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      1. Albums
      2. feo, f.: missa defunctorum / confitebor - francesco feo

      Feo, F.: Missa Defunctorum / Confitebor

      Francesco FeoFrancesco Feo
      • 2009
      • 21 tracks
      • 58 min
      Feo, F.: Missa Defunctorum / Confitebor - Francesco Feo
      Feo, F.: Missa Defunctorum / Confitebor - Francesco Feo

      Album Details

      Immerse yourself in the hauntingly beautiful world of Francesco Feo's "Missa Defunctorum / Confitebor," a captivating choral work that seamlessly blends sacred music with profound emotional depth. Released on January 1, 2009, under the CPO label, this album spans a concise yet impactful 58 minutes, offering a rich tapestry of vocal performances that will resonate with both classical music enthusiasts and those new to the genre.

      Francesco Feo, an Italian composer of the Baroque era, showcases his mastery of choral writing in this compelling album. The "Missa Defunctorum," a Requiem Mass, is a poignant exploration of grief and consolation, featuring intricate harmonies and powerful vocal lines. The album also includes the lesser-known "Confitebor," a work that further demonstrates Feo's ability to evoke deep spiritual and emotional responses.

      The tracklist is a journey through various choral configurations, from solo voices to full chorus, each section meticulously crafted to highlight the text and the emotional weight of the music. Standout pieces include the solemn "Kyrie," the triumphant "Gloria," and the introspective "Crucifixus," each offering a unique perspective on Feo's compositional style.

      This album is a testament to Francesco Feo's enduring legacy and his contribution to the choral repertoire. Whether you are drawn to the historical significance of the music or the sheer beauty of the performances, "Missa Defunctorum / Confitebor" is a must-listen for anyone seeking to explore the depths of Baroque choral music.

      1 januari 20092009 CPO2009 CPO

      Tracks

      1. Missa defunctorum: Kyrie (Soprano 1, Soprano 2, Alto, Tenor, Bass, Chorus)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        4:50
      2. Missa defunctorum: Gloria (Soprano 1, Soprano 2, Chorus)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        4:45
      3. Missa defunctorum: Laudamus te (Soprano 1, Soprano 2)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        3:58
      4. Missa defunctorum: Gratias agimus tibi (Soprano 1, Soprano 2, Alto, Tenor, Bass, Chorus)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        5:01
      5. Missa defunctorum: Qui tollis I (Bass)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        2:25
      6. Missa defunctorum: Qui tollis II (Soprano 1)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        3:34
      7. Missa defunctorum: Qui sedes ad dexterem Patres (Soprano 1, Soprano 2, Alto, Tenor, Bass, Chorus)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        1:07
      8. Missa defunctorum: Quoniam tu solus sanctus (Alto)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        3:35
      9. Missa defunctorum: Cum sancto spiritu (Soprano 1, Soprano 2, Alto, Tenor, Bass, Chorus)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        3:26
      10. Missa defunctorum: Credo in unum Deum (Soprano 1, Soprano 2, Alto, Tenor, Bass, Chorus)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        2:44
      11. Missa defunctorum: Et incarnatus est (Soprano 1, Soprano 2, Alto, Tenor, Bass, Chorus)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        1:16
      12. Missa defunctorum: Crucifixus (Soprano 1, Alto, Tenor)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        1:32
      13. Missa defunctorum: Et resurrexit [[Soprano 1, Soprano 2, Alto, Tenor, Bass, Chorus]Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        3:57
      14. Missa defunctorum: Sanctus (Soprano 1, Soprano 2, Alto, Tenor, Bass, Chorus)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        0:53
      15. Missa defunctorum: Benedictus (Soprano 1, Soprano 2, Alto, Tenor, Bass, Chorus)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        0:32
      16. Missa defunctorum: Agnus dei (Soprano 1, Soprano 2, Alto, Tenor, Bass, Chorus)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        1:26
      17. Confitebor tibi Domine (Soprano 1, Soprano 2, Alto, Tenor, Bass, Chorus)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        5:41
      18. Confitebor: Redemptionen misit (Soprano 1, Soprano 2, Alto, Tenor, Bass, Chorus)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        2:30
      19. Confitebor: Initium sapientiae (Alto, Chorus)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        0:56
      20. Confitebor: Intellectus bonus (Soprano 2, Bass)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        1:37
      21. Confitebor: Sicut erat in principio (Soprano 1, Soprano 2, Alto, Tenor, Bass, Chorus)Francesco Feo, Anja Zugner, Dorothea Wagner, Dominika Hirschler, Tobias Hunger, Tobias Berndt, Saxon Vocal Ensemble, Batzdorfer Hofkapelle, Matthias Jung
        2:08
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      About Francesco Feo

      Francesco Feo (1691-1761) was a prominent Italian composer and teacher, renowned for his significant contributions to the Neapolitan school of music. Born and raised in Naples, Feo's musical journey began at the prestigious Conservatorio di Santa Maria della Pietà dei Turchini, where he studied under esteemed maestros Andrea Basso and Nicola Fago. His prolific career spanned several decades, during which he composed numerous operas, oratorios, sacred dramas, cantatas, and sacred music, including masses, passion music, and a notable Requiem.

      Feo's operas, premiered primarily in Naples, showcased his mastery of vocal virtuosity and dramatic expression. His works, often set to librettos by celebrated poets like Metastasio, were highly acclaimed during his time. Beyond his operatic achievements, Feo's sacred compositions, such as his Missa and Confitebor, demonstrate his deep spiritual and musical insight.

      As a teacher, Feo mentored many notable students, including the renowned composer Niccolò Jommelli. His influence extended through his roles as maestro at various conservatories and churches in Naples, where he continued to inspire and educate the next generation of musicians. Feo's legacy endures as a testament to his enduring impact on Italian music and his pivotal role in the Neapolitan musical tradition.

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