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      1. Albums
      2. friedrich von flotow: martha - friedrich von flotow

      Friedrich von Flotow: Martha

      Friedrich von FlotowFriedrich von Flotow
      • 2014
      • 29 tracks
      • 1 uur, 49 min
      • opera
      Friedrich von Flotow: Martha - Friedrich von Flotow
      Friedrich von Flotow: Martha - Friedrich von Flotow

      Album Details

      Immerse yourself in the enchanting world of Friedrich von Flotow's "Martha," a romantic-comic opera that captivated audiences worldwide in the mid-19th century. This 2014 release from The Art of Singing label brings you the complete opera, meticulously performed and recorded, offering a unique opportunity to experience this historic work in its entirety.

      "Martha" is one of approximately 30 operas composed by Friedrich von Flotow, but it is this particular opera that catapulted the German composer to lasting fame. Originally staged in Vienna in 1847, "Martha" quickly became a global sensation, renowned for its melodic richness and dramatic flair. The opera's enduring popularity is evident in its timeless arias, such as the iconic "Letzte Rose" and the poignant "Martha, Martha, du entschwandest."

      This album, spanning nearly two hours, features a full cast of talented vocalists and the Metropolitan Opera Orchestra, conducted by Nino Verchi. The performance is sung in English, making it accessible to a broader audience while preserving the opera's original charm. From the lively overture to the heartfelt duets and choruses, each track is a testament to Flotow's musical genius and the enduring appeal of "Martha."

      Whether you are a seasoned opera enthusiast or a curious newcomer, this recording of "Martha" offers a rich and rewarding listening experience. Friedrich von Flotow's masterpiece is brought to life with vivid storytelling and exquisite musicality, providing a glimpse into the golden age of opera.

      September 5, 2014The Art Of SingingThe Art Of Singing

      Tracks

      1. Martha: OuvertüreFriedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin
        8:00
      2. Martha, Act I: "Darf mit mächtig düstren Tränen" (Chor, Nancy)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Rundfunkchor Hamburg, Gisela Litz
        3:27
      3. Martha, Act I: "Teure Lady!" (Nancy, Lady)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Gisela Litz, Sonja Schöner
        4:45
      4. Martha, Act I: "Gnaden Tristan Mickleford!" (Lady, Tristan)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Sonja Schöner, Walter Dicks
        4:03
      5. Martha, Act I: "Wohlgemut, junges Blut!" (Chor, Lady, Tristan, Nancy)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Rundfunkchor Hamburg, Sonja Schöner, Walter Dicks, Gisela Litz
        4:31
      6. Martha, Act I: "Mädchen, brav und treu" (Chor)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Rundfunkchor Hamburg
        2:42
      7. Martha, Act I: "Wie das schnattert, wie das plappert" (Plumkett, Lyonel)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Karl Christian Kohn, Donald Grobe
        5:01
      8. Martha, Act I: "Der Markt beginnt, die Glocke schallt!" (Chor)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Rundfunkchor Hamburg
        4:28
      9. Martha, Act I: "Vorwärts Bob, muss man Euch ziehen?" (Plumkett, Lyonel)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Karl Christian Kohn, Donald Grobe
        1:57
      10. Martha, Act I: "Sieh nur, wie sie uns betrachten?" (Plumkett, Lyonel)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Karl Christian Kohn, Donald Grobe
        5:59
      11. Martha, Act II: "Nur näher, schöne Mädchen" (Nancy, Lady, Tristan, Lyonel, Plumkett, Chor)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Gisela Litz, Sonja Schöner, Walter Dicks, Donald Grobe, Karl Christian Kohn, Rundfunkchor Hamburg
        4:26
      12. Martha, Act II: "Was soll ich dazu sagen?" (Nancy, Lady, Tristan, Lyonel, Plumkett, Chor)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Gisela Litz, Sonja Schöner, Walter Dicks, Donald Grobe, Karl Christian Kohn, Rundfunkchor Hamburg
        5:17
      13. Martha, Act II: "Nancy! Julia! So bleib doch!" (Lady, Lyonel)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Sonja Schöner, Donald Grobe
        3:14
      14. Martha, Act II: "Letzte Rose" (Lady, Lyonel)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Sonja Schöner, Donald Grobe
        5:19
      15. Martha, Act II: "Warte nur, das sollst du büssen!" (Plumkett, Nancy, Lady, Lyonel)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Karl Christian Kohn, Gisela Litz, Sonja Schöner, Donald Grobe
        4:38
      16. Martha, Act II: "Nancy! Lady! Wie geht's weiter?" (Lady, Nancy, Tristan, Plumkett, Lyonell, Chor)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Sonja Schöner, Gisela Litz, Walter Dicks, Karl Christian Kohn, Donald Grobel, Rundfunkchor Hamburg
        2:22
      17. Martha, Act III: "Lasst mich Euch fragen" (Plumkett, Chor)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Karl Christian Kohn, Rundfunkchor Hamburg
        2:54
      18. Martha, Act III: "Horch, die Jagdfanfaren tönen" (Plumkett, Chor, Nancy)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Karl Christian Kohn, Rundfunkchor Hamburg, Gisela Litz
        2:21
      19. Martha, Act III: "Warum pflück ich, o Rose" (Lyonel)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Donald Grobe
        1:21
      20. Martha, Act III: "Ach, so fromm, ach, so traut" (Lyonel)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Donald Grobe
        3:01
      21. Martha, Act III: "Die Königin kommt gleich!" (Tristan, Lady, Lyonel, Plumkett, Nancy, Chor)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Walter Dicks, Sonja Schöner, Donald Grobe, Karl Christian Kohn, Gisela Litz, Rundfunkchor Hamburg
        5:11
      22. Martha, Act III: "Mag der Himmel Euch vergeben!" (Tristan, Lady, Lyonel, Plumkett, Nancy, Chor)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Walter Dicks, Sonja Schöner, Donald Grobe, Karl Christian Kohn, Gisela Litz, Rundfunkchor Hamburg
        2:44
      23. Martha, Act IV: "Nun geh zu deinem Freund" (Lady)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Sonja Schöner
        1:52
      24. Martha, Act IV: "Den Teuren zu versöhnen" (Lady)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Sonja Schöner
        2:00
      25. Martha, Act IV: "Lady! Mylady" (Nancy, Plumkett, Lady)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Gisela Litz, Karl Christian Kohn, Sonja Schöner
        1:00
      26. Martha, Act IV: "Der Lenz ist gekommen" (Nancy, Plumkett, Lady)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Gisela Litz, Karl Christian Kohn, Sonja Schöner
        5:37
      27. Martha, Act IV: "Fasst Euch, Lady!" (Nancy, Plumkett, Lady)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Gisela Litz, Karl Christian Kohn, Sonja Schöner
        0:42
      28. Martha, Act IV: "Hier die Buden, dort die Schänke!" (Chor, Lady, Nancy, Plumkett, Lyonel)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Rundfunkchor Hamburg, Sonja Schöner, Gisela Litz, Karl Christian Kohn, Donald Grobe
        5:31
      29. Martha, Act IV: "Ja, was nun?" (Plumkett, Nancy)Friedrich von Flotow, Hamburger Rundfunkorchester, Walter Martin, Karl Christian Kohn, Gisela Litz
        5:18
      PLAY ON SPOTIFY

      About Friedrich von Flotow

      Friedrich von Flotow, born into an ancient Mecklenburg noble family, was a prominent German opera composer whose works continue to captivate audiences. Born on April 27, 1812, in Teutendorf, Flotow's musical journey took him through Paris, where he studied and composed, and later to Germany and Austria, where he served as the intendant at the Schwerin Hofheater. His most enduring contributions to the operatic canon are "Martha" and "Alessandro Stradella," both of which have left a lasting impact on the genre. Flotow's compositions, though not driven by nationalistic fervor like some of his contemporaries such as Richard Wagner, are celebrated for their melodic richness and theatrical flair. Despite facing significant health challenges towards the end of his life, Flotow's legacy as one of the most successful and frequently performed opera composers of the 19th century remains secure. His works, though less common on modern stages, continue to be cherished by opera enthusiasts worldwide. Flotow passed away on January 24, 1883, in Darmstadt, leaving behind a rich musical heritage that continues to inspire and entertain.

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