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      1. Albums
      2. debussy: jeux, poème dancé; stravinsky: jeu de cartes; milhaud: le carnaval d'aix, op. 83b; weber: aufforderung zum tanz op. 65 - bruno maderna

      Debussy: Jeux, Poème Dancé; Stravinsky: Jeu De Cartes; Milhaud: Le Carnaval d'Aix, Op. 83b; Weber: Aufforderung Zum Tanz Op. 65

      Bruno MadernaBruno Maderna
      • 1992
      • 18 tracks
      • 1 uur, 11 min
      • avant-garde
      Debussy: Jeux, Poème Dancé; Stravinsky: Jeu De Cartes; Milhaud: Le Carnaval d'Aix, Op. 83b; Weber: Aufforderung Zum Tanz Op. 65 - Bruno Maderna
      Debussy: Jeux, Poème Dancé; Stravinsky: Jeu De Cartes; Milhaud: Le Carnaval d'Aix, Op. 83b; Weber: Aufforderung Zum Tanz Op. 65 - Bruno Maderna

      Album Details

      Bruno Maderna's 1992 album is a captivating journey through the avant-garde genre, showcasing his mastery as a conductor and his deep understanding of diverse musical styles. This album is a compilation of works by different composers, each bringing a unique flavor to the collection. The album opens with Claude Debussy's "Jeux, Poème Dancé," a piece that exemplifies Debussy's impressionistic style, followed by Igor Stravinsky's "Jeu De Cartes," a composition that highlights Stravinsky's innovative approach to rhythm and structure. Darius Milhaud's "Le Carnaval d'Aix, Op. 83b" adds a touch of French charm with its lively and colorful character pieces, while Carl Maria von Weber's "Aufforderung Zum Tanz Op. 65" rounds off the album with a romantic waltz. With a total duration of 1 hour and 11 minutes, this album is a testament to Maderna's versatility and the richness of the avant-garde genre.

      June 1, 1992© 2024 Nar International Srl su licenza di Nikolaos Velissiotis℗ 1992 Nar International S.r.l. Su Licenza Nikolaos Velissiotis

      Tracks

      1. Jeux, Poème Dancé CD 133, ICD 40Claude Debussy, Bruno Maderna, Sinfonie Orchester des Südwestfunk Baden-Baden, Orchestre Phiharmonique de Radio France, Radio Sinfonie Orchester Berlin
        20:02
      2. Jeux de Cartes, K059, IIS 48: 1. Introduction - Pas d'action - Danse du Joker - Valse - CodaIgor Stravinsky, Bruno Maderna, Sinfonie Orchester des Südwestfunk Baden-Baden, Orchestre Phiharmonique de Radio France, Radio Sinfonie Orchester Berlin, Sinfonie Orchester das Saarlandichen Rundfunks
        5:32
      3. Jeux de Cartes, K059, IIS 48: 2. Introduction - Variations - FinaleIgor Stravinsky, Bruno Maderna, Sinfonie Orchester des Südwestfunk Baden-Baden, Orchestre Phiharmonique de Radio France, Radio Sinfonie Orchester Berlin, Sinfonie Orchester das Saarlandichen Rundfunks
        8:55
      4. Jeux de Cartes, K059, IIS 48: 3. Introduction - Valse menuet - Presto (combat entre les Piques et les Cœurs) - Dance finale (trionfe des Cœurs)Igor Stravinsky, Sinfonie Orchester des Saarlandischen Rundfunks, Bruno Maderna, Sinfonie Orchester das Saarlandichen Rundfunks
        7:56
      5. Le Carnaval d'Aix Op. 83b, IDM 68: 1. Le CorsoDarius Milhaud, Orchestra Sinfonica di Roma della RAI, Bruno Maderna, Massimo Bogiankino
        1:18
      6. Le Carnaval d'Aix Op. 83b, IDM 68: 2. TartagliaDarius Milhaud, Orchestra Sinfonica di Roma della RAI, Bruno Maderna, Massimo Bogiankino
        1:19
      7. Le Carnaval d'Aix Op. 83b, IDM 68: 3. IsabellaDarius Milhaud, Orchestra Sinfonica di Roma della RAI, Bruno Maderna, Massimo Bogiankino
        1:37
      8. Le Carnaval d'Aix Op. 83b, IDM 68: 4. RosettaDarius Milhaud, Orchestra Sinfonica di Roma della RAI, Bruno Maderna, Massimo Bogiankino
        1:56
      9. Le Carnaval d'Aix Op. 83b, IDM 68: 5. Le Bon et le MauvaisDarius Milhaud, Orchestra Sinfonica di Roma della RAI, Bruno Maderna, Massimo Bogiankino
        1:56
      10. Le Carnaval d'Aix Op. 83b, IDM 68: 6. TuteurDarius Milhaud, Orchestra Sinfonica di Roma della RAI, Bruno Maderna, Massimo Bogiankino
        0:33
      11. Le Carnaval d'Aix Op. 83b, IDM 68: 7. CovielloDarius Milhaud, Orchestra Sinfonica di Roma della RAI, Bruno Maderna, Massimo Bogiankino
        2:52
      12. Le Carnaval d'Aix Op. 83b, IDM 68: 8. Capitan CartucciaDarius Milhaud, Orchestra Sinfonica di Roma della RAI, Bruno Maderna, Massimo Bogiankino
        0:29
      13. Le Carnaval d'Aix Op. 83b, IDM 68: 9. PolichinelleDarius Milhaud, Orchestra Sinfonica di Roma della RAI, Bruno Maderna, Massimo Bogiankino
        1:24
      14. Le Carnaval d'Aix Op. 83b, IDM 68: 10. PolkaDarius Milhaud, Orchestra Sinfonica di Roma della RAI, Bruno Maderna, Massimo Bogiankino
        1:34
      15. Le Carnaval d'Aix Op. 83b, IDM 68: 11. Souvenir de Rio (Tango)Darius Milhaud, Orchestra Sinfonica di Roma della RAI, Bruno Maderna, Massimo Bogiankino
        1:46
      16. Le Carnaval d'Aix Op. 83b, IDM 68: 12. CinzioDarius Milhaud, Orchestra Sinfonica di Roma della RAI, Bruno Maderna, Massimo Bogiankino
        0:39
      17. Le Carnaval d'Aix Op. 83b, IDM 68: 13. FinaleDarius Milhaud, Orchestra Sinfonica di Roma della RAI, Bruno Maderna, Massimo Bogiankino
        1:21
      18. Aufforderung zum Tanze in D-Flat Major, Op. 65, ICW 6Carl Maria von Weber, Sinfonie Orchester des Saarlandischen Rundfunk, Bruno Maderna, Sinfonie Orchester das Saarlandichen Rundfunks
        10:27
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      About Bruno Maderna

      Bruno Maderna, born Bruno Grossato in Venice in 1920, was a multifaceted Italian composer and conductor whose contributions to avant-garde music are both profound and often underappreciated. Maderna began his musical journey as a child prodigy on the violin, later studying composition under the renowned Gian Francesco Malipiero. His career spanned conducting and composing, with a repertoire that ranged from Baroque masters like Monteverdi to contemporary figures like Ligeti, and his own innovative works.

      Maderna's compositions often blended tradition with modernity, reflecting his deep respect for older musical forms while pushing the boundaries of contemporary music. His works, such as "Quadrivium," "Aura," and "Amanda," showcase his unique ability to create intricate and evocative soundscapes. As a conductor, Maderna was known for his versatility and insight, leading orchestras around the world and championing both established and new compositions. His legacy endures through his influential role in the Darmstadt Summer Course and his enduring compositions, which continue to inspire and challenge musicians and audiences alike.

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      Bruno Maderna