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      1. Albums
      2. gibbons: music for harpsichord and virginals - orlando gibbons

      Gibbons: Music for Harpsichord and Virginals

      Orlando GibbonsOrlando Gibbons
      • 1999
      • 22 tracks
      • 1 uur, 6 min
      Gibbons: Music for Harpsichord and Virginals - Orlando Gibbons
      Gibbons: Music for Harpsichord and Virginals - Orlando Gibbons

      Album Details

      Immerse yourself in the intricate and elegant world of Orlando Gibbons with "Gibbons: Music for Harpsichord and Virginals." Released on January 1, 1999, under the Decca (UMO) label, this album is a captivating journey through the Renaissance period, showcasing the mastery of Gibbons on the harpsichord and virginals. Spanning a duration of 1 hour and 6 minutes, the album features a collection of 22 tracks, including pavans, galliards, fantasias, almans, and masks, each demonstrating Gibbons' exceptional skill in composition and performance.

      The album opens with "Prelude MB4" and takes the listener through a variety of pieces, such as the stately "Pavan: Lord Salisbury MB17" and the lively "Galliard: Lord Salisbury MB19." Gibbons' "Fantasia MB14" offers a complex and intricate exploration of polyphony, while "Alman: The King's Jewel MB36" provides a lively and rhythmic contrast. The album also includes the charming "Whoop, Do Me No Harm Good Man MB31," a piece that showcases Gibbons' ability to blend English folk melodies with his own unique style.

      Throughout the album, Gibbons' music is characterized by its intricate counterpoint, rich harmonies, and expressive melodies. The harpsichord and virginals provide a crisp and clear sound, allowing each note to ring out with clarity and precision. Whether you are a fan of Renaissance music or simply appreciate the beauty of well-crafted compositions, "Gibbons: Music for Harpsichord and Virginals" is sure to delight and inspire.

      1 januari 1999© 1999 ASV Ltd.℗ 1999 ASV Ltd.

      Tracks

      1. Prelude MB4Orlando Gibbons, James Johnstone
        0:43
      2. Ground MB26Orlando Gibbons, James Johnstone
        2:39
      3. The Italian Ground MB27Orlando Gibbons, James Johnstone
        1:48
      4. Pavan: Lord Salisbury MB17Orlando Gibbons, James Johnstone
        6:06
      5. Galliard: Lord Salisbury MB19Orlando Gibbons, James Johnstone
        2:26
      6. Fantasia MB14Orlando Gibbons, James Johnstone
        3:16
      7. Alman: The King's Jewel MB36Orlando Gibbons, James Johnstone
        2:46
      8. Whoop, Do Me No Harm Good Man MB31Orlando Gibbons, James Johnstone
        1:07
      9. Galliard MB25Orlando Gibbons, James Johnstone
        2:12
      10. Pavan MB16Orlando Gibbons, James Johnstone
        5:29
      11. Fantasia MB8Orlando Gibbons, James Johnstone
        4:37
      12. Fantasia MB6Orlando Gibbons, James Johnstone
        1:19
      13. Alman MB32Orlando Gibbons, James Johnstone
        1:30
      14. Mask: Welcome Home MB42Orlando Gibbons, James Johnstone
        0:37
      15. Fantasia MB11Orlando Gibbons, James Johnstone
        2:38
      16. Pavan MB15Orlando Gibbons, James Johnstone
        7:09
      17. Galliard MB30Orlando Gibbons, James Johnstone
        2:50
      18. Mask: The Fairest Nymph MB43Orlando Gibbons, James Johnstone
        1:51
      19. Pavan MB16 2Orlando Gibbons, James Johnstone
        4:45
      20. Galliard MB24Orlando Gibbons, James Johnstone
        3:30
      21. Fantasia MB5Orlando Gibbons, James Johnstone
        0:37
      22. Fantasia MB9Orlando Gibbons, James Johnstone
        6:24
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      About Orlando Gibbons

      Orlando Gibbons, born in 1583, was a pivotal English composer and virtuoso keyboard player, standing as one of the final masters of the English Virginalist and Madrigal Schools. Hailing from a distinguished musical family, Gibbons rose to prominence in the 1610s, becoming the preeminent composer and organist of his time before his untimely death in 1625. His compositions span virtually every genre of the Elizabethan and Jacobean eras, showcasing his versatility and innovation. Gibbons is celebrated for his significant contributions to early music, bridging the gap between the Renaissance and Baroque periods. His works, though fewer in number due to his early passing, are marked by their depth and influence, making him an indispensable figure in the evolution of English music.

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      Orlando Gibbons

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