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      1. Albums
      2. franz schreker: die gezeichneten - franz schreker

      Franz Schreker: Die Gezeichneten

      Franz SchrekerFranz Schreker
      • 2013
      • 32 tracks
      • 2 uur, 50 min
      Franz Schreker: Die Gezeichneten - Franz Schreker
      Franz Schreker: Die Gezeichneten - Franz Schreker

      Album Details

      Immerse yourself in the captivating world of Franz Schreker's "Die Gezeichneten," a profound and intricate opera that spans nearly three hours. Released on January 1, 2013, under the OperaPrima-Carillon label, this album is a testament to Schreker's mastery of orchestration and dramatic storytelling. The opera is divided into three acts, each filled with rich, complex characters and a compelling narrative that unfolds through a series of powerful arias and ensembles. From the opening orchestral prelude to the final, dramatic scenes, Schreker's music is both lush and intense, showcasing his unique ability to blend romanticism with modernist techniques. The album features a stellar cast of vocalists who bring Schreker's characters to life with passion and precision. Whether you're a seasoned opera enthusiast or a newcomer to the genre, "Die Gezeichneten" offers a rich and rewarding listening experience that highlights the depth and innovation of Franz Schreker's compositions.

      1 januari 20132013 OperaPrima-Carillon2013 OperaPrima-Carillon

      Tracks

      1. Die Gezeichneten, Act I: OrchestervorspielFranz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig
        9:48
      2. Die Gezeichneten, Act I: "Lasst! Genug!" (Alviano, Edle)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs
        11:43
      3. Die Gezeichneten, Act I: "Ist das nicht, Tamare?" (Edle, Tamare)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Thomas Stewart
        2:00
      4. Die Gezeichneten, Act I: "Meinen Gruss, Signori" (Alviano, Podestà)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs, Ernst Wiemann
        3:59
      5. Die Gezeichneten, Act I: "Signor Podestà, es gäb zu" (Senatoren, Podestà, Edle, Tamare, Carlotta, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Julius Katona, Erich Wenk, Ernst Wiemann, Thomas Stewart, Evelyn Lear, Helmut Krebs
        5:49
      6. Die Gezeichneten, Act I: "Holde Martuccia!" (Pietro, Martuccia)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Donald Grobe, Mria von Ilosvay
        3:23
      7. Die Gezeichneten, Act I: "Ihr seid köstlich, Signor Alviano" (Carlotta, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear, Helmut Krebs
        5:55
      8. Die Gezeichneten, Act I: "Dort, wo die Stadt weit wird" (Carlotta)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear
        4:48
      9. Die Gezeichneten, Act I: "Ich bin beschärnt" (Alviano, Carlotta)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs, Evelyn Lear
        2:12
      10. Die Gezeichneten, Act II: "Erspielt mit uns" (Podestà, Senatoren)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Ernst Wiemann, Julius Katona, Erich Wenk
        3:27
      11. Die Gezeichneten, Act II: "Hast du's gehörtr" (Adorno, Tamare)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Franz Crass, Thomas Stewart
        6:23
      12. Die Gezeichneten, Act II: "Ah! Ein grosser Maler nannte mir" (Adorno, Tamare)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Franz Crass, Thomas Stewart
        4:26
      13. Die Gezeichneten, Act II: "Herrliche unterirdische Räume" (Tamare, Adorno)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Thomas Stewart, Franz Crass
        5:29
      14. Die Gezeichneten, Act II: "Zwischenspiel" (Carlotta)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear
        2:37
      15. Die Gezeichneten, Act II: "Uns're Zeit ist voll seltsamer Dinge" (Carlotta, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear, Helmut Krebs
        4:30
      16. Die Gezeichneten, Act II: "Wollt Ihr, Signor" (Carlotta, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear, Helmut Krebs
        8:36
      17. Die Gezeichneten, Act II: "Doch Signor, Euch zu malen" (Carlotta, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear, Helmut Krebs
        11:59
      18. Die Gezeichneten, Act II: "Und wenns mehr wäre" (Carlotta, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear, Helmut Krebs
        0:52
      19. Die Gezeichneten, Act III: OrchestervorspielFranz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig
        5:47
      20. Die Gezeichneten, Act III: "Bei den Gebeinen des heil'gen" (Bürger, Bub, Vater, Mutter, Jüngling, Martuccia, Pietro)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Erich Wenk, Julius Katona, Mria von Ilosvay, Donald Grobe
        6:17
      21. Die Gezeichneten, Act III: "War mir doch" (Alviano, Podestà)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs, Ernst Wiemann
        6:42
      22. Die Gezeichneten, Act III: "Höret Ihr nicht?" (Adorno, Carlotta, Gonsalvo,Guidobald, Michelotto, Julian, Menaldo)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Franz Crass, Evelyn Lear, Hans Herbert, Julius Katona, Walter Hauck, Herbert Klomser, Manfred Schmidt
        9:07
      23. Die Gezeichneten, Act III: "Ah, welche Nacht!" (Carlotta, Chor, Mutter, Vater, Senatoren, Jüngling, Madchen)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear, Chor des Norddeutschen Rundfunks, Erich Wenk, Julius Katona
        5:28
      24. Die Gezeichneten, Act III: "Was fliehst Du vor mir?" (Tamare, Carlotta)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Thomas Stewart, Evelyn Lear
        5:39
      25. Die Gezeichneten, Act III: "Ihre Stimme hör' ich!" (Alviano, Chor, Podestà)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs, Chor des Norddeutschen Rundfunks, Ernst Wiemann
        3:42
      26. Die Gezeichneten, Act III: "Haltet ein, genuesisches Volk!" (Capitaneo, Chor, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Franz Crass, Chor des Norddeutschen Rundfunks, Helmut Krebs
        3:07
      27. Die Gezeichneten, Act III: "Hört Ihr denn nicht?" (Alviano, Capitaneo, Podestà, Bürger, Julian, Ginevra, Chor)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs, Franz Crass, Ernst Wiemann, Herbert Klomser, Chor des Norddeutschen Rundfunks
        5:29
      28. Die Gezeichneten, Act III: "Kommt, ich führe Euch!" (Alviano, Chor)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs, Chor des Norddeutschen Rundfunks
        3:43
      29. Die Gezeichneten, Act III: "Du lügst!" (Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs
        4:21
      30. Die Gezeichneten, Act III: "Und wenn Du mich mordest" (Tamare, Alviano, Chor)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Thomas Stewart, Helmut Krebs, Chor des Norddeutschen Rundfunks
        6:15
      31. Die Gezeichneten, Act III: "Auf einer Kirchweih'" (Tamare)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Thomas Stewart
        1:50
      32. Die Gezeichneten, Act III: "Wer schrie da?" (Carlotta, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear, Helmut Krebs
        5:25
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      About Franz Schreker

      Franz Schreker, born in Monaco in 1878, was an Austrian composer and conductor whose innovative operas and orchestral works left an indelible mark on 20th-century music. His compositions are renowned for their aesthetic diversity, experimental use of timbre, and extended tonalities, creating a unique and captivating sound world. Schreker's operatic narratives are deeply integrated with his musical language, embodying his vision of total music theatre. A contemporary and friend of Arnold Schoenberg, Schreker's rich lyricism and orchestral palette are evident in his works, which continue to captivate audiences and inspire musicians today. His legacy endures through his influential compositions and his role as a teacher and administrator in the music world.

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