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      1. Albums
      2. froberger: suites de clavecin et toccatas - johann jakob froberger

      Froberger: Suites de clavecin et Toccatas

      Johann Jakob FrobergerJohann Jakob Froberger
      • 1992
      • 22 tracks
      • 1 uur, 4 min
      Froberger: Suites de clavecin et Toccatas - Johann Jakob Froberger
      Froberger: Suites de clavecin et Toccatas - Johann Jakob Froberger

      Album Details

      Immerse yourself in the exquisite world of Baroque harpsichord music with Johann Jakob Froberger's "Suites de Clavecin et Toccatas." This captivating album, released in 1992 on the prestigious Harmonia Mundi label, offers a rich tapestry of compositions that showcase Froberger's mastery and innovation. Spanning a duration of one hour and four minutes, the album features a selection of suites and toccatas that highlight the composer's unique style and technical prowess.

      Froberger, a German composer and virtuoso harpsichordist, was renowned for his expressive and intricate compositions. This album includes some of his most celebrated works, such as the Suite XXX en la mineur and the Suite XIX en ut mineur, each comprising a series of movements that demonstrate the composer's ability to evoke a range of moods and atmospheres. The inclusion of toccatas, such as the Toccata IX en Ut majeur and Toccata XIV en Sol majeur, adds a dynamic and virtuosic element to the collection.

      The album features the skillful performances of Christophe Rousset, a renowned harpsichordist known for his sensitivity and historical accuracy. Rousset's interpretation brings Froberger's music to life, capturing the nuances and subtleties of the composer's intentions. The meticulous attention to detail in both the composition and performance makes this album a standout in the realm of Baroque music.

      "Suites de Clavecin et Toccatas" is not just a collection of pieces but a testament to Froberger's enduring legacy. The album's careful curation and high-quality production ensure that listeners can fully appreciate the beauty and complexity of Froberger's music. Whether you are a seasoned enthusiast of Baroque music or a newcomer to the genre, this album offers a profound and enriching listening experience.

      1 januari 19922002 harmonia mundi1992 harmonia mundi

      Tracks

      1. Suite XXX en la mineur: I. "Plainte faite à Londres pour passer la Melancholie, laquelle se joue lentement avec discretion"Johann Jakob Froberger, Christophe Rousset
        3:47
      2. Suite XXX en la mineur: II. CouranteJohann Jakob Froberger, Christophe Rousset
        1:17
      3. Suite XXX en la mineur: III. SarabandeJohann Jakob Froberger, Christophe Rousset
        2:45
      4. Suite XXX en la mineur: IV. GigueJohann Jakob Froberger, Christophe Rousset
        1:26
      5. Toccata IX en Ut majeurJohann Jakob Froberger, Christophe Rousset
        2:12
      6. Suite XIX en ut mineur: I. AllemandeJohann Jakob Froberger, Christophe Rousset
        3:34
      7. Suite XIX en ut mineur: II. GigueJohann Jakob Froberger, Christophe Rousset
        1:55
      8. Suite XIX en ut mineur: III. CouranteJohann Jakob Froberger, Christophe Rousset
        1:27
      9. Suite XIX en ut mineur: IV. SarabandeJohann Jakob Froberger, Christophe Rousset
        3:01
      10. Tombeau (1652) "fait à Paris sur la mort de Monsieur Blancheroche ; lequel se joüe fort lentement a la discretion sans observer aucune mesure"Johann Jakob Froberger, Christophe Rousset
        6:18
      11. Toccata XIV en Sol majeurJohann Jakob Froberger, Christophe Rousset
        2:46
      12. Suite XVIII en sol mineur: I. AllemandeJohann Jakob Froberger, Christophe Rousset
        3:40
      13. Suite XVIII en sol mineur: II. GigueJohann Jakob Froberger, Christophe Rousset
        1:14
      14. Suite XVIII en sol mineur: III. CouranteJohann Jakob Froberger, Christophe Rousset
        1:29
      15. Suite XVIII en sol mineur: IV. SarabandeJohann Jakob Froberger, Christophe Rousset
        2:45
      16. Toccata II en ré mineurJohann Jakob Froberger, Christophe Rousset
        3:14
      17. Suite XX en Ré majeur: I. "Méditation faict sur ma Mort future, laquelle se joue lentement avec discretion"Johann Jakob Froberger, Christophe Rousset
        5:06
      18. Suite XX en Ré majeur: II. GigueJohann Jakob Froberger, Christophe Rousset
        1:34
      19. Suite XX en Ré majeur: III. CouranteJohann Jakob Froberger, Christophe Rousset
        1:23
      20. Suite XX en Ré majeur: IV. SarabandeJohann Jakob Froberger, Christophe Rousset
        3:09
      21. Toccata XVIII en Fa majeurJohann Jakob Froberger, Christophe Rousset
        3:04
      22. Lamentation (1657) "faîte sur la mort très douloureuse de Sa Majesté Impériale,Ferdinand le troisieme; et se joüe lentement avec discretion"Johann Jakob Froberger, Christophe Rousset
        7:32
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      About Johann Jakob Froberger

      Johann Jakob Froberger, a titan of the German Baroque era, was a composer, keyboard virtuoso, and organist whose influence resonates through the centuries. Born in 1616, Froberger's musical prowess was evident from an early age, leading him to the imperial court in Vienna and later to Rome to study under the renowned Girolamo Frescobaldi. His keyboard compositions, ranging from toccatas to fantasias, are celebrated for their richness and appeal, earning him a place among the most famous composers of his time.

      Froberger's genius lies in his ability to blend Italian and French keyboard music styles, creating a unique sound that captivated his contemporaries and inspired future generations. His harpsichord pieces are not just technically impressive but also deeply expressive, often bearing elaborate subtitles that hint at their programmatic nature. Beyond his compositions, Froberger's travels across Europe facilitated the exchange of musical traditions, making him a pivotal figure in the development of Baroque music.

      Froberger's legacy endures, with his works continuing to influence and inspire musicians today. His contributions to the keyboard suite and his role in synthesizing various stylistic trends make him an indispensable figure in the history of music.

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      Johann Jakob Froberger

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