puro ciel, che chiaro sol - LiveChristoph Willibald Gluck, Franco Fagioli, Accentus Chamber Choir, Insula orchestra, Laurence Equilbey
        5:13
      21. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 34, Chorus. Vieni a' regni del riposo - LiveChristoph Willibald Gluck, Accentus Chamber Choir, Insula orchestra, Laurence Equilbey
        1:49
      22. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 35, Ballo. Andante "Dance of the Heros & Heroines" - LiveChristoph Willibald Gluck, Insula orchestra, Laurence Equilbey
        2:42
      23. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 36, Recit. Anime avventurose - LiveChristoph Willibald Gluck, Franco Fagioli, Accentus Chamber Choir, Insula orchestra, Laurence Equilbey
        0:43
      24. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act II: No. 37, Chorus. Torna, o bella, al tuo consorte - LiveChristoph Willibald Gluck, Accentus Chamber Choir, Insula orchestra, Laurence Equilbey
        1:52
      25. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 38, Recit. Vieni, segui i miei passi - LiveChristoph Willibald Gluck, Franco Fagioli, Malin Hartelius, Insula orchestra, Laurence Equilbey
        5:49
      26. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 39, Duet. Vieni, appaga il tuo consorte! - LiveChristoph Willibald Gluck, Franco Fagioli, Malin Hartelius, Insula orchestra, Laurence Equilbey
        3:26
      27. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 40, Recit. Qual vita è questa mai - LiveChristoph Willibald Gluck, Malin Hartelius, Insula orchestra, Laurence Equilbey
        1:54
      28. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 41, Aria. Che fiero momento - LiveChristoph Willibald Gluck, Malin Hartelius, Insula orchestra, Laurence Equilbey
        3:19
      29. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 42, Recit. Ecco un nuovo tormento - LiveChristoph Willibald Gluck, Franco Fagioli, Malin Hartelius, Insula orchestra, Laurence Equilbey
        3:50
      30. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 43, Aria. Che farò senza Euridice? - LiveChristoph Willibald Gluck, Franco Fagioli, Insula orchestra, Laurence Equilbey
        4:25
      31. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 44, Recit. Ah finisca e per sempre - LiveChristoph Willibald Gluck, Franco Fagioli, Insula orchestra, Laurence Equilbey
        1:17
      32. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 44b, Recit. Orfeo! Che fai?" - LiveChristoph Willibald Gluck, Franco Fagioli, Malin Hartelius, Emmanuelle De Negri, Insula orchestra, Laurence Equilbey
        1:46
      33. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 46, Maestoso - LiveChristoph Willibald Gluck, Insula orchestra, Laurence Equilbey
        0:22
      34. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 47, Ballo. I. Grazioso - LiveChristoph Willibald Gluck, Insula orchestra, Laurence Equilbey
        1:01
      35. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 48, Ballo. II. Allegro - LiveChristoph Willibald Gluck, Insula orchestra, Laurence Equilbey
        2:42
      36. Orfeo ed Euridice, Wq. 30 (1762 Edition), Act III: No. 45, Chorus & Soloists. Trionfi Amore! - LiveChristoph Willibald Gluck, Franco Fagioli, Malin Hartelius, Emmanuelle De Negri, Accentus Chamber Choir, Insula orchestra, Laurence Equilbey
        2:50
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      About Christoph Willibald Gluck

      Christoph Willibald Gluck, a pioneering figure in the early classical period, revolutionized the world of opera with his innovative and dramatic compositions. Born in the Upper Palatinate and raised in Bohemia, Gluck's musical journey led him to the prestigious Habsburg court in Vienna, where he made a significant impact. Known for his elegant fusion of Italian and French operatic traditions, Gluck's works, such as "Orfeo ed Euridice" and "Alceste," broke away from the conventional opera seria of the time, introducing more dramatic storytelling through orchestral recitative and shorter, more impactful arias. His operas are celebrated for their concise yet powerful narratives, making them standout pieces in the operatic canon. Gluck's contributions not only reshaped the operatic landscape but also laid the groundwork for future generations of composers.

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