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      1. Albums
      2. eisler: die mutter, four pieces, woodburry-liederbüchlein & litany of the breath - hanns eisler

      Eisler: Die Mutter, Four Pieces, Woodburry-Liederbüchlein & Litany of the Breath

      Hanns EislerHanns Eisler
      • 2000
      • 41 tracks
      • 1 uur, 8 min
      Eisler: Die Mutter, Four Pieces, Woodburry-Liederbüchlein & Litany of the Breath - Hanns Eisler
      Eisler: Die Mutter, Four Pieces, Woodburry-Liederbüchlein & Litany of the Breath - Hanns Eisler

      Album Details

      Immerse yourself in the profound and politically charged compositions of Hanns Eisler with this captivating album, released by Chandos in 2000. Spanning a rich duration of 1 hour and 8 minutes, this collection showcases Eisler's mastery of vocal and orchestral arrangements, making it an essential addition to any classical music enthusiast's library.

      The album opens with "Die Mutter, Op. 25," a powerful cantata based on the novel by Maxim Gorky. This work is a testament to Eisler's ability to blend political themes with deeply moving music, featuring a series of vignettes that tell the story of a mother's struggle and sacrifice during a time of social upheaval. Each movement is a stand-alone piece, yet they seamlessly weave together to create a cohesive and impactful narrative.

      Following "Die Mutter," the album presents "Four Pieces, Op. 13," a set of songs that highlight Eisler's versatility and poetic sensibility. These pieces, ranging from reflective to exuberant, offer a glimpse into the composer's personal and artistic evolution.

      The "Woodbury-Liederbüchlein" adds a touch of whimsy and nostalgia with its collection of folk-inspired songs. These charming pieces, set to traditional texts, showcase Eisler's ability to infuse familiar melodies with his unique compositional voice.

      The album concludes with "Two Pieces, Op. 21," including the hauntingly beautiful "Litanie vom Hauch." This final work is a poignant reflection on the human condition, showcasing Eisler's ability to evoke deep introspection and contemplation.

      Hanns Eisler, known for his collaboration with Bertolt Brecht, was a composer deeply engaged with the social and political issues of his time. This album is a testament to his enduring legacy, offering a rich tapestry of musical experiences that resonate with both historical significance and timeless beauty. Whether you are a seasoned classical music aficionado or a curious newcomer, this album promises a rewarding and enriching listening experience.

      May 1, 20002000 Chandos Records2000 Chandos Records

      Tracks

      1. Die Mutter, Op. 25: OuvertüreHanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta
        1:23
      2. Die Mutter, Op. 25: Overture. Beginn des Jahres 1904…Hanns Eisler, Ulrike Klausen, Jörg Krause, Akim Schwesig
        0:28
      3. Die Mutter, Op. 25: I. Wie die KräheHanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta, Dorothee Labusch, Swiss Radio Choir
        4:02
      4. Die Mutter, Op. 25: I. Mit Kummer sieht die Mutter ihren Sohn…Hanns Eisler, Jörg Krause
        0:11
      5. Die Mutter, Op. 25: II. Das Lied von der SuppeHanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta, Dorothee Labusch, Swiss Radio Choir
        1:54
      6. Die Mutter, Op. 25: II. Im April 1905 hört Pelagea Wlassowa…Hanns Eisler, Jörg Krause
        0:28
      7. Die Mutter, Op. 25: III. Der zerrissene RockHanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta, Swiss Radio Choir
        2:23
      8. Die Mutter, Op. 25: III. Als es infolge des Streiks zu Verhaftungen kam…Hanns Eisler, Jörg Krause, Ulrike Klausen, Akim Schwesig
        1:00
      9. Die Mutter, Op. 25: IV. Bericht vom 1 Mai 1905Hanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta, Dorothee Labusch, Swiss Radio Choir
        1:37
      10. Die Mutter, Op. 25: IV. Pawel Wlassow ist wegen der Vorgänge…Hanns Eisler, Jörg Krause, Ulrike Klausen
        0:33
      11. Die Mutter, Op. 25: V. Lob des KommunismusHanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta, Dorothee Labusch
        2:08
      12. Die Mutter, Op. 25: V. Bei dem Lehrer Nikolai…Hanns Eisler, Jörg Krause, Ulrike Klausen, Akim Schwesig
        0:38
      13. Die Mutter, Op. 25: VI. Lob des LernensHanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta, Dorothee Labusch, Swiss Radio Choir
        1:20
      14. Die Mutter, Op. 25: VI. Pelagea Wlassowa ist im großer Sorge…Hanns Eisler, Jörg Krause
        0:09
      15. Die Mutter, Op. 25: VII. Lob eines RevolutionärsHanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta, Dorothee Labusch, Swiss Radio Choir
        2:04
      16. Die Mutter, Op. 25: VII. Pelagea Wlassowa besucht ihren Sohn…Hanns Eisler, Jörg Krause
        0:05
      17. Die Mutter, Op. 25: VIII. Im Gefängnis zu singenHanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta, Furio Zanasi
        3:46
      18. Die Mutter, Op. 25: VIII. Den Anleitungen entsprechend…Hanns Eisler, Jörg Krause
        0:12
      19. Die Mutter, Op. 25: IX. Lob der WlassowasHanns Eisler, Jörg Krause
        1:17
      20. Die Mutter, Op. 25: IX. Pelagea Wlassowa sieht ihren Sohn wieder…Hanns Eisler, Jörg Krause, Ulrike Klausen, Akim Schwesig
        0:30
      21. Die Mutter, Op. 25: X. Lob der dritten SacheHanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta, Dorothee Labusch
        2:55
      22. Die Mutter, Op. 25: X. 1910. Pawel Wlassow ist beim Versuch…Hanns Eisler, Jörg Krause
        0:11
      23. Die Mutter, Op. 25: XI. GrabredeHanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta, Swiss Radio Choir
        4:01
      24. Die Mutter, Op. 25: XI. Der Ausbruch ds Weltkrieges…Hanns Eisler, Jörg Krause, Ulrike Klausen
        0:21
      25. Die Mutter, Op. 25: XII. Steh auf! (Die Partei ist in Gefahr)Hanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta, Furio Zanasi, Swiss Radio Choir
        1:18
      26. Die Mutter, Op. 25: XII. Pelagea Wlassowa erlebt noch die Oktoberrevolution…Hanns Eisler, Jörg Krause, Ulrike Klausen, Akim Schwesig
        1:33
      27. Die Mutter, Op. 25: XIII. Lob der DialektikHanns Eisler, Diego Fasolis, Emanuele Arciuli, Francesco Libetta, Furio Zanasi, Dorothee Labusch, Swiss Radio Choir
        4:09
      28. Four Pieces, Op. 13: I. VorspruchHanns Eisler, Diego Fasolis, Akim Schwesig, Swiss Radio Choir
        4:47
      29. Four Pieces, Op. 13: II. Gesang der BesiegtenHanns Eisler, Diego Fasolis, Swiss Radio Choir
        3:09
      30. Four Pieces, Op. 13: III. NaturbetrachtungHanns Eisler, Diego Fasolis, Swiss Radio Choir
        1:42
      31. Four Pieces, Op. 13: IV. KurfürstendammHanns Eisler, Diego Fasolis, Swiss Radio Choir
        1:59
      32. Woodburry-Liederbüchlein: I. Evening talkHanns Eisler, Diego Fasolis, Swiss Radio Choir
        1:20
      33. Woodburry-Liederbüchlein: II. I had a little nut-treeHanns Eisler, Diego Fasolis, Swiss Radio Choir
        1:02
      34. Woodburry-Liederbüchlein: V. Nach einem SprichwortHanns Eisler, Diego Fasolis, Swiss Radio Choir
        0:38
      35. Woodburry-Liederbüchlein: VI. Children's rhymeHanns Eisler, Diego Fasolis, Swiss Radio Choir
        0:55
      36. Woodburry-Liederbüchlein: VII. Little Miss MuffatHanns Eisler, Diego Fasolis, Swiss Radio Choir
        0:49
      37. Woodburry-Liederbüchlein: VIII. Four and twenty tailorsHanns Eisler, Diego Fasolis, Swiss Radio Choir
        0:50
      38. Woodburry-Liederbüchlein: XIV. I had a little DoggieHanns Eisler, Diego Fasolis, Swiss Radio Choir
        2:16
      39. Woodburry-Liederbüchlein: XVI. An der SchlafHanns Eisler, Diego Fasolis, Swiss Radio Choir
        1:34
      40. Woodburry-Liederbüchlein: XVII. Für LouHanns Eisler, Diego Fasolis, Swiss Radio Choir
        1:40
      41. Two Pieces, Op. 21: I. Litanie vom HauchHanns Eisler, Diego Fasolis, Swiss Radio Choir
        5:12
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      About Hanns Eisler

      Hanns Eisler, born in Leipzig in 1898, was a prolific German-Austrian composer whose life and work spanned continents and ideologies. Known for his unwavering commitment to his Communist beliefs, Eisler's music reflects his political convictions and his deep artistic collaboration with playwright Bertolt Brecht. His most enduring legacy is the national anthem of East Germany, a powerful testament to his ability to capture the spirit of a nation. Eisler's musical journey began under the tutelage of Arnold Schoenberg, from whom he absorbed the principles of serialism. His compositions range from expressionist works that blend humor with angst to more structured pieces that pay homage to traditional forms. Beyond his political anthems and film scores, Eisler's catalog includes a variety of chamber and vocal works, showcasing his versatility and depth as a composer. His influence endures, with the Hochschule für Musik Hanns Eisler Berlin named in his honor, celebrating his enduring impact on music education and the broader musical landscape.

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