"Der Mann im Fahrstuhl" is a captivating avant-garde album by Heiner Goebbels, released under the prestigious ECM Records label on November 7, 1988. This intriguing work is a unique collaboration between Goebbels and the renowned German dramatist Heiner Müller, blending experimental sounds with contemporary jazz elements. Recorded in March 1988 at Sound on Sound Recording Inc. in New York, the album features a high-caliber ensemble that brings Müller's dramatic text to life through innovative soundscapes and musical improvisation.
The album's 21 tracks, spanning a total of 42 minutes, weave a narrative around an employee's journey to see his boss, culminating in an unexpected destination in Peru. Each track, with its evocative German titles, contributes to the overarching story, creating a cohesive and immersive listening experience. From the eerie "In einem alten Fahrstuhl" to the introspective "Allein im Fahrstuhl," and the haunting "Sein Selbstmord," the album explores themes of isolation, speculation, and existential reflection. The inclusion of tracks like "No Taboleiro De Baiana" and "Fita Nos Meus Olhos" adds a layer of cultural richness, hinting at the global influences that shape the narrative.
Heiner Goebbels, known for his work with the avant-garde group Spontaneous Music Ensemble, brings his unique musical vision to this project, crafting an album that is as thought-provoking as it is sonically engaging. The collaboration with Heiner Müller results in a work that is both a literary and musical achievement, pushing the boundaries of what an album can be. "Der Mann im Fahrstuhl" is a testament to the power of interdisciplinary art, where words and sounds intertwine to create a compelling and unforgettable experience.
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