Sam Rivers' "Contours," released in January 1967, is a seminal work that bridges the gap between hard bop and free jazz, showcasing the saxophonist and flautist's innovative approach to composition and performance. Recorded on May 21, 1965, at the legendary Van Gelder Studio in Englewood Cliffs, NJ, the album was initially held back from release until Blue Note Records' sale to Liberty two years later. This delay only adds to the intrigue and historical significance of "Contours."
The album features five tracks, including the standout pieces "Point of Many Returns" and "Dance of the Tripedal," which highlight Rivers' mastery of both structured and improvisational playing. "Mellifluous Cacophony" appears twice, once as the original take and once as an alternate take, offering a unique glimpse into Rivers' creative process. The album's blend of avant-garde and traditional jazz elements makes it a captivating listen from start to finish.
"Contours" is a testament to Sam Rivers' versatility and his pivotal role in the evolution of jazz. The album's intricate compositions and dynamic performances make it a standout release in Rivers' discography and a key work in the broader jazz canon. Whether you're a longtime fan of Rivers or a newcomer to his music, "Contours" offers a rich and rewarding experience that highlights the best of his artistic vision.
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