Gee Baby Ain't I Good To You

Dive into the rich, swinging sounds of the jazz greats with Harry "Sweets" Edison's "Gee, Baby Ain't I Good To You," a timeless collection of hard bop and bebop classics. Released on January 1, 2000, by CoolNote, this album is a testament to Edison's mastery of the trumpet and his enduring influence on the jazz genre. With a runtime of just 43 minutes, this album packs a powerful punch, featuring standout tracks like "Blues For Piney Brown," "Blues For The Blues," and the title track "Gee, Baby Ain't I Good To You."

Harry "Sweets" Edison, a legendary figure in the world of jazz, brings his signature style and virtuosity to each track. His playing is both technically impressive and deeply expressive, making this album a joy for both casual listeners and jazz aficionados alike. The album's blend of classic tunes and Edison's unique interpretations ensures that "Gee, Baby Ain't I Good To You" remains a staple in any jazz enthusiast's collection.

The album's cover art and tracklist hint at the rich history and cultural significance of the music within. Whether you're a fan of Harry "Sweets" Edison's earlier work or discovering his genius for the first time, this album offers a captivating journey through the golden age of jazz. So, sit back, relax, and let the smooth, soulful sounds of Harry "Sweets" Edison transport you to a bygone era of musical excellence.

Harry "Sweets" Edison, born in Columbus, Ohio, in 1915, was a jazz trumpeter whose smooth and lyrical playing style earned him a legendary status in the swing and big band eras. Edison's nickname, "Sweets," reflected not only his sweet tooth and charming personality but also the tender, supple quality of his trumpet playing. He began his career in the late 1930s as a key member of the Count Basie Orchestra, where he honed his skills as both a section trumpeter and a soloist.

Edison's most enduring contributions came from his work as a Hollywood studio musician, where his muted trumpet became a staple in the recordings of iconic singers like Frank Sinatra and Ella Fitzgerald. His distinctive, chrome-tinged obbligatos added a touch of elegance and sophistication to countless jazz-pop recordings. Edison's discography includes notable albums such as "Sweets" (1956), "Sweetenings" (1958), and "Patented by Edison" (1960), each showcasing his unique style and versatility.

Beyond his studio work, Edison was also a prolific solo artist, releasing several albums that highlighted his mastery of the trumpet. His playing, characterized by its warmth and precision, left an indelible mark on the jazz world. Edison's legacy endures as a testament to his artistry and his significant contributions to the rich tapestry of jazz and popular music.

Gee Baby Ain't I Good To You

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