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      1. Albums
      2. deutsche barockmusik: serie b. klavier, orgel und laute - johann kuhnau

      Deutsche Barockmusik: Serie B. Klavier, Orgel und Laute

      Johann KuhnauJohann Kuhnau
      • 1957
      • 20 tracks
      • 42 min
      • choral
      Deutsche Barockmusik: Serie B. Klavier, Orgel und Laute - Johann Kuhnau
      Deutsche Barockmusik: Serie B. Klavier, Orgel und Laute - Johann Kuhnau

      Album Details

      Immerse yourself in the rich tapestry of Baroque music with Johann Kuhnau's "Deutsche Barockmusik: Serie B. Klavier, Orgel und Laute." Released in 1957 under the BNF Collection label, this choral masterpiece spans 42 minutes of captivating compositions that transport you back to the 17th and 18th centuries.

      Kuhnau, a prominent figure in German music history and predecessor to Johann Sebastian Bach as the Thomaskantor in Leipzig, showcases his virtuosity through a series of biblical sonatas. The album is divided into three distinct sonatas, each telling a unique story through music. The first sonata, "Der Streit zwischen David und Goliath," vividly depicts the biblical tale of David and Goliath, from the Philistines' taunts to the Israelites' jubilation. The fourth sonata, "Der Todkranke und wieder gesunde Hiskias," explores the emotional journey of King Hezekiah's illness and recovery. The third sonata, "Jakobs Heirat," narrates the story of Jacob's marriage, complete with the joyous celebrations and the eventual revelation of Laban's deception.

      Each sonata is a journey through the human experience, capturing moments of joy, sorrow, and triumph. Kuhnau's compositions are not only a testament to his musical prowess but also a reflection of the cultural and religious themes prevalent in Baroque Germany. The album is a treasure trove for those interested in the history of music, offering a glimpse into the lives and stories that inspired these timeless pieces. Whether you're a seasoned enthusiast of Baroque music or a curious newcomer, Kuhnau's "Deutsche Barockmusik" promises a deeply enriching listening experience.

      1 januari 19571957 - BNF Collection 20131957 - BNF Collection 2013

      Tracks

      1. Biblische Sonate No. 1 "Der Streit zwischen David und Goliath": I. Das Pochen und rotzen des GoliathsJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        2:06
      2. Biblische Sonate No. 1 "Der Streit zwischen David und Goliath": II. Das Zittern der Israeliten und ihr Gebet zu GottJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        1:54
      3. Biblische Sonate No. 1 "Der Streit zwischen David und Goliath": III. Die Herzhaftigkeit Davids desen begierde dem Riesen stolzen Mut zu brechenJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        1:30
      4. Biblische Sonate No. 1 "Der Streit zwischen David und Goliath": IV. Die zwischen David und Goliath gewechselte StreitworteJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        1:22
      5. Biblische Sonate No. 1 "Der Streit zwischen David und Goliath": V. Die Flucht der Phylister in gleichem die Israeliten nachjagenJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        1:08
      6. Biblische Sonate No. 1 "Der Streit zwischen David und Goliath": VI. Das frohe Locken der Israeliten über diesem SiegeJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        1:31
      7. Biblische Sonate No. 1 "Der Streit zwischen David und Goliath": VII. Das über dem Lobe David's von deren Weibern gorweisse musizierte KonzerteJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        1:31
      8. Biblische Sonate No. 1 "Der Streit zwischen David und Goliath": VIII. Und endlich die Allgemeine in lautem tanzen und springen sich äussernde FreudeJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        1:33
      9. Biblische Sonate No. 4 "Der Todkranke und wieder gesunde Hiskias": I. Das betrübte Herz des Königs Hiskias über der TodespostJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        4:05
      10. Biblische Sonate No. 4 "Der Todkranke und wieder gesunde Hiskias": II. Sein Vertrauen das Gott sein Gebete schon erhört habeJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        2:23
      11. Biblische Sonate No. 4 "Der Todkranke und wieder gesunde Hiskias": III. Die Freude über seiner GenesungJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        2:11
      12. Biblische Sonate No. 3 "Jakobs Heirat": I. Die Freude des ganzen Hause Labans über die Ankunft des lieben Väter JakobsJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        3:15
      13. Biblische Sonate No. 3 "Jakobs Heirat": II. Jakob's durch den verliebten Scherz erleichterte DienstbarkeitJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        4:14
      14. Biblische Sonate No. 3 "Jakobs Heirat": III. Desen Hochzeit die Glückwünsche und das von der Reihe gespielene, gesungene BrautliedJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        1:27
      15. Biblische Sonate No. 3 "Jakobs Heirat": IV. Hochzeitsfeier und herzlichen GlückwunschJohann Kuhnau, Fritz Neumeyer
        1:35
      16. Biblische Sonate No. 3 "Jakobs Heirat": V. Den Betrug Labans da er den ehrlichen Väter Bräutigam anstatt der Rahel leer an die Seite legtJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        5:06
      17. Biblische Sonate No. 3 "Jakobs Heirat": VI. Den in der Hochzeitsnacht vergnügten BräutigamJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        0:43
      18. Biblische Sonate No. 3 "Jakobs Heirat": VII. Jakob spürt UnglückJohann Kuhnau, Fritz Neumeyer
        1:38
      19. Biblische Sonate No. 3 "Jakobs Heirat": VIII. Jakob's verdruss über den BetrugeJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        1:20
      20. Biblische Sonate No. 3 "Jakobs Heirat": IX. Jakobs neue Hochzeitsfreude oder die Reprise des VorrigenJohann Kuhnau, Fritz Neumeyer, Fritz Uhlenbruch
        1:47
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      About Johann Kuhnau

      Johann Kuhnau was a remarkable German polymath whose legacy endures primarily through his compositions, though his talents extended far beyond music. As the Thomaskantor in Leipzig for 21 years, Kuhnau wore many hats—novelist, translator, lawyer, and music theorist—all while creating a rich tapestry of choral works. Today, he is best remembered for his Biblical Sonatas, a collection of programmatic keyboard sonatas published in 1700. Each sonata vividly depicts a specific biblical story, showcasing Kuhnau's unique ability to blend narrative and music. His tenure at Leipzig was followed by the illustrious Johann Sebastian Bach, cementing his place in musical history. Despite the loss of many of his larger vocal works, Kuhnau's innovative approach to musical storytelling continues to captivate audiences and inspire musicians.

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