Danza paraguaya

Immerse yourself in the enchanting world of classical guitar with "Danza paraguaya," a captivating album by the legendary Agustín Barrios Mangoré. Released on June 5, 2020, this collection of 16 tracks showcases the virtuosity and depth of Barrios Mangoré's compositions, each piece a testament to his mastery of the guitar and his rich cultural heritage.

The album opens with "Sargento Cabral," a piece that sets the tone for the intricate and melodic journey that follows. Tracks like "Maxixa" and "Chôro de saudade" highlight Barrios Mangoré's ability to blend traditional Paraguayan rhythms with classical guitar techniques, creating a unique and captivating sound. The "Leyenda guaraní" series, consisting of four movements, offers a profound exploration of Guaraní folklore, each piece more enchanting than the last.

"Danza paraguaya," the title track, is a standout piece that has been performed and recorded by numerous artists, underscoring its enduring appeal. Other notable tracks include "Waltz, Op. 8 No. 3" and "Walzer, Op. 8 No. 4," which showcase Barrios Mangoré's skill in composing elegant and sophisticated waltzes.

The album spans a duration of one hour and one minute, providing a comprehensive overview of Barrios Mangoré's artistic vision. Whether you're a seasoned fan of classical guitar or a newcomer to the genre, "Danza paraguaya" offers a rich and rewarding listening experience. The album is released under the Musicaphon label, ensuring high-quality production and presentation.

Agustín Barrios Mangoré, born Agustín Pío Barrios, was a Paraguayan virtuoso classical guitarist and composer, celebrated as one of the greatest performers and most prolific composers for the guitar. Born in 1885 in San Juan Bautista de las Misiones, Paraguay, Barrios' musical journey began at a young age, and by 18, he was already touring and recording, a pioneer in making recordings as early as 1910. His extensive repertoire includes over 300 compositions, showcasing his folk, imitative, and religious styles, with iconic pieces like "La Catedral" and "Una Limosna por el Amor de Dios."

Barrios' performances throughout Latin America and Europe in the 1930s solidified his reputation as a guitar virtuoso. He created the alter ego Chief Nitsuga Mangoré, a nod to his indigenous heritage, and his stunning virtuosity and musicality captivated audiences. Despite his prominence during his time, Barrios' compositions and recordings remained largely unknown internationally for decades after his death in 1944. It was not until the 1970s that his work gained wider recognition, thanks to advocates like John Williams and Laurindo Almeida, who helped bring Barrios' genius to a global audience. His legacy continues to inspire guitarists and music enthusiasts worldwide, with his compositions remaining a staple in the classical guitar repertoire.

Danza paraguaya

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