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      1. Albums
      2. dallapiccola: odysseus - luigi dallapiccola

      Dallapiccola: Odysseus

      Luigi DallapiccolaLuigi Dallapiccola
      • 2019
      • 25 tracks
      • 2 uur, 31 min
      • choral
      Dallapiccola: Odysseus - Luigi Dallapiccola
      Dallapiccola: Odysseus - Luigi Dallapiccola

      Album Details

      Immerse yourself in the captivating world of Luigi Dallapiccola's "Odysseus," a monumental choral work that reimagines Homer's epic through a modernist lens. Released on May 3, 2019, under the Stradivarius label, this two-and-a-half-hour masterpiece is a testament to Dallapiccola's innovative compositional style and his profound engagement with classical mythology.

      Sung entirely in German, "Odysseus" is divided into two acts, preceded by a three-part prologue that sets the stage for the hero's journey. The album features a symphonic interlude and a variety of vocal performances that bring to life the characters and events of the Odyssey, from the enchanting Nausikaa to the vengeful Poseidon. The libretto, also by Dallapiccola, is a poetic and dramatic retelling that captures the essence of the original Greek epic while adding a unique, 20th-century perspective.

      The album showcases the power and versatility of the choral form, with intricate harmonies, rhythmic complexity, and a rich orchestration that underscores the dramatic narrative. Dallapiccola's use of serialism and his exploration of tonality create a sound world that is both challenging and deeply expressive.

      Performed by the Orchester der Deutschen Oper Berlin under the direction of Lorin Maazel, with soloists Erik Saedén and Helmut Melchert, this recording brings together a stellar cast of musicians to do justice to Dallapiccola's ambitious score. The album also includes a bonus track, "About Odysseus (A Conversation with Luigi Dallapiccola)," a fascinating conversation that provides context and insight into the composer's creative process.

      "Odysseus" is not just a retelling of a classic tale but a profound exploration of themes such as homecoming, identity, and the human condition. Dallapiccola's work stands as a significant contribution to the choral and operatic repertoire, blending myth and modernity in a way that resonates with contemporary audiences. Whether you are a fan of choral music, opera, or simply a lover of great storytelling, "Odysseus" offers a rich and rewarding listening experience.

      May 3, 2019(C) 2019 Stradivarius(P) 2019 Stradivarius

      Tracks

      1. Odysseus, Prologue, Pt. 1 "Kalypso" (Sung in German): Wie einsam und wieder einsamLuigi Dallapiccola, Annabelle Bernard, Orchester der Deutschen Oper Berlin, Lorin Maazel
        7:04
      2. Odysseus, Prologue, Pt. 2 "Poseidon" (Sung in German): Symphonic InterludeLuigi Dallapiccola, Orchester der Deutschen Oper Berlin, Lorin Maazel
        1:54
      3. Odysseus, Prologue, Pt. 3 "Nausikaa" (Sung in German): Nausikaa! Nausikaa! Stets bist du FrölichLuigi Dallapiccola, Gitta Mikes, Helga Wisniewaska, Catherine Gayer, Orchester der Deutschen Oper Berlin, Lorin Maazel, Chor der Deutschen Oper Berlin
        6:57
      4. Odysseus, Prologue, Pt. 3 "Nausikaa" (Sung in German): Diese war der Gemahl, den ich mir träumteLuigi Dallapiccola, Catherine Gayer, Erik Saeden, Orchester der Deutschen Oper Berlin, Lorin Maazel
        4:25
      5. Odysseus, Act I (Sung in German): Ehe es spät zur Nacht istLuigi Dallapiccola, Victor von Halem, Helmut Melchert, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel
        2:12
      6. Odysseus, Act I (Sung in German): Wenn auch noch so bitter die HeimkehrLuigi Dallapiccola, Helmut Melchert, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel
        6:53
      7. Odysseus, Act I (Sung in German): Hab's wohl gesehen, du fremdenLuigi Dallapiccola, Victor von Halem, Erik Saeden, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel
        2:19
      8. Odysseus, Act I (Sung in German): Land! Land! Doch nicht das UferLuigi Dallapiccola, Erik Saeden, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel
        13:23
      9. Odysseus, Act I (Sung in German): O, schaunen, o dann erstaunen, und meut wieder schaunenLuigi Dallapiccola, Erik Saeden, Jean Madeira, Orchester der Deutschen Oper Berlin, Lorin Maazel
        12:31
      10. Odysseus, Act I (Sung in German): Tränen nur...Weinen und ReueLuigi Dallapiccola, Erik Saeden, Hildegard Hillebrecht, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel
        13:38
      11. Odysseus, Act I (Sung in German): Set nier TiresiasLuigi Dallapiccola, Helmut Melchert, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel
        5:45
      12. Odysseus, Act I (Sung in German): Wie sah doch Klaheit wei in meine ZukunftLuigi Dallapiccola, Erik Saeden, Victor von Halem, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel
        6:09
      13. Odysseus, Act II (Sung in German): Nichts auf dem MeereLuigi Dallapiccola, Ernst Krukowski, José van Dam, Karl Ernst Mercker, Jean Madeira, Loren Driscoll, Orchester der Deutschen Oper Berlin, Lorin Maazel
        4:38
      14. Odysseus, Act II (Sung in German): Hassen und Wüten erfült ringsum allesLuigi Dallapiccola, Loren Driscoll, Erik Saeden, Jean Madeira, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel
        4:33
      15. Odysseus, Act II (Sung in German): Geh nur, geh nur ins Tal schonLuigi Dallapiccola, Loren Driscoll, Erik Saeden, Orchester der Deutschen Oper Berlin, Lorin Maazel
        2:43
      16. Odysseus, Act II (Sung in German): Telemachos! Telemachos!Luigi Dallapiccola, Loren Driscoll, Barbara Scherler, Erik Saeden, Orchester der Deutschen Oper Berlin, Lorin Maazel
        2:50
      17. Odysseus, Act II (Sung in German): Doch ringsum über all BlutLuigi Dallapiccola, Erik Saeden, Annabelle Bernard, Orchester der Deutschen Oper Berlin, Lorin Maazel
        5:51
      18. Odysseus, Act II (Sung in German): Frölich, frölich, lustig soll diese Nacht sein!Luigi Dallapiccola, Ernst Krukowski, Jean Madeira, Annabelle Bernard, Orchester der Deutschen Oper Berlin, Lorin Maazel
        2:38
      19. Odysseus, Act II (Sung in German): Meinen Anruf vernahmst du Kirke!Luigi Dallapiccola, Erik Saeden, Ernst Krukowski, Jean Madeira, Orchester der Deutschen Oper Berlin, Lorin Maazel
        2:59
      20. Odysseus, Act II (Sung in German): Auf die Freudel! Seid alle frölichLuigi Dallapiccola, Jean Madeira, Karl Ernst Mercker, José van Dam, Ernst Krukowski, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel
        5:23
      21. Odysseus, Act II (Sung in German): Melanthos TanzLuigi Dallapiccola, Orchester der Deutschen Oper Berlin, Lorin Maazel
        2:36
      22. Odysseus, Act II (Sung in German): Telemachos!Luigi Dallapiccola, Ernst Krukowski, Barbara Scherler, José van Dam, Karl Ernst Mercker, Erik Saeden, Annabelle Bernard, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Lorin Maazel
        4:38
      23. Odysseus, Act II (Sung in German): Symphonic InterludeLuigi Dallapiccola, Orchester der Deutschen Oper Berlin, Lorin Maazel
        2:34
      24. Odysseus, Act II (Sung in German): Nein, nicht Furien sind esLuigi Dallapiccola, Erik Saeden, Orchester der Deutschen Oper Berlin, Lorin Maazel
        8:54
      25. About Odysseus (A Conversation with Lugi Dallapiccola)Luigi Dallappicola
        17:44
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      About Luigi Dallapiccola

      Luigi Dallapiccola, born in 1904 in Pisino d'Istria, now part of Croatia, was an Italian composer renowned for his unique blend of disciplined twelve-tone technique and deeply emotional expression. His lyrical compositions, often choral, stand out for their warm, evocative qualities, making them standouts in the 20th-century classical music landscape. Dallapiccola's journey began in the culturally rich region of Istria, then part of the Austro-Hungarian Empire, and his experiences there deeply influenced his musical language. After studying at the Florence Conservatory, he went on to create a body of work that protests against totalitarianism and celebrates the human spirit, culminating in powerful pieces like "The Prisoner." Dallapiccola's music is not just an auditory experience but a voyage through his personal history and the cultural crossroads of his time. His legacy continues to inspire and move audiences worldwide.

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