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      1. Albums
      2. flying horse: renaissance music from the ml lutebook - elizabeth kenny

      Flying Horse: Renaissance Music from the ML Lutebook

      Elizabeth KennyElizabeth Kenny
      • 2009
      • 24 tracks
      • 1 uur, 10 min
      • medieval
      Flying Horse: Renaissance Music from the ML Lutebook - Elizabeth Kenny
      Flying Horse: Renaissance Music from the ML Lutebook - Elizabeth Kenny

      Album Details

      Immerse yourself in the rich tapestry of Renaissance music with Elizabeth Kenny's captivating album, "Flying Horse: Renaissance Music from the ML Lutebook." Released in 2009 under the Hyperion label, this collection is a treasure trove of 24 meticulously crafted tracks, each offering a glimpse into the musical brilliance of the era. Spanning a duration of 1 hour and 10 minutes, the album is a testament to Kenny's virtuosity and her deep connection with the music of the past.

      The album features a diverse array of compositions, including galliards, pavins, corants, and almaines, showcasing the intricate dance forms and musical styles that defined the Renaissance period. Elizabeth Kenny, along with contributions from notable composers such as John Dowland, Anthony Holborne, and Robert Johnson, brings these historical pieces to life with her exquisite playing and profound understanding of the music.

      From the lively "The Battle Galliard" to the hauntingly beautiful "Tom of Bedlam," each track is a masterclass in Renaissance music, offering a blend of technical precision and emotional depth. The album also includes lesser-known gems like "Mr Holborn's Last Will and Testament" and "Gray's Inn Maske," providing a comprehensive exploration of the ML Lutebook's contents.

      Whether you're a seasoned enthusiast of classical music or a curious newcomer, "Flying Horse: Renaissance Music from the ML Lutebook" is an essential addition to your collection. Elizabeth Kenny's masterful performance and the album's rich historical context make it a standout release that will delight and inspire listeners.

      September 1, 2009© 2009 Hyperion Records Limited℗ 2009 Hyperion Records Limited

      Tracks

      1. The Battle GalliardJohn Dowland, Elizabeth Kenny
        3:02
      2. Mr Holborn's Last Will and TestamentAnthony Holborne, Elizabeth Kenny
        4:40
      3. Tom of BedlamAnonymous, Elizabeth Kenny
        2:06
      4. John Come Kiss Me NowAnonymous, Elizabeth Kenny
        4:08
      5. A Pavin (C Minor, I)Robert Johnson, Elizabeth Kenny
        6:53
      6. Corant IAnonymous, Elizabeth Kenny
        1:35
      7. Corant "Le Testament"Julie Kennard, Elizabeth Kenny
        3:22
      8. The BattleAnonymous, Elizabeth Kenny
        8:08
      9. A Pavin (F Minor)Robert Johnson, Elizabeth Kenny
        6:19
      10. A Gallyard by Mr Dan BachelerDaniel Bacheler, Elizabeth Kenny
        1:40
      11. A Gallyard upon the Gallyard BeforeJohn Dowland, Elizabeth Kenny
        2:04
      12. Corant IIAnonymous, Elizabeth Kenny
        1:42
      13. Corant "de la Durette"Anonymous, Elizabeth Kenny
        1:15
      14. La Courante SarabandeRobert Ballard, Elizabeth Kenny
        2:05
      15. Corant IIIAnonymous, Elizabeth Kenny
        1:30
      16. A VolteMercure d'Orléans, Elizabeth Kenny
        1:12
      17. A VolteJohn Sturt, Elizabeth Kenny
        1:14
      18. A Pavin (C Minor, II)Robert Johnson, Elizabeth Kenny
        4:46
      19. Allmayne "The Prince's Almain"Robert Johnson, Elizabeth Kenny
        1:08
      20. The Noble ManRobert Johnson, Elizabeth Kenny
        1:59
      21. Allmayne "Hit It and Take It"Robert Johnson, Elizabeth Kenny
        1:30
      22. Allmayne and CorantAnonymous, Elizabeth Kenny
        3:08
      23. Gray's Inn MaskeAnonymous, Elizabeth Kenny
        1:23
      24. The Flying HorseAnonymous, Elizabeth Kenny
        3:47
      PLAY ON SPOTIFY

      About Elizabeth Kenny

      Elizabeth Kenny is a renowned lute player celebrated for her captivating performances and innovative approach to seventeenth-century music. With a repertoire spanning from the Renaissance to the eighteenth century, Kenny's playing has been lauded as "incandescent" and "radical," showcasing her unique blend of technical prowess and artistic vision. As the founder and director of Theatre of the Ayre, she has pioneered an improvisatory and dramatic style that brings historical music to life in fresh and engaging ways. Kenny's collaborations with esteemed ensembles and singers, along with her role as a professor of lute at the Royal Academy of Music, underscore her significant influence in the world of classical music. Her performances are not merely concerts but immersive experiences that transport audiences to another time, making her a standout figure in the realm of historical music performance.

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      Elizabeth Kenny

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