Georg Gulyás Plays Barrios

Immerse yourself in the enchanting world of classical guitar with "Georg Gulyás Plays Barrios," a captivating album featuring the timeless compositions of Agustín Barrios Mangoré. Released on January 29, 2021, this exquisite collection showcases the virtuosity of guitarist Georg Gulyás, who brings a fresh perspective to Barrios Mangoré's masterful works.

Recorded in the acoustically rich Petrus Church in Stocksund, Sweden, over two days in June 2019, this album captures the essence of Barrios Mangoré's guitar music with stunning clarity and depth. The 11-track selection includes iconic pieces such as "Preludio Saudade: La Catedral," "Allegro Solemne: La Catedral," and "Choro da Saudade," each performed with precision and passion by Gulyás.

The album spans a diverse range of styles and moods, from the solemn and reflective to the lively and celebratory. Highlights include the elegant "Vals 3" and "Vals 4," the evocative "Julia Florida," and the festive "Villancico de Navidad." Each piece is a testament to Barrios Mangoré's compositional genius and Gulyás's interpretive skill.

"Georg Gulyás Plays Barrios" is a celebration of the guitar and a tribute to one of its greatest composers. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, this album offers a rich and rewarding listening experience. The album is released under the Naxos Sweden - Proprius Records label and is available on CD.

Agustín Barrios Mangoré, born Agustín Pío Barrios, was a Paraguayan virtuoso classical guitarist and composer, celebrated as one of the greatest performers and most prolific composers for the guitar. Born in 1885 in San Juan Bautista de las Misiones, Paraguay, Barrios' musical journey began at a young age, and by 18, he was already touring and recording, a pioneer in making recordings as early as 1910. His extensive repertoire includes over 300 compositions, showcasing his folk, imitative, and religious styles, with iconic pieces like "La Catedral" and "Una Limosna por el Amor de Dios."

Barrios' performances throughout Latin America and Europe in the 1930s solidified his reputation as a guitar virtuoso. He created the alter ego Chief Nitsuga Mangoré, a nod to his indigenous heritage, and his stunning virtuosity and musicality captivated audiences. Despite his prominence during his time, Barrios' compositions and recordings remained largely unknown internationally for decades after his death in 1944. It was not until the 1970s that his work gained wider recognition, thanks to advocates like John Williams and Laurindo Almeida, who helped bring Barrios' genius to a global audience. His legacy continues to inspire guitarists and music enthusiasts worldwide, with his compositions remaining a staple in the classical guitar repertoire.

Georg Gulyás Plays Barrios

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