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      1. Albums
      2. fanny & felix mendelssohn: sacred music, vol. 1 - felix mendelssohn

      Fanny & Felix Mendelssohn: Sacred Music, Vol. 1

      Felix MendelssohnFelix Mendelssohn
      • 2025
      • 29 tracks
      • 58 min
      • chamber music
      Fanny & Felix Mendelssohn: Sacred Music, Vol. 1 - Felix Mendelssohn
      Fanny & Felix Mendelssohn: Sacred Music, Vol. 1 - Felix Mendelssohn

      Album Details

      Immerse yourself in the sacred choral masterpieces of the Mendelssohn siblings with "Fanny & Felix Mendelssohn: Sacred Music, Vol. 1." This exquisite collection, set to release on July 11, 2025, under the Harmonia Mundi label, showcases the profound musical legacy of Felix Mendelssohn and his equally talented sister Fanny Hensel. The album spans 58 minutes of captivating chamber music and choral works, performed by the esteemed Berlin RIAS Chamber Choir, Kammerakademie Potsdam, and conducted by Justin Doyle.

      The album opens with Felix Mendelssohn's monumental "Christus, Op. 97," a two-part oratorio that vividly narrates the life of Christ, from his birth to his passion. The work is a testament to Mendelssohn's ability to blend dramatic intensity with lyrical beauty, featuring stirring choruses, reflective recitatives, and a moving chorale. Following this, the album presents "Lobgesang" (Op. 52), a symphony-cantata that celebrates divine praise and thanksgiving, showcasing Mendelssohn's innovative fusion of symphonic and choral forms.

      The album concludes with "Wie der Hirsch schreit nach frischem Wasser, Op. 42," a setting of Psalm 42 that exemplifies Mendelssohn's skill in conveying the deepest emotions through music. This work, like the others on the album, highlights the Mendelssohns' deep spiritual insight and their ability to translate it into music of enduring power and beauty.

      "Fanny & Felix Mendelssohn: Sacred Music, Vol. 1" is not just a collection of sacred works; it is a journey through the spiritual and musical landscapes of two of the most influential composers of the 19th century. The album features the renowned soprano Christina Landshamer and the expert musicianship of the Berlin RIAS Chamber Choir and Kammerakademie Potsdam, all under the guidance of conductor Justin Doyle. This release is a testament to the enduring appeal of the Mendelssohns' music and a celebration of their significant contributions to the choral repertoire.

      July 11, 20252025 harmonia mundi2025 harmonia mundi

      Tracks

      1. Christus, Op. 97, Part I: The Birth of Christ: I. Recitative. Da Jesus geboren wardFelix Mendelssohn, Christina Landshamer, Kammerakademie Potsdam, Justin Doyle
        0:33
      2. Christus, Op. 97, Part I: The Birth of Christ: II. Trio. Wo ist der neugeborne König der JudenFelix Mendelssohn, Minsub Hong, Andrew Redmond, Jonathan E. de la Paz Zaens, Kammerakademie Potsdam, Justin Doyle
        1:25
      3. Christus, Op. 97, Part I: The Birth of Christ: IIIa. Chorus. Es wird ein Stern aus Jakob aufgehnFelix Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        2:49
      4. Christus, Op. 97, Part I: The Birth of Christ: IIIb. Chorale. Wie schön leuchtet der Morgenstern!Felix Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        1:40
      5. Christus, Op. 97, Part II: The Passion of Christ: IV. Recitative. Und der ganze Haufe stand aufFelix Mendelssohn, Martin Mitterrutzner, Kammerakademie Potsdam, Justin Doyle
        0:10
      6. Christus, Op. 97, Part II: The Passion of Christ: V. Chorus. Diesen finden wirFelix Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        0:38
      7. Christus, Op. 97, Part II: The Passion of Christ: VI. Recitative. Pilatus sprach zu den HohenpriesternFelix Mendelssohn, Martin Mitterrutzner, Kammerakademie Potsdam, Justin Doyle
        0:18
      8. Christus, Op. 97, Part II: The Passion of Christ: VII. Chorus. Er hat das Volk erregtFelix Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        0:56
      9. Christus, Op. 97, Part II: The Passion of Christ: VIII. Recitative. Pilatus aber sprachFelix Mendelssohn, Martin Mitterrutzner, Kammerakademie Potsdam, Justin Doyle
        0:19
      10. Christus, Op. 97, Part II: The Passion of Christ: IX. Chorus. Hinweg mit diesemFelix Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        0:33
      11. Christus, Op. 97, Part II: The Passion of Christ: X. Recitative. Da rief PilatusFelix Mendelssohn, Martin Mitterrutzner, Kammerakademie Potsdam, Justin Doyle
        0:14
      12. Christus, Op. 97, Part II: The Passion of Christ: XI. Chorus. Kreuzige, kreuzigeFelix Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        1:10
      13. Christus, Op. 97, Part II: The Passion of Christ: XII. Recitative. Pilatus spricht zu ihnenFelix Mendelssohn, Martin Mitterrutzner, Kammerakademie Potsdam, Justin Doyle
        0:19
      14. Christus, Op. 97, Part II: The Passion of Christ: XIII. Chorus. Wir haben ein GesetzFelix Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        0:58
      15. Christus, Op. 97, Part II: The Passion of Christ: XIV. Recitative. Da überantwortete er ihnFelix Mendelssohn, Martin Mitterrutzner, Kammerakademie Potsdam, Justin Doyle
        0:57
      16. Christus, Op. 97, Part II: The Passion of Christ: XV. Chorus. Ihr Töchter ZionsFelix Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        3:58
      17. Christus, Op. 97, Part II: The Passion of Christ: XVI. Chorale. Er nimmt auf seinen RückenFelix Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        1:46
      18. Lobgesang: I. Introduzione Pastorale. Andante con motoFanny Mendelssohn, Kammerakademie Potsdam, Justin Doyle
        2:12
      19. Lobgesang: II. Chorus. Meine Seele ist stille zu GottFanny Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        3:59
      20. Lobgesang: III. Recitative. Ein Weib, wenn sie gebieretFanny Mendelssohn, Franziska Markowitsch, Kammerakademie Potsdam, Justin Doyle
        1:27
      21. Lobgesang: IV. Aria. O dass ich tausend Zungen hätteFanny Mendelssohn, Christina Landshamer, Kammerakademie Potsdam, Justin Doyle
        3:57
      22. Lobgesang: V. Final Chorus. Ich will von Gottes Güte singenFanny Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        3:14
      23. Wie der Hirsch schreit nach frischem Wasser, Op. 42 "Psalm 42": I. Chorus. Wie der Hirsch schreitFelix Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        5:51
      24. Wie der Hirsch schreit nach frischem Wasser, Op. 42 "Psalm 42": II. Aria. Meine Seele dürstetFelix Mendelssohn, Christina Landshamer, Kammerakademie Potsdam, Justin Doyle
        2:43
      25. Wie der Hirsch schreit nach frischem Wasser, Op. 42 "Psalm 42": III. Recitative. Meine Thränen sind - Soprano and chorus. Denn ich wollte gern hingehenFelix Mendelssohn, Christina Landshamer, Kammerakademie Potsdam, Justin Doyle
        3:27
      26. Wie der Hirsch schreit nach frischem Wasser, Op. 42 "Psalm 42": IV. Chorus. Was betrübst du dichFelix Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        1:51
      27. Wie der Hirsch schreit nach frischem Wasser, Op. 42 "Psalm 42": V. Recitative. Mein Gott, betrübt ist meine SeeleFelix Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        1:45
      28. Wie der Hirsch schreit nach frischem Wasser, Op. 42 "Psalm 42": VI. Quintet. Der Herr hat des Tages verheissenFelix Mendelssohn, Christina Landshamer, Minsub Hong, Volker Nietzke, Stefan Drexlmeier, Andrew Redmond, Kammerakademie Potsdam, Justin Doyle
        4:12
      29. Wie der Hirsch schreit nach frischem Wasser, Op. 42 "Psalm 42": VII. Finale. Was betrübst du dich meine SeeleFelix Mendelssohn, RIAS Kammerchor, Kammerakademie Potsdam, Justin Doyle
        4:43
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      About Felix Mendelssohn

      Felix Mendelssohn, born into a wealthy banking family in Hamburg in 1809, was a prodigious talent whose influence on the Romantic period is immeasurable. A child prodigy, Mendelssohn excelled not only in music but also in painting, poetry, athletics, and linguistics. His compositions, which include symphonies, concertos, and chamber music, are renowned for their optimism and life-enhancing qualities, earning him the title of one of the 'Sunshine Composers.'

      Mendelssohn's repertoire is vast and varied, with standout works including the enchanting overture and incidental music for "A Midsummer Night's Dream," the evocative "Italian" and "Scottish" Symphonies, and the beloved oratorios "St. Paul" and "Elijah." His "Songs Without Words" for solo piano are particularly celebrated, offering a glimpse into his deep emotional range. Beyond his compositions, Mendelssohn was also an accomplished artist, capturing scenes from his travels through England and Scotland in sketches.

      Despite his untimely death at the age of 38 in 1847, Mendelssohn's legacy endures, celebrated for his contributions to classical music and his enduring influence on the Romantic era. His music continues to inspire and uplift, a testament to his enduring genius.

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