De Lalande: De profundis - Lully: Dies irae

Martha Angelici's 1956 release, "De Lalande: De profundis - Lully: Dies irae," is a captivating blend of opera and Gregorian chant, showcasing her extraordinary vocal prowess and interpretive depth. This album, released under the BNF Collection label, spans a concise yet impactful 51 minutes, offering a profound exploration of sacred music.

The album is divided into two distinct parts, each highlighting the work of a different composer. The first part features the "De profundis" by Michel-Richard de Lalande, a series of moving and introspective pieces that delve into themes of penitence and redemption. Angelici's performance is marked by its clarity and emotional resonance, bringing a sense of intimacy and reverence to these sacred texts.

The second part of the album presents "Dies irae" by Jean-Baptiste Lully, a dramatic and powerful setting of the traditional Latin sequence for the dead. Angelici's commanding presence and technical precision shine in these pieces, which range from the fierce and fiery to the tender and supplicating. Her ability to navigate the complex emotional landscape of these works is truly remarkable.

Throughout the album, Angelici's voice is a constant source of fascination, whether she is delivering the intricate vocal lines of the operatic sections or the pure, unadorned tones of the Gregorian chants. Her performances are supported by a sensitive and nuanced accompaniment, which enhances the overall impact of the music.

For fans of classical vocal music, this album is a treasure trove of beautiful and thought-provoking performances. Angelici's artistry and the timeless quality of the music make this a recording that will be cherished by listeners for years to come.