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      1. Albums
      2. egk: französische suite nach rameau & la tentation de saint antoine - werner egk

      Egk: Französische Suite nach Rameau & La tentation de saint Antoine

      Werner EgkWerner Egk
      • 1960
      • 18 tracks
      • 42 min
      Egk: Französische Suite nach Rameau & La tentation de saint Antoine - Werner Egk
      Egk: Französische Suite nach Rameau & La tentation de saint Antoine - Werner Egk

      Tracks

      1. Suite française d'après Rameau: Le rappel des oiseauxWerner Egk, RIAS-Symphonie-Orchester, Ferenc Fricsay
        4:57
      2. Suite française d'après Rameau: Gigue en rondeauWerner Egk, RIAS-Symphonie-Orchester, Ferenc Fricsay
        1:59
      3. Suite française d'après Rameau: Les tendres plaintesWerner Egk, RIAS-Symphonie-Orchester, Ferenc Fricsay
        5:25
      4. Suite française d'après Rameau: VénitienneWerner Egk, RIAS-Symphonie-Orchester, Ferenc Fricsay
        1:14
      5. Suite française d'après Rameau: Les tourbillonsWerner Egk, RIAS-Symphonie-Orchester, Ferenc Fricsay
        2:54
      6. La tentation de saint Antoine, d'après des airs et des vers du XVIIIe siècle: Ciel ! L'univers va-t-il donc se dissoudre ? - Version for Alto and String QuartetWerner Egk, Lilian Benningsen, Koeckert Quartet
        2:02
      7. La tentation de saint Antoine, d'après des airs et des vers du XVIIIe siècle: C'étoit ainsi, c'étoit ainsi - Version for Alto and String QuartetWerner Egk, Lilian Benningsen, Koeckert Quartet
        1:09
      8. La tentation de saint Antoine, d'après des airs et des vers du XVIIIe siècle: On vit sortir d'une grotte profonde - Version for Alto and String QuartetWerner Egk, Lilian Benningsen, Koeckert Quartet
        2:38
      9. La tentation de saint Antoine, d'après des airs et des vers du XVIIIe siècle: On vit des démons de tous les cantons - Version for Alto and String QuartetWerner Egk, Lilian Benningsen, Koeckert Quartet
        1:09
      10. La tentation de saint Antoine, d'après des airs et des vers du XVIIIe siècle: Quelques-uns prirent le cochon - Version for Alto and String QuartetWerner Egk, Lilian Benningsen, Koeckert Quartet
        1:25
      11. La tentation de saint Antoine, d'après des airs et des vers du XVIIIe siècle: Sur un sopha - Version for Alto and String QuartetWerner Egk, Lilian Benningsen, Koeckert Quartet
        3:59
      12. La tentation de saint Antoine, d'après des airs et des vers du XVIIIe siècle: Ronflant comme un cochon - Version for Alto and String QuartetWerner Egk, Lilian Benningsen, Koeckert Quartet
        1:08
      13. La tentation de saint Antoine, d'après des airs et des vers du XVIIIe siècle: Courez vite, prenez le patron - Version for Alto and String QuartetWerner Egk, Lilian Benningsen, Koeckert Quartet
        1:26
      14. La tentation de saint Antoine, d'après des airs et des vers du XVIIIe siècle: Le saint, craignant de pécher - Version for Alto and String QuartetWerner Egk, Lilian Benningsen, Koeckert Quartet
        1:52
      15. La tentation de saint Antoine, d'après des airs et des vers du XVIIIe siècle: Piqué dans ce bachanal - Version for Alto and String QuartetWerner Egk, Lilian Benningsen, Koeckert Quartet
        3:36
      16. La tentation de saint Antoine, d'après des airs et des vers du XVIIIe siècle: Tel qu'un voleur, sitôt qu'il voit main forte - Version for Alto and String QuartetWerner Egk, Lilian Benningsen, Koeckert Quartet
        2:41
      17. La tentation de saint Antoine, d'après des airs et des vers du XVIIIe siècle: Ah ! Mon Dieu ! Que je l'échappe belle ! - Version for Alto and String QuartetWerner Egk, Lilian Benningsen, Koeckert Quartet
        0:50
      18. La tentation de saint Antoine, d'après des airs et des vers du XVIIIe siècle: Le démon, quoiqu'il passe pour fin - Version for Alto and String QuartetWerner Egk, Lilian Benningsen, Koeckert Quartet
        1:43
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      Album Details

      Immerse yourself in the rich, vibrant world of Werner Egk's "Französische Suite nach Rameau & La tentation de saint Antoine," a captivating blend of classical elegance and dramatic storytelling. Released in 1960 under the BNF Collection label, this album is a testament to Egk's mastery as a composer and conductor, showcasing his unique ability to weave together historical influences and contemporary expression.

      The album begins with "Französische Suite nach Rameau," a suite inspired by the works of Jean-Philippe Rameau, one of the most important French composers of the Baroque era. Egk's orchestration breathes new life into Rameau's compositions, transforming them into a lively and dynamic suite that highlights the composer's innovative approach to classical forms. Each movement, from "Le rappel des oiseaux" to "Les tourbillons," is a journey through the French musical landscape, characterized by its rhythmic vitality and harmonic richness.

      The second half of the album is dedicated to "La tentation de saint Antoine," a dramatic work based on texts and airs from the 18th century. This suite, originally composed for alto and string quartet, is a vivid retelling of the story of Saint Anthony's temptations, filled with vivid imagery and dramatic intensity. Egk's music captures the essence of the narrative, from the haunting melodies of "Ciel ! L'univers va-t-il donc se dissoudre ?" to the playful rhythms of "Ronflant comme un cochon."

      Werner Egk's "Französische Suite nach Rameau & La tentation de saint Antoine" is a compelling exploration of the intersection between past and present, tradition and innovation. With its engaging melodies, rich harmonies, and dramatic storytelling, this album is a must-listen for anyone interested in the evolution of classical music. Whether you're a seasoned classical enthusiast or a newcomer to the genre, this album offers a rewarding and enriching listening experience.

      1 januari 19601960 - BNF Collection 20151960 - BNF Collection 2015

      About Werner Egk

      Werner Egk, born Werner Joseph Mayer, was a prominent German composer known for his rich and diverse musical contributions. Born in 1901 in Auchsesheim, Bavaria, Egk's musical journey began under the tutelage of Carl Orff in Munich, where he honed his skills in composition and conducting. His early works included music for puppet plays and radio plays, showcasing his versatility and innovative spirit.

      Egk gained significant recognition with his opera "Die Zaubergeige," which became a staple in the operatic repertoire of the 1930s. His compositions often blended modernist and folk influences, creating a unique and compelling sound that resonated with audiences. Throughout his career, Egk composed operas, ballets, and radio plays, each reflecting his deep understanding of dramatic and lyrical expression.

      Despite his complex relationship with the Nazi regime, Egk's music endured, and he continued to make significant contributions to the world of classical music. His works, such as "Columbus," "Peer Gynt," and "Die Verlobung in San Domingo," are testament to his enduring legacy. Egk's music is a journey through the rich tapestry of German musical tradition, infused with a modernist edge that keeps it fresh and engaging. His compositions are not just pieces of music but windows into a world of dramatic storytelling and emotional depth.

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      Werner Egk

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