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      1. Albums
      2. fascinazione arcadia - alessandro scarlatti

      Fascinazione Arcadia

      Alessandro ScarlattiAlessandro Scarlatti
      • 2014
      • 42 tracks
      • 1 uur, 12 min
      • opera
      Fascinazione Arcadia - Alessandro Scarlatti
      Fascinazione Arcadia - Alessandro Scarlatti

      Album Details

      Dive into the enchanting world of Baroque opera with Alessandro Scarlatti's "Fascinazione Arcadia," a captivating collection of vocal and instrumental works released in 2014. This album, published under the Solo Musica label, offers a rich tapestry of Scarlatti's compositions, showcasing his mastery of the operatic form and his ability to evoke vivid imagery through music.

      The album spans a variety of genres within the operatic realm, featuring arias, sonatas, and sinfonias that transport the listener to the idyllic landscapes and dramatic narratives of Scarlatti's imagination. The tracklist is a journey through pastoral scenes and romantic entanglements, with titles like "Lieti boschi, ombre amiche" and "Tra le pompe fiorite" painting vivid pictures of joyous forests and blooming pomps. The inclusion of instrumental pieces, such as the "Cello Sonata No. 1 in D Minor" and "Quattro sonate a quattro No. 4 in D Minor," adds depth and variety to the album, highlighting Scarlatti's versatility as a composer.

      With a duration of 1 hour and 12 minutes, "Fascinazione Arcadia" is a substantial exploration of Scarlatti's operatic oeuvre, providing a comprehensive introduction to his style and themes. Whether you're a seasoned enthusiast of Baroque music or a curious newcomer, this album offers a rich and rewarding listening experience. The intricate vocal performances and delicate instrumental arrangements come together to create a cohesive and engaging musical journey.

      October 7, 20142014 Solo Musica2014 Solo Musica

      Tracks

      1. Con parole remote: PoesiaGiancarlo Pontiggia
        1:46
      2. Lieti boschi, ombre amicheAlessandro Scarlatti, Die Freitagsakademie, Anne Schmid
        1:20
      3. Lieti boschi, ombre amiche: Io tra voi ricerco soloAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        3:43
      4. Lieti boschi, ombre amiche: Sappia l'affanno mioAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        0:30
      5. Lieti boschi, ombre amiche: Sappian l'aure e i venticelliAlessandro Scarlatti, Die Freitagsakademie, Anne Schmid
        4:02
      6. Arcadia: Prologue. Sogliono il più delle volteJacopo Sannazaro, Giancarlo Pontiggia
        2:23
      7. Tra le pompe fioriteAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        0:46
      8. Tra le pompe fiorite: Vago e caro l'augellettoAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        3:43
      9. Tra le pompe fiorite: Allora io non sapevaAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        0:42
      10. Tra le pompe fiorite: Confessa l'almaAlessandro Scarlatti, Die Freitagsakademie, Anne Schmid
        3:03
      11. Tra le pompe fiorite: Ah! Che se tu, crudeleAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        0:14
      12. Tra le pompe fiorite: Chi in amar non ha costanzaAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        2:09
      13. Tra speranza e timore: IntroductionAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        1:08
      14. Tra speranza e timoreAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        0:46
      15. Tra speranza e timore: Sono amante e dir vorreiAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        4:52
      16. Tra speranza e timore: Meglio è penar tacendoAlessandro Scarlatti, Die Freitagsakademie, Anne Schmid
        0:49
      17. Tra speranza e timore: Alla tua vermiglia boccaAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        2:46
      18. Con parole remote: Invoco il silenzio fedele, taccioGiancarlo Pontiggia
        0:30
      19. Cello Sonata No. 1 in D Minor: I. LargoAlessandro Scarlatti, Die Freitagsakademie
        1:31
      20. Cello Sonata No. 1 in D Minor: II. AllegroAlessandro Scarlatti, Die Freitagsakademie
        1:50
      21. Cello Sonata No. 1 in D Minor: III. LargoAlessandro Scarlatti, Die Freitagsakademie
        1:29
      22. Cello Sonata No. 1 in D Minor: IV. A tempo guistoAlessandro Scarlatti, Die Freitagsakademie
        2:05
      23. Con parole remote: Nel tempo vuotoGiancarlo Pontiggia
        0:56
      24. Quattro sonate a quattro No. 4 in D Minor: I. AllegroAlessandro Scarlatti, Die Freitagsakademie
        3:04
      25. Quattro sonate a quattro No. 4 in D Minor: II. GraveAlessandro Scarlatti, Die Freitagsakademie
        1:17
      26. Quattro sonate a quattro No. 4 in D Minor: III. Allegro -Alessandro Scarlatti, Die Freitagsakademie
        0:42
      27. Quattro sonate a quattro No. 4 in D Minor: III. AllegroAlessandro Scarlatti, Die Freitagsakademie
        0:51
      28. Quattro sonate a quattro No. 4 in D Minor: IV. MinuetAlessandro Scarlatti, Die Freitagsakademie
        0:56
      29. Voi giungeste, o vaghi fiori: Voi giungeste vaghi fioriAlessandro Scarlatti, Die Freitagsakademie, Anne Schmid
        2:28
      30. Voi giungeste, o vaghi fiori: Ah v'intesi ben ioAlessandro Scarlatti, Die Freitagsakademie, Anne Schmid
        0:31
      31. Voi giungeste, o vaghi fiori: Qual piacere, qual dilettoAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        1:49
      32. Voi giungeste, o vaghi fiori: Ah si tornate a leiAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        0:36
      33. Voi giungeste, o vaghi fiori: Lingue odoroseAlessandro Scarlatti, Die Freitagsakademie, Anne Schmid
        2:21
      34. Con parole remote: Rami, selve, nomi d'amore. Di nuovoGiancarlo Pontiggia
        0:43
      35. E perche non seguite, o Pastorelle: SinfoniaAlessandro Scarlatti, Die Freitagsakademie, Anne Schmid
        2:28
      36. E perche non seguite, o Pastorelle: E perché non seguite o PastorelleAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        1:07
      37. E perche non seguite, o Pastorelle: Fiumicel, tu lentoAlessandro Scarlatti, Die Freitagsakademie, Anne Schmid
        2:36
      38. E perche non seguite, o Pastorelle: Ma di che mi quereloAlessandro Scarlatti, Die Freitagsakademie, Anne Schmid
        0:59
      39. E perche non seguite, o Pastorelle: E dolce quella piagaAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        2:13
      40. E perche non seguite, o Pastorelle: Sù le fiorite spondeAlessandro Scarlatti, Anne Schmid, Die Freitagsakademie
        0:51
      41. E perche non seguite, o Pastorelle: Lacci, e piagheAlessandro Scarlatti, Die Freitagsakademie, Anne Schmid
        1:29
      42. Con parole remote: Lascia un segno nel celeste pomeriggioGiancarlo Pontiggia
        1:59
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      About Alessandro Scarlatti

      Alessandro Scarlatti, born in Palermo in 1660, stands as one of the most influential figures in Baroque music, particularly renowned for his operatic works and chamber cantatas. Often hailed as the "Italian Orpheus," Scarlatti's compositions laid the groundwork for the Neapolitan school of opera, making him a pivotal figure in the development of classical harmony and the Italian overture. His prolific career spanned over a hundred operas, more than 600 cantatas, and numerous religious works, showcasing his versatility and innovation. Scarlatti's music, characterized by its vividness and singability, reflects his early struggles and relentless drive, making each piece a testament to his genius. His influence extended far beyond his time, inspiring composers like Mozart and leaving an indelible mark on the world of classical music.

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      Alessandro Scarlatti

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