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      1. Albums
      2. consolatio - bach: cantatas nos. 22, 75 & 127 - johann sebastian bach

      Consolatio - Bach: Cantatas Nos. 22, 75 & 127

      Johann Sebastian BachJohann Sebastian Bach
      • 2018
      • 24 tracks
      • 1 uur, 6 min
      • classical
      Consolatio - Bach: Cantatas Nos. 22, 75 & 127 - Johann Sebastian Bach
      Consolatio - Bach: Cantatas Nos. 22, 75 & 127 - Johann Sebastian Bach

      Album Details

      Immerse yourself in the timeless mastery of Johann Sebastian Bach with the album "Consolatio - Bach: Cantatas Nos. 22, 75 & 127." Released on February 16, 2018, under the Mirare label, this collection showcases the profound depth and spiritual resonance of Bach's sacred cantatas. Spanning a duration of 1 hour and 6 minutes, the album features 24 tracks that encapsulate the essence of Bach's religious compositions, performed with exquisite artistry and historical authenticity.

      The album presents a selection of Bach's cantatas, each a masterpiece in its own right. Cantata BWV 75, "Die Elenden sollen essen," is a two-part work that explores themes of humility, faith, and divine providence. The cantata opens with a powerful chorus and unfolds through a series of recitatives, arias, and chorales, each section revealing the intricate interplay of vocal and instrumental elements that define Bach's genius.

      Cantata BWV 22, "Jesus nahm zu sich die Zwölfe," is a poignant reflection on faith and devotion. The cantata begins with a concerto-like movement and includes a series of arias and recitatives that delve into the spiritual journey of the believer. The final chorale, "Ertöt uns durch dein Güte," serves as a powerful conclusion, encapsulating the cantata's themes of redemption and grace.

      Cantata BWV 127, "Herr Jesu Christ, wahr' Mensch und Gott," completes the album with its profound exploration of faith and divine mercy. The cantata opens with a stirring chorus and includes a series of arias and recitatives that highlight Bach's ability to convey deep spiritual truths through music. The final chorale, "Ach Herr, vergib all unsre Schuld," brings the cantata to a solemn and reflective close.

      "Consolatio - Bach: Cantatas Nos. 22, 75 & 127" is a testament to Johann Sebastian Bach's enduring legacy as one of the greatest composers in history. This album offers a profound and moving experience, inviting listeners to explore the rich tapestry of Bach's sacred music and the timeless messages of faith and devotion that it conveys. Whether you are a seasoned classical music enthusiast or a newcomer to Bach's works, this album is sure to captivate and inspire.

      16 februari 20182017 Mirare2017 Mirare

      Tracks

      1. Cantata, BWV 75 "Die Elenden sollen essen", Prima parte: I. Chorus. Die Elenden sollen essenJohann Sebastian Bach, Hannah Morrison, Carlos Mena, Hans-Jörg Mammel, Matthias Vieweg, Ricercar Consort, Philippe Pierlot
        4:33
      2. Cantata, BWV 75 "Die Elenden sollen essen", Prima parte: II. Recitativo. Was hilft des Purpurs Majestät (Bass)Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Mathias Vieweg
        0:58
      3. Cantata, BWV 75 "Die Elenden sollen essen", Prima parte: III. Aria. Mein Jesus soll mein alles sein (Tenor)Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Hans-Jörg Mammel
        4:59
      4. Cantata, BWV 75 "Die Elenden sollen essen", Prima parte: IV. Recitativo. Gott stürzet und erhöhet (Tenor)Johann Sebastian Bach, Hans-Jörg Mammel, Ricercar Consort, Philippe Pierlot
        0:33
      5. Cantata, BWV 75 "Die Elenden sollen essen", Prima parte: V. Aria. Ich nehme mein Leiden mit Freuden auf mich (Soprano)Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Hannah Morrison
        4:49
      6. Cantata, BWV 75 "Die Elenden sollen essen", Prima parte: VI. Recitativo. Indes schenkt Gott ein gut GewissenJohann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Hannah Morrison
        0:32
      7. Cantata, BWV 75 "Die Elenden sollen essen", Prima parte: VII. Chorale. Was Gott tut, das ist wohlgetanJohann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Hannah Morrison, Carlos Mena, Hans-Jörg Mammel
        1:43
      8. Cantata, BWV 75 "Die Elenden sollen essen", Seconda parte: VIII. SinfoniaJohann Sebastian Bach, Ricercar Consort, Philippe Pierlot
        2:18
      9. Cantata, BWV 75 "Die Elenden sollen essen", Seconda parte: IX. Recitativo. Nur eines kränkt ein christliches Gemüte (Alto)Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Carlos Mena
        0:46
      10. Cantata, BWV 75 "Die Elenden sollen essen", Seconda parte: X. Aria. Jesus macht mich geistlich reich (Alto)Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Carlos Mena
        2:22
      11. Cantata, BWV 75 "Die Elenden sollen essen", Seconda parte: XI. Recitativo. Wer nur in Jesu bleibt (Bass)Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Mathias Vieweg
        0:27
      12. Cantata, BWV 75 "Die Elenden sollen essen", Seconda parte: XII. Aria. Mein Herze glaubt und liebt (Tenor)Johann Sebastian Bach, Hans-Jörg Mammel, Ricercar Consort, Philippe Pierlot
        3:50
      13. Cantata, BWV 75 "Die Elenden sollen essen", Seconda parte: XIII. Recitativo. O Armut, der kein Reichtum gleichtJohann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Hans-Jörg Mammel
        0:33
      14. Cantata, BWV 75 "Die Elenden sollen essen", Seconda parte: XIV. Chorale. Was Gott tut, das ist wohlgetanJohann Sebastian Bach, Hannah Morrison, Carlos Mena, Hans-Jörg Mammel, Matthias Vieweg, Ricercar Consort, Philippe Pierlot
        1:51
      15. Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": I. Concerto. Jesu nahm zu sich die Zwölfe (Tenor, Bass)Johann Sebastian Bach, Hannah Morrison, Carlos Mena, Hans-Jörg Mammel, Matthias Vieweg, Ricercar Consort, Philippe Pierlot
        4:37
      16. Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": II. Aria. Mein Jesu, ziehe mich nach dir (Alto)Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Carlos Mena
        4:42
      17. Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": III. Recitativo. Mein Jesu, ziehe mich, so werd ich laufen (Bass)Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Mathias Vieweg
        2:14
      18. Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": IV. Aria. Mein alles in allem, mein ewiges Gut (Tenor)Johann Sebastian Bach, Hans-Jörg Mammel, Ricercar Consort, Philippe Pierlot
        3:11
      19. Cantata, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Chorale. Ertöt uns durch dein GüteJohann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Hannah Morrison, Carlos Mena, Hans-Jörg Mammel
        2:05
      20. Cantata, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": I. Chorus. Herr Jesu Christ, wahr' Mensch und GottJohann Sebastian Bach, Hannah Morrison, Carlos Mena, Hans-Jörg Mammel, Matthias Vieweg, Ricercar Consort, Philippe Pierlot
        5:16
      21. Cantata, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": II. Recitativo. Wenn alles sich zur letzten Zeit entsetzet (Tenor)Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Hans-Jörg Mammel
        1:14
      22. Cantata, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": III. Aria. Die Seele ruht in Jesu Händen (Soprano)Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Hannah Morrison
        7:40
      23. Cantata, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": IV. Recitativo. Wenn einstens die Posaunen schallen (Bass)Johann Sebastian Bach, Ricercar Consort, Philippe Pierlot, Mathias Vieweg
        3:57
      24. Cantata, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": V. Chorale. Ach Herr, vergib all unsre SchuldJohann Sebastian Bach, Hannah Morrison, Carlos Mena, Hans-Jörg Mammel, Matthias Vieweg, Ricercar Consort, Philippe Pierlot
        0:53
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      About Johann Sebastian Bach

      Johann Sebastian Bach, born in 1685 in Eisenach, Germany, stands as one of the most influential figures in the history of Western music. A prolific composer and virtuoso performer on multiple instruments, Bach's genius spans a vast array of genres and forms. His compositions, ranging from the intricate Brandenburg Concertos to the profound St. Matthew Passion, showcase his unparalleled mastery of harmony, counterpoint, and emotional depth. Bach's keyboard works, such as the Goldberg Variations and The Well-Tempered Clavier, are staples of the classical repertoire, while his organ pieces like the Toccata and Fugue in D minor continue to inspire awe. Bach's legacy, revitalized during the 19th-century Bach Revival, endures as a testament to his enduring brilliance and innovation. His music, respected for its technical brilliance, intellectual rigor, and artistic beauty, continues to captivate audiences and musicians alike.

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