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      1. Albums
      2. corrette : six concertos pour orgue, op. 26 - michel corrette

      Corrette : Six concertos pour orgue, Op. 26

      Michel CorretteMichel Corrette
      • 2004
      • 24 tracks
      • 1 uur, 19 min
      Corrette : Six concertos pour orgue, Op. 26 - Michel Corrette
      Corrette : Six concertos pour orgue, Op. 26 - Michel Corrette

      Album Details

      Immerse yourself in the rich, baroque world of Michel Corrette with his masterful collection, "Six concertos pour orgue, Op. 26." Released on September 30, 2004, under the Ligia label, this album is a testament to Corrette's virtuosity and his significant contributions to French Baroque music. Spanning a generous 79 minutes, this album is a comprehensive journey through Corrette's Op. 26 concertos and selected pieces from his Premier Livre de Pièces pour le Clavecin, Op. 12.

      Corrette's concertos are known for their intricate structures and lively rhythms, showcasing the organ's full range and expressive capabilities. The album opens with the spirited Allegro of Concerto No. 1 en Sol Majeur, Op. 26, and continues through a series of movements that highlight Corrette's mastery of the concerto form. Each concerto is a distinct entity, yet they collectively form a cohesive whole, demonstrating Corrette's ability to balance variety and unity.

      Interspersed among the concertos are enchanting pieces from Corrette's Premier Livre de Pièces pour le Clavecin. These include the whimsical "Les Amants enchantés" and the lively "Feste Sauvage," offering a delightful contrast to the concertos and showcasing Corrette's versatility as a composer.

      Whether you're a seasoned enthusiast of Baroque music or a newcomer eager to explore the genre, Michel Corrette's "Six concertos pour orgue, Op. 26" promises an engaging and enriching listening experience. The album is a celebration of Corrette's musical genius, offering a glimpse into the opulent and expressive world of French Baroque music.

      September 30, 20042004 Ligia2004 Ligia

      Tracks

      1. Concerto No. 1 en Sol Majeur, Op. 26: I. AllegroMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        2:57
      2. Concerto No. 1 en Sol Majeur, Op. 26: II. Gavota 1 (Andante) / Gavota 2Michel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        4:27
      3. Concerto No. 1 en Sol Majeur, Op. 26: III. AllegroMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        4:44
      4. Premier Livre de Pièces pour le Clavecin, Op. 12, Suite No. 1 en Sol Majeur: IV. Les Amants enchantésMichel Corrette, Olivier Vernet
        2:57
      5. Concerto No. 2 en La Majeur, Op. 26: I. AllegroMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        2:25
      6. Concerto No. 2 en La Majeur, Op. 26: II. AdagioMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        3:28
      7. Concerto No. 2 en La Majeur, Op. 26: III. Giga (Allegro)Michel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        3:44
      8. Premier Livre de Pièces pour le Clavecin, Op. 12, Suite No. 1 en Sol Majeur: V. Feste SauvageMichel Corrette, Olivier Vernet
        2:05
      9. Concerto No. 3 en Ré Majeur, Op. 26: I. AllegroMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        3:04
      10. Concerto No. 3 en Ré Majeur, Op. 26: II. Aria (Andante)Michel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        2:52
      11. Concerto No. 3 en Ré Majeur, Op. 26: III. AdagioMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        1:03
      12. Concerto No. 3 en Ré Majeur, Op. 26: IV. AllegroMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        4:59
      13. Premier Livre de Pièces pour le Clavecin, Op. 12, Suite No. 1 en Sol Majeur: VII. Le CourierMichel Corrette, Olivier Vernet
        1:58
      14. Concerto No. 4 en Ut Majeur, Op. 26: I. AllegroMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        3:38
      15. Concerto No. 4 en Ut Majeur, Op. 26: II. Andante - AriaMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        4:05
      16. Concerto No. 4 en Ut Majeur, Op. 26: III. AllegroMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        3:17
      17. Premier Livre de Pièces pour le Clavecin, Op. 12, Suite No. 3 en Fa Majeur: Les EtoilesMichel Corrette, Olivier Vernet
        2:28
      18. Concerto No. 5 en Fa Majeur, Op. 26: I. AllegroMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        2:48
      19. Concerto No. 5 en Fa Majeur, Op. 26: II. Aria (Andante. Variazione)Michel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        8:11
      20. Concerto No. 5 en Fa Majeur, Op. 26: III. AllegroMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        4:16
      21. Premier Livre de Pièces pour le Clavecin, Op. 12, Suite No. 4 en La Mineur: Les FanatiquesMichel Corrette, Olivier Vernet
        1:55
      22. Concerto No. 6 en Ré Mineur, Op. 26: I AllegroMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        2:46
      23. Concerto No. 6 en Ré Mineur, Op. 26: II AndanteMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        2:51
      24. Concerto No. 6 en Ré Mineur, Op. 26: III PrestoMichel Corrette, Olivier Vernet, Lachrimae Consort, Philippe Foulon
        2:49
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      About Michel Corrette

      Michel Corrette (1707–1795) was a prolific French composer and organist whose inventive and tuneful music continues to captivate audiences today. Known for his imaginative compositions, Corrette's works span a variety of genres, including concertos, sonatas, and harpsichord pieces. His prolific output includes notable works such as 'Concerto Le Phenix' for four bassoons and 'Sonatas for Harpsichord and Violin Op. 25'. Corrette's contributions extend beyond composition; he was also an esteemed author of musical method books, standing alongside renowned figures like Geminiani, C.P.E. Bach, Quantz, and Tartini. His compositions, characterised by their inventiveness and melodic richness, offer a delightful journey into the French Baroque era, making him a significant figure in the world of classical music.

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      Michel Corrette

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