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      1. Albums
      2. eisler: klingende dokumente iii - hanns eisler

      Eisler: Klingende Dokumente III

      Hanns EislerHanns Eisler
      • 1975
      • 16 tracks
      • 1 uur, 6 min
      Eisler: Klingende Dokumente III - Hanns Eisler
      Eisler: Klingende Dokumente III - Hanns Eisler

      Album Details

      Dive into the rich musical legacy of Hanns Eisler with "Klingende Dokumente III," a compelling collection released on November 29, 1975, by Eterna. This album spans a duration of 1 hour and 6 minutes, offering a diverse array of compositions that reflect Eisler's profound influence in the world of classical music. Born into a liberal middle-class family, Eisler's musical journey is marked by his unique blend of intellectual depth and artistic innovation.

      The album features a mix of vocal and instrumental works, including notable pieces like "Bankenlied, Op. 48 No. 1: Wir sind entlassen," "Kantate auf den Tod eines Genossen, Op. 64," and "Septet No. 1, Op. 92a." Each track showcases Eisler's mastery of composition, ranging from reflective and introspective pieces to more dynamic and energetic performances. The inclusion of conversations and interviews, such as those with Hans Bunge, adds a personal touch, providing insights into Eisler's thoughts on literature, music, and art.

      "Klingende Dokumente III" is not just a compilation of songs but a testament to Eisler's enduring legacy. The album includes excerpts from his opera "Schweyk in the 2nd World War," highlighting his ability to blend political commentary with musical brilliance. Whether you're a seasoned classical music enthusiast or a curious newcomer, this album offers a captivating journey through the mind and music of one of the 20th century's most influential composers.

      November 29, 19751975 Eterna/Edel Germany GmbH1975 Eterna/Edel Germany GmbH

      Tracks

      1. Bankenlied, Op. 48 No. 1: Wir sind entlassenHanns Eisler
        3:09
      2. Conversation with Hans Bunge on November 6th, 1961: Über HölderlinHanns Eisler, Hans Bunge
        16:11
      3. Die Gesichte der Simone Machard: No. 2, Der zweite TraumHanns Eisler, Irmgard Arnold
        3:47
      4. Die Gesichte der Simone Machard: No. 4: Lied der Simone und MarschHanns Eisler
        1:51
      5. Kantate auf den Tod eines Genossen, Op. 64: I. Die NachrichtHanns Eisler, Siegfried Enders, Ewald Koch, Bodo Rust, Heinz Gable, Alf Porschmann
        1:20
      6. Kantate auf den Tod eines Genossen, Op. 64: II. Die VerhaftungHanns Eisler, Siegfried Enders, Ewald Koch, Bodo Rust, Heinz Gable, Alf Porschmann
        0:36
      7. Kantate auf den Tod eines Genossen, Op. 64: III. Die ErmordungHanns Eisler, Siegfried Enders, Ewald Koch, Bodo Rust, Heinz Gable, Alf Porschmann
        1:06
      8. Kantate auf den Tod eines Genossen, Op. 64: IV. Der NachruhmHanns Eisler, Siegfried Enders, Ewald Koch, Bodo Rust, Heinz Gable, Alf Porschmann
        1:06
      9. Radio Interview on January 23, 1961: Über SchönbergHanns Eisler
        4:28
      10. Schweyk in the 2nd World War: Bei der Kanone dortHanns Eisler
        0:53
      11. Schweyk in the 2nd World War: KälbermarschHanns Eisler
        2:24
      12. Schweyk in the 2nd World War: Als wir nach Jaromersch zogenHanns Eisler
        2:08
      13. Schweyk in the 2nd World War: Das Lied vom KelchHanns Eisler
        1:58
      14. Schweyk in the 2nd World War: Deutsches MiserereHanns Eisler
        1:30
      15. Conversation with Hans Bunge on July 5th, 1962: Über Wissenschaft und KunstHanns Eisler, Andre Asriel
        9:37
      16. Septet No. 1, Op. 92aHanns Eisler, Friedrich-Carl Erben, Günter Blumeier, Friedrich Wilhelm Bach, Karl-Heinz Schröter, Peter Fremerey, Hans Himmler, Karl Steinbrecher
        14:08
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      About Hanns Eisler

      Hanns Eisler, born in Leipzig in 1898, was a prolific German-Austrian composer whose life and work spanned continents and ideologies. Known for his unwavering commitment to his Communist beliefs, Eisler's music reflects his political convictions and his deep artistic collaboration with playwright Bertolt Brecht. His most enduring legacy is the national anthem of East Germany, a powerful testament to his ability to capture the spirit of a nation. Eisler's musical journey began under the tutelage of Arnold Schoenberg, from whom he absorbed the principles of serialism. His compositions range from expressionist works that blend humor with angst to more structured pieces that pay homage to traditional forms. Beyond his political anthems and film scores, Eisler's catalog includes a variety of chamber and vocal works, showcasing his versatility and depth as a composer. His influence endures, with the Hochschule für Musik Hanns Eisler Berlin named in his honor, celebrating his enduring impact on music education and the broader musical landscape.

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